Our client, who is from the sports world, wanted an open-plan house for entertaining but also a photography studio and a gallery space suitable for hanging his large art projects. Working with Barry Chase of CMF Homebuilders and Linda Dahan of Highfire Interior Design, the project began with an empty hilltop lot but required a 10-foot high retaining wall to create a sturdy level pad for building.
Sited in an existing small level clearing at the top of a steeply sloping Mill Valley lot surrounded by mature cedar and redwood trees, this 640 square foot guest house is designed to serve multiple generations and functions; a guest room for visiting parents and friends, a media room, and a hangout space for teenage children. The porch and media room are situated on the more open side of the site and the guest room is tucked into the trees.
San Francisco‐based Pacific Eagle and local entitlement partner SKS Partners are proposing a 36-story mixed-use residential and hotel property at 555 Howard, designed by Renzo Piano Building Workshop (RPBW), in collaboration with Mark Cavagnero Associates. The LEED Platinum-targeted project will include 69 residential units, a 255-room luxury hotel, meeting and ballroom facilities, a spa and fitness center, ground floor restaurant, a skybar/café on the top floor that will be open to the public and a rooftop public open space with panoramic views of the city and bay.
SFMOMA’s leadership worked closely with Snøhetta to create a transformational expansion that incorporates and renovates the museum’s existing Mario Botta–designed building, which debuted in 1995. The new museum accommodates the significant growth of SFMOMA’s collection, program and visitorship, nearly tripling the museum’s gallery space, including nearly 45,000 square feet of free public-access space and weaving SFMOMA into its urban setting as never before.
Project Architects: Aaron Dorf, Lara Kaufman, Jon McNeal
Senior Architects: Simon Ewings, Alan Gordon, Marianne Lau, Elaine Molinar, Kjetil Trædal Thorsen
Design Team: Nick Anderson, Behrang Behin, Sam Brissette, Chad Carpenter, Michael Cotton, Aroussiak Gabrielian, Kyle Johnson, Nick Koster, Mario Mohan, Neda Mostafavi, Anne-Rachel Schiffmann, Carrie Tsang, Giancarlo Valle
Apple today announced that Apple Park, the company’s new 175-acre campus, will be ready for employees to begin occupying in April. The process of moving more than 12,000 people will take over six months, and construction of the buildings and parklands is scheduled to continue through the summer.
Envisioned by Steve Jobs as a center for creativity and collaboration, Apple Park is transforming miles of asphalt sprawl into a haven of green space in the heart of the Santa Clara Valley. The campus’ ring-shaped, 2.8 million-square-foot main building is clad entirely in the world’s largest panels of curved glass.
The Oak Pass Main House sits atop a 3.5-acre ridge site with panoramic canyon views. The property’s topography and landscape, which most notably include over 130 protected Coast Live Oak Trees, were the primary drivers for the house’s design. In order to showcase and amplify the site’s inherent beauty, the house’s mass is buried into the hillside, with only a one-story pavilion above grade as it unfolds along the ridge.
The house was built at the foot of a hill and —to make the most of the lot—concrete piling was done to have the necessary structure to meet the program required by the clients. It is a two-storey house with a flat roof and elevator that also has an attractive hill where herbal and fruit gardening was developed. It’s like a boat on the sky by the way it stands out from the piles and integrates into its environment.
Comprised of perpendicular bars atop a hill overlooking the village of Healdsburg, this home offers both ample social space ideal for entertaining and the privacy of a rural retreat.
The taller section runs along the ridge of the hill and houses the home’s great room under lofty ceilings and a simple shed overhanging roof, filled with light and views let in through tall glass walls. Four oversized glass panels open dramatically on each side, transforming the space into an outdoor pavilion whose flush concrete floors extend into a poolside patio to the north and into a terrace featuring a fire pit to the south to offer comfortable outdoor areas for both hot and cool weather. With these doors drawn up, the site offers one sweeping, continuous view from the pool, through the great room, and down into the distant village below.
Article source: ANX / Aaron Neubert Architects, Inc.
OZU East Kitchen, located in the Atwater Village neighborhood of Los Angeles, is the prototype and initial brand identity for a suite of restaurants focusing on Japanese and Korean influenced cuisine served in a fast-casual environment. Inspired by the technical craftsmanship and narrative clarity of the art of legendary Japanese filmmaker Yasujiro Ozu, the restaurant design is a study in the potential of a minimal yet visually and materially rich palette to generate an immersive and socially dynamic environment.
The site is characterized by its remote feeling and mature trees; this despite being surrounded by dense urban development. It is an unusual paradox to have such a natural setting that occurs in the middle of Los Angeles – a city known for its endless sprawl and crawling traffic.