The project is located in the farmland on the fringe area of Guye district, Tangshan. Villages and houses are scattered around. The site is a rectangular flat land covers an area of 6000㎡. The basic function of the building is acting as a processing workshop of organic food – raw materials come from organic producing areas across the country, being collected, processed and packed here, and then being delivered to other places as finished products. The design is inspired by traditional courtyard building, the initial idea is to build a magnified courtyard house, a workplace full of natural atmosphere and flexibility, a workplace which is self-contained and forms a corresponding relation with the surrounding broad and flat field.
This is a renovation project. The property was originally an abandoned office facility located at the center of Dali old town, including a traditional Bai style timber building, a bungalow made of brick and concrete and a 200 sqm courtyard. The property has been rented by a local lifestyle brand “Chaimiduo” and renovated into a farm restaurant, a farmer’s supermarket, a gallery for local handicraft and space for “Chaimiduo Bazaar” that opens once a week.
The idea of the renovation is mainly about redefining the courtyard’s four different sides using ad-hoc strategies.
The South Yard, namely a southern courtyard, is located in Sanjia, Yangshan Village, Guling Town, Mashan County, Nanning, Guangxi Province. Through ages, this tranquil and plain village has been settled by three clans: Huang, Liang and Tang, thus named Sanjia (Three Surnames). The unparalleled Karst Landform surrounds the village, forming a greenary barrier naturally. In the bottom of mountains, a brooklet flows slowly through the village, with children swimming and housewives washing vagetables and clothes beside it. The melodious sound of three-part folk music comes from far away, attractive and pleasant to the ear.
The China Philharmonic Orchestra revealed MAD Architects’ design of the new China Philharmonic Hall. The concert hall was designed in collaboration with renowned acoustic expert Yasuhisa Toyota, and will be the orchestra’s first permanent residency. The philharmonic orchestra’s goal is to create a state-of-the-art concert hall that will serve as a cultural exchange and China’s new locus for classical music.
Design Team: Kin Li, Liu Huiying, Fu Xiaoyi, Brecht Van Acker, Zeng Hao, Li Guangchong, Jacob Hu, Xiao Ying, Dora Lam, Zhao Wei, Shen Chen, Dmitry Seregin, Zhu Jinglu, Yukan Yanagawa, Wang Deyuan, Hiroki Fujino, Zheng Fang, Sear Nee
Client: China Philharmonic Orchestra
Acoustics: Nagata Acoustics
Construction Engineer: Radio Film & Television Design & Research Institute (DRFT)
Structural Consultant: China Construction International (Shenzhen) Design Consultant Co., Ltd.
In 2014, we were required to design a villa located at Shenzhen Bay in Nanshan district, Guangdong Province, China. Client Mr. Xu is a Teochew, who is from Chaoshan Teoswa where is the linguistic and cultural region in the east of Guangdong, China that is developing into a single metropolis. As we know, most Teochew people like design in malacosoma rich, bronze color and other heavy fine wood carvings, decorated in a warm atmosphere, which might not incompatible with our philosophy. Even more, Mr. Xu had already have one design plan which was being under pre-construction. He complaint that he was not that satisfied with that previous design. At the beginning, we were worried that he might not that into our design, but he indicated ‘modern’ was actually what he was looking for.
Article source: Neri&Hu Design and Research Office
Ordinary things contain the deepest mysteries… If anything is described by an architectural plan, it is the nature of human relationships, since the elements whose trace it records – walls, doors, windows and stairs – are employed first to divide and then selectively to re-unite inhabited space.
Robin Evans’ 1978 essay Figures, Doors and Passages analyzes how ordinary elements of a plan and their arrangements interact and shape occupancy. A simple corner or window opening is in fact inscribed with a complex matrix of spatial relationships that determine how a space is used. Neri&Hu’s design for Bloomberg Hong Kong’s internal office stair is in part inspired by the mundane elements of space-making – windows, passages, staircases and thresholds. The client’s brief was to design a staircase to connect the 3 different floors of their office with the explicit rule that this stair should to be used daily as the only vertical connection within the office to encourage employee interaction. Part of the brief was to also create a design that would respond to the locale of Hong Kong to create a link to the larger context of the city. The site is situated in the client’s existing office, within a typical office tower and surrounded by existing conference rooms, break-out areas, a recording studio and an auditorium. The existing spiral staircase was sculpturally iconic but the geometry was not conducive for the daily high traffic volume. Our challenge was re-design a staircase that would work within the structural limitations of the knock-out panels in the floor slab, while still creating a more spacious journey.
Location: Cheung Kong Center 2 Queen’s Road, Hong Kong, China
Photography/Videographer: Pedro Pegenaute
Design Team: Lyndon Neri & Rossana Hu (principals in charge), Christine Chang (associate in charge), Wendy Tsai (associate in charge), Wu Dong (designer), Jiameng Li (designer), Brian Lo (senior associate in charge of product design), Zhao Yun (product designer), Christine Neri (associate in charge of graphic design), Haiou Xin (graphic designer)
Cultural architectures have always been academician He Jingtang’s “specialty”.
Project Dachang National Palace is no doubt his another masterpiece. Located in Dachang Hui Autonomous County, Langfang, Hebei province, the project is supposed by the local government to be an iconic design, introducing Dachang’s particular culture and enhancing the soft power of the city. The national palace is thus endowed with multiple functions, serving not only as the recreation center of the city, but the essential cultural site for the introduction of local religion and history as well. It has undoubtedly brought lots of challenges to the designer, because of the special ethnic composition, historical context, religious belief, complex functional requirements of the site and the setting of a cultural landmark.
In 2012, O-office transformed the top floor of a 1960s’ silo building in the oldest beer factory of Guangzhou, the central city of southern China. The 38-metre-high silo building locates on the south bank of one branch of the Pearl River, confronting the generic housing high rises and looking south to the city’s old downtown. The top floor used to be the inlet level for the wheat berry to be fill in the 12 silo’s below, thus full of square holes on it. A bridge building has been connecting the building part on top of the silo’s, and the vertical transportation tower at the east end.
This exhibition space was required to share a space with a blues jazz bar already in operation. The jazz bar was in a historical location originally used as ice house (ice storage) during Qing dynasty in the 18th century. It is about 400m east to the east gate of the Forbidden City.