In 2014, we were required to design a villa located at Shenzhen Bay in Nanshan district, Guangdong Province, China. Client Mr. Xu is a Teochew, who is from Chaoshan Teoswa where is the linguistic and cultural region in the east of Guangdong, China that is developing into a single metropolis. As we know, most Teochew people like design in malacosoma rich, bronze color and other heavy fine wood carvings, decorated in a warm atmosphere, which might not incompatible with our philosophy. Even more, Mr. Xu had already have one design plan which was being under pre-construction. He complaint that he was not that satisfied with that previous design. At the beginning, we were worried that he might not that into our design, but he indicated ‘modern’ was actually what he was looking for.
Article source: Neri&Hu Design and Research Office
Ordinary things contain the deepest mysteries… If anything is described by an architectural plan, it is the nature of human relationships, since the elements whose trace it records – walls, doors, windows and stairs – are employed first to divide and then selectively to re-unite inhabited space.
Robin Evans’ 1978 essay Figures, Doors and Passages analyzes how ordinary elements of a plan and their arrangements interact and shape occupancy. A simple corner or window opening is in fact inscribed with a complex matrix of spatial relationships that determine how a space is used. Neri&Hu’s design for Bloomberg Hong Kong’s internal office stair is in part inspired by the mundane elements of space-making – windows, passages, staircases and thresholds. The client’s brief was to design a staircase to connect the 3 different floors of their office with the explicit rule that this stair should to be used daily as the only vertical connection within the office to encourage employee interaction. Part of the brief was to also create a design that would respond to the locale of Hong Kong to create a link to the larger context of the city. The site is situated in the client’s existing office, within a typical office tower and surrounded by existing conference rooms, break-out areas, a recording studio and an auditorium. The existing spiral staircase was sculpturally iconic but the geometry was not conducive for the daily high traffic volume. Our challenge was re-design a staircase that would work within the structural limitations of the knock-out panels in the floor slab, while still creating a more spacious journey.
Location: Cheung Kong Center 2 Queen’s Road, Hong Kong, China
Photography/Videographer: Pedro Pegenaute
Design Team: Lyndon Neri & Rossana Hu (principals in charge), Christine Chang (associate in charge), Wendy Tsai (associate in charge), Wu Dong (designer), Jiameng Li (designer), Brian Lo (senior associate in charge of product design), Zhao Yun (product designer), Christine Neri (associate in charge of graphic design), Haiou Xin (graphic designer)
Cultural architectures have always been academician He Jingtang’s “specialty”.
Project Dachang National Palace is no doubt his another masterpiece. Located in Dachang Hui Autonomous County, Langfang, Hebei province, the project is supposed by the local government to be an iconic design, introducing Dachang’s particular culture and enhancing the soft power of the city. The national palace is thus endowed with multiple functions, serving not only as the recreation center of the city, but the essential cultural site for the introduction of local religion and history as well. It has undoubtedly brought lots of challenges to the designer, because of the special ethnic composition, historical context, religious belief, complex functional requirements of the site and the setting of a cultural landmark.
In 2012, O-office transformed the top floor of a 1960s’ silo building in the oldest beer factory of Guangzhou, the central city of southern China. The 38-metre-high silo building locates on the south bank of one branch of the Pearl River, confronting the generic housing high rises and looking south to the city’s old downtown. The top floor used to be the inlet level for the wheat berry to be fill in the 12 silo’s below, thus full of square holes on it. A bridge building has been connecting the building part on top of the silo’s, and the vertical transportation tower at the east end.
This exhibition space was required to share a space with a blues jazz bar already in operation. The jazz bar was in a historical location originally used as ice house (ice storage) during Qing dynasty in the 18th century. It is about 400m east to the east gate of the Forbidden City.
This unique development in the district of Jiang Ning, Nanjing is a result of a dynamic interaction of its different functions. It comprises a shopping center linked to outdoor commercial streets, galleries and small shops and cafes, a 60m high boutique hotel, a 90m high office tower and two 90m high residential buildings over more than 150,000 sqm. Functions and facilities are interconnected by fluid forms and shapes, solid volumes and negative spaces along a sequence of indoor and outdoor squares, meeting areas, terraced passages and internal corridors.
The regeneration of the central landscape piece of the Business Technology Park in the heart of Zhongguancun will give place to this unique destination of shopping, entertainment, gardens and outdoor events. The four-storey development integrates with the landscape forming a new gentle topography for the site amongst indoor and outdoor spaces and activities. A sinuous spine circulation leads to atriums and event spaces associated with theme clusters such as Technology, Fashion, Entertainment, Convenience, Sport, Family & Kids and Education.
nARCHITECTS has won the 1st prize (Concept Design) in the 2016 International Young Architects Design Competition for the 110,000m2 Shanghai Library East Hall. The competition, which generated over 200 entries, was held by Shanghai Pudong New Area People’s Government, aimed at enhancing Shanghai’s unique cultural influence and promoting qualities of public lives. The library proposal entitled “Library as Home” envisions a library that feels like a large house for all, with a rich variety of environments that Shanghai’s citizens could appropriate as their own. As such, our design is inspired by the intimate connections between people, media and nature in libraries of the ancient world.
The Museum of Contemporary Art & Planning Exhibition (MOCAPE) is part of the master plan for the Futian Cultural District, the new urban center of Shenzhen. The project combines two independent yet structurally unified institutions: The Museum of Contemporary Art (MOCA) and the Planning Exhibition (PE) as a cultural meeting point and a venue for architectural exhibitions. The lobby, multifunctional exhibition halls, auditorium, conference rooms and service areas will be used jointly.
Project Team: Jessie Castro, Jessie Chen, Jasmin Dieterle, Luis Ferreira, Peter Grell, Paul Hoszowsky, Dimitar Ivanov, Ivana Jug, Zhu Yuang Kang, Alexander Karaivanov, Nam La-Chi, Rodelle Lee, Feng Lei, Megan Lepp, Samuel Liew, Thomas Margaretha, Jens Mehlan, Ivo de Nooijer, Reinhard Platzl, Vincenzo Possenti, Pete Rose, Ana Santos, Jutta Schädler, Günther Weber, Chen Yue
Digital Project Team: Angus Schoenberger, Matt Kirkham, Jasmin Dieterle, Jonathan Asher, Jan Brosch
Local Architects: HSArchitects, Shenzhen, China
Structural Engineering: B+G Ingenieure, Bollinger und Grohmann GmbH, Frankfurt, Germany
Mechanical Engineering: Reinhold Bacher, Vienna, Austria