A stone wall is the stage backdrop for the new fire department in margreid, along the wine road. three large caverns in a mountain, connected by a crossing tunnel, serve as the inner rooms of the station. two caverns are used for trucks and one for administrative work. a meter from the mountain, a concrete wall, kinked and dyed black, mirrors the angle of the mountain wall. the three caverns dock on to the steel concrete wall that functions both as fall protection and as an architectural element of the fire department. the material chosen was concrete: stable, strong, and mighty; the dark color was achieved by adding beech coal dust, making the concrete look like burnt wood.
The gabled roof, the rooftop and the roofing of the windows were the central topics of the design. the natural and architectural surroundings were the inspiration for the rooftop. the mountain tops – the backdrop of the house – and the traditional farmsteads that characterize the area are abstractly cited and interpreted in a new way in the architecture. a parallel floor plan allowed for two houses under one roof. the two different apartments, planned for two sisters, are designed to let nature and the surroundings in. all of the windows were placed according to the views they offer, and the gardens are mirrored in the loggia on the ground floor as well as on the rooftop terrace, nestled between the rooftops. any open spaces are protected from the strong winds distinctive for this area. the loggias are located deep in the buildings, and the rooftop terrace is protected by an elongated piece of façade. the building interacts with its surroundings; the old stone wall is incorporated in the design. the two materials – cinderblock and brownish-black wooden slats – interact, illustrating the duality found on the inside.
An iconic urban landmark, but also a sustainable structure for an evolving shopping experience: the new CENTRO*Arezzo Coop.fi frees itself from the conceptual dictates of the traditional shopping mall and acts as a social and recreation pole that is perfectly integrated with the city. Opened in 1988, the complex has undergone a significant aesthetic and functional redevelopment that has completely changed its identity and its relationship with the surrounding environment.
The municipality of Dalmine, a city of 25.000 inhabitans in the north of Italy, had the necessity to increase the main cemetery with a new pavilion to host 500 niches for ossaries and cinenary urns.
The new pavilion is different respect the traditional tipology, that is usually made up of a colonnade open on the big central space of the cemetery, in fact the new building is composed by three repeated blocks on the west side of the cemetery.
The Hotel Hubertus is located in Valdaora, at the foot of the famous ski and hiking area Kronplatz in the Puster Valley at an altitude of about 1350 m. The family establishment was generously enhanced and enlarged with 16 new suites, a new kitchen with restaurants and “Stuben”, an entrance area with lobby, reception and wine cellar and a fitness and a relaxation room with panoramic terraces. The new 25 m long pool, functioning as a connector between old and new, underlines the essence of this comprehensive renovation and renewal project.
Since the end of the 18th century, when the Greek colonization of Sicily forced the Phoenicians to retreat to Motya, Soluntum, and Palermo, the ancient Phoenician city of Motya lies on the San Pantaleo Island, in the lagoon of Marsala in Sicily.
In 397 B.C., Dionysus of Syracuse knocked Motya down after a long siege and the survivors found a shelter on the mainland, establishing the Punic city of Lilibeo. This settlement, today known as the city of Marsala, quickly gained in importance and overshadowed the ancient city of Motya, which the Carthaginians will conquer back soon after. The archeological excavations in Motya brought back an astonishing male sculpture, considered an original Greek artwork of the 5th century B.C., and the urban design of the settlement, of the city walls, and of numerous buildings. Above all, the most significant archeological discovery is the unveiling of a unique Phoenix-Punic warship, sunk at a battle during the First Punic War between the Romans and the Carthaginians in 241 B.C.
In a place which seems to be out of time, connected to reality by a long bridge like an antique tuff stone island, the project researches a dialogue between traces of history and contemporaneity, with its necessity to regain the bonds with its past.
Thanks to objects which represent the history of Italian design the interiors become a stage for connecting with shapes and materials of the tradition of this region. Discreet presences able to give new meanings to ancient places.
Born from the expertise and experience of architect Mariano Zanon (1965) and grown with partner architects Alessio Bolgan (1976) and Bruno Ferretti (1974), the architectural practice zanonarchitettiassociati, has witnessed a continuous growth of professional activities, from projects and interior works for commercial areas, restaurants and private homes to activities of architectural planning for residential, commercial and above all for the tourism-hospitality sector.
As a part of a program for the conversion of an old hemp factory into a new city center for the town of Migliarino, the project gains a youth hostel out of a 510 m2 portion of the building. The site position is barycentric to the touristic circuits which take place during the summer, thanks to the proximity of the Po River Delta Natural Park, but the project has to count on a reduced regional funding, 270.000 € including the furniture, and a doubtful management profitability. Thus the management aspects, both with the energetic and economic saving, are the principal matters. The hostel is imagined as a ‘passive machine’, in which natural air fluxes are conveyed in order to obtain climatic benefits, while the systems distribution and the morphological disposition of the rooms, conceived as to minimize the utilized elements and technologies, allow an elastic hosting capacity: the highest during the spring and the summer, or in case of special events, reduced to the essential during the low seasons.
The name Quiubox is a combination of the Colombian expression “¿Quiubo?”, meaning “what’s up”, “hello, what is happening”, and a “box”, referring to a small scale architectural object, a container of knowledge and activities.
Quiubox is a nomadic workshop, a project designed for the Afro-Colombian communities living in the coastal areas surrounding Cartagena.The project aims to tackle inequality by building bridges between professionals and ethnic communities in the Colombian Caribbean.