On a plot in Tokyo, a small garden has been thriving next to an old house for a long time. As the tiny existing building was replaced, our client really wanted to preserve the garden and allow it to sprawl all around the house. The small plot should also fit a parking, the maximum footprint of the house, and the necessary gap to the site perimeter. The client is a couple that will first use this house as a weekend house before eventually moving to Tokyo. They also have grown-up children living in Tokyo and abroad that will inhabit the house from time to time. Therefore, the program was fairly unspecified, and rather than making a house with many small rooms, we opted for a concept which gives a few large spaces in this small house.
The site is located in a residential district, which is easily accessible from a principal road. It is a so-called “flagpole-shaped site”, meaning that the rectangular site is located at some distance from the public road and linked to it by a long and narrow path. The site is surrounded by two-story and three- story buildings on the four sides. The client requested an indoor garage so that he can enjoy looking at his beloved car from living room and also an inclined roof with solar panels.
“coniwa” is a cooperative housing residence, located in the suburbs of western Tokyo.
It consists of eleven dwellings arranged around a lush courtyard, which is covered by a wooden boardwalk. In this project the clients were initially provided with a constructive and architectural framework, in which the plan was designed according to the individuals’ requests.
The site is there in a residential area in Tokyo, dense with low-rise buildings, located a little bit west to the center of the Kanto plain. The climate there is about to change from warm humid climate to rainforest climate in near future.
I’m not making a “house” this time. It should be a lasting “terrain” that induces “habitation”. My goal is to shape the terrain up to a freshly designed “residence” with no preestablished harmony sensed.
Award-winning architectural office, spatial practice, completed a site-specific light installation in Tokushima, Japan; titled Indigo Waterfall. The permanent fiber optic lighting installation is debuted at the Tokushima LED Art Festival 2016 flanking both sides of Kasuga Bridge creating the perception of indigo ink spilling into Shinmachi River.
Inspired by both the past and present industries of Tokushima City, the designer merges and highlights the importance of both industries in its development of the city. Tokushima City was built by the indigo dye industry; big indigo storehouses occupied both waterfronts surrounding Kasuga Bridge where white walls and blue stones were reflected onto the river. Tracing back to its history, the Indigo Waterfall gives new remembrance to the surrounding indigo storehouses by utilizing Tokushima City’s new thriving LED industry and its surrounding natural beauty. By connecting light, nature, local culture and people; the installation creates a new image for Tokushima City.
Indigo Waterfall bridges the past, future, and evolution of industrial development.
This house offers the family a life to live closer to green. Living room is that the sash is completely full open, and has a space to feel the green integrated north garden and south garden. On 2nd floor balcony, planters are placed randomly, which makes a series of green together with green in front and back of the building. These plants help to cool down the temperature , block sunshine and offer privacy for residents. Planted zone with a vertical ties forms a favorable environment for the residential and region.
“dialogue” between the old and the new “substance” This is a house to be built in Tokyo, for a movie producer couple. This architecture is consisted by combining L-shaped blocks of reinforced concrete and sequential frames of box-shaped engineer-wood. We put bedrooms, film archive and galley in solid concrete part for security, and living room in engineer-wood part for openness. As material that consist an open space that is 6m in height, 5.5m in width, 14m in depth, we choose thin engineer-wood (38mmx287mm). Main theme for this architecture is to bring out a sense of mass and material, which were denied by modern architecture which pursued “white, flat wall” as a style. We intentionally left the wood grain of mold on the surface of concrete, and choose textured stones and irons. It goes without saying that a house is a relaxing place. A house like a white-cube, surrounded by flat, white walls everywhere, gives a person very abstract image. But that image could only be sensed when we use intellective part of our brain. The problem is that we’re not all-intellective-creature. For the people like this client, who do enough intellectual labor on a daily basis, white-cube would only bring sense of fatigue. The role of architecture, especially the ones for living, is to soothe the sensory side of people, not to stimulate the intellectual side. That’s my take. Sure, intellectual living would have got some meaning as a fashion at the time when modern architecture was born. However, now that it became a part of everyday life, its identity has been lost. We have to examine whether our approach is rational or not every time we build architecture.
This building was planned as the clinic which supported a medical connection with the people from a local child to the elderly.
A client is the doctor who performed medical care to support an area as a family doctor for a long time in this ground. The front road of the site became the attending school road of the elementary school, and the building which had children feel friendly feeling was demanded.
Near the base of the Manazuru Peninsula, on a hilly topography that slopes toward the south, the site is located where the hill’s inclination eases to form a shoulder. Beyond the enclosing greenery composed mainly of broadleaf trees, the expanse of the Pacific Ocean quietly extends to the horizon. The client’s request was for a guesthouse for the family and friends to spend their weekends together.