I keep on design activities in Hokkaido, so most of my projects ran there. By designing in a remarkably cold, I continued thinking on response to completely different contexts from other areas. They are mainly “cold” and “snow”. Of course there are other various things to deal with, but these contexts have the great impact. In this state, I felt the possibility of “a windbreak room” and thought about the expansion and diversity.
My client whose hobby is D.I.Y wanted to actively engage in the house-building.
Her desire was to build storage furniture while living in the house, and the architecture as a vessel is to provide the most comfort and the feel of material quality.
The following interior design was realized for a store selling dairy products owned by a company which runs its own dairy farm. Since the distinctive characteristic of their products is the fact that fresh milk produced at the dairy farm is used in each and all of their products, we were tasked with providing a space to attractively display said products by evoking the imagery associated with fresh milk and the farm throughout the entire space.
On a typically small site wedged between the road and the river this house in Kyoto is a kind of European canal-house in Japan. It is close to the city center but in a quiet street near cafes and restaurants, bakeries and a chocolatier. The museum district (with temples and shrines) is a short walk, and there are many cherry trees lining nearby streets.
Kumano-cho is the traditional brush production region in Hiroshima, Japan. “Weekend house in Kumano-cho” is the privacy-conscious weekend house for the old family. Therefore, it does not have large southern windows near the neighboring house, while Japanese houses are usually open to the south side.
Article source: tomomi kito architect & associates
This is an interior renovation project of an existing two-story timber structure house in Tokyo built approximately 40 years ago.
The client is a young couple, and the wife’s parents were living there before the renovation. The client decided to live with their parents in this house. Soon after, the wife’s grandmother who lives alone in the countryside – far from Tokyo – also decided to live together in this house. As such, the client requested to renovate the house suitable for accommodating 4 generations – the grandmother (1st generation), parents (2nd generation), the client (3rd generation), the client’s son (4th generation).
This is a project for husband, wife, and 2 children. Vida is a house located in Saitama, Japan. The site is a high-residential area and has a neighboring house in the east and the north. The south is built with shops across narrow streets whereas rich tea gardens are spreading in the west. Since it is a densely populated area, we derived firstly to the maximum possible volume from the volume ratio and the north side shaded line which are decided by law. In order to cope with environmental burdens while taking in the scenery, we planned living, dining, and kitchen with a large opening using Low-E glass on the second floor. The floor was a one-room with all its floor space, a storage space full of ceiling in the north and south, and a dry area that was accentuated on the exterior as part of the south. In addition to the entrance that jumped out black on the first floor, the bedroom and the utilities are compactly summarized. The house which the appearance is simple as well as incorporated privacy and maximize the landscape, gives to the town accented.
Naito Shinjuku was established in 1699 as a stage stop along a major thoroughfare heading out of Edo (old name of Tokyo). Dropping the “Naito,” the district started to be called Shinjuku in 1920, the same year that saw the Musashino-kan Shinjuku emerge on Shinjuku-dori Avenue, which was also home to the Shinjuku Mitsukoshi store. Local merchants opened a 600-seat movie theater in the three-story wooden structure with tiled façades. In 1928, Musashino-kan Shinjuku relocated to its current site, a new cinema with 1,115 seats housed in a three-story concrete building. During the silent movie era, Musei Tokugawa was active as a narrator here. Later, an air raid over Tokyo caused a fire to burn the entire interior of the theater, but the building survived and became a symbol of post-war recovery. Cinema offered entertainment to the populace, and Musashino-kan entered the golden age in an alliance of more than 20 theaters. But the movie-going population peaked in 1958 at 1.1 billion tickets, and rapidly dropped to 1/3 of that patronage by 1965. Amidst a declining industry, the decrepit Musashino-kan was demolished in 1966 and rebuilt. Still standing today, the building initially consisted of a retail and dining complex seven floors aboveground and three floors underground. The first movie theater in this new building had 500 seats on the seventh floor. In 1994, the Cinema Qualite mini-theater opened. The seventh floor was closed in 2002, and the third-floor theater operations changed banners from Cinema Qualite to Musashino-kan Shinjuku. For the improvements made most recently, however, aseismic reinforcement work on the entire building prompted the Musashino-kan Shinjuku on the third floor to undergo a complete renovation.
This is a project for husband, wife, and 2 children. Voice is a house located in Tochigi, Japan. The site is located on the north side of the subdivision site, and the east, west, and south side are surrounded by the neighbor’s house. We focused on reconsideration of openness and privacy, so first of all the floors of each floor were open windows on the south side. On the first floor, the inner veranda and the external deck were made continuous so that the line of sight faces the garden where the lawn spreads. The deep roof and sleeve walls protect wooden sash while blocking the strong sunlight of the summer and the gaze from the neighbor. On the second floor where the bedroom lined up, a wall was set up on the terrace to save the privacy from the outside, the east west and the upper part were opened, and the light was reflected on the white wall to secure the illuminance. Because the interior spaces are connected through openings and void, so spaces are filled with the voices of families.
The master plan for the station plaza at Tenri Station in Nara prefecture, located in the southwest region of Japan.
The plan for the 6,000 square meter area includes bicycle rentals, a cafe and other shops, an information kiosk, a play area, outdoor stage, and meeting area. The project goal was to encourage local community revitalisation by providing a space for events, tourist information dissemination and leisure facilities for local residents.