Form4 Architecture designed Urban Frames, a LEED Gold-aimed, Silicon Valley residential and office space, to instill a distinct character in an area globally known as the epicenter of the tech industry. Intended to benefit both on-site users and the surrounding community with a visually appealing and sustainable design, this mixed-use architectural ensemble invites pedestrians and tenants alike to gather, share, retreat, entertain, and work.
The Hybrid Farm Apartment Building is a new building type designed for cities, which offers farm space for locally grown produce as well as residences. This particular hybrid farm design also addresses local conditions at the High Line and positions the hybrid building within the general context of architecture in the area. The geometry of the building adjusts to the angle of the sun throughout the day. Only the top of the building sees the morning sun because of the height of the surrounding buildings in Chelsea. As the sun comes across the sky to the West, the building twists to evenly distribute daylight throughout the day. The farm terraces are accessible by residents of the apartments on each floor. There is a public observation garden on the top floor and an art gallery on the second floor, both accessible from the High Line.
This contemporary architectural design, located just blocks from the Barton Springs Pool and the Umlauf Sculpture Garden, features two residences in the heart of Austin’s Zilker Neighborhood. Both units open out to private landscaped interior courtyards as well as second floor balconies with views to downtown. The exterior material palette consists of a vertical standing seam siding contrasted against a white washed, vertical cypress tongue and groove siding. The rear unit is the builder / developer, Tim Mccabe’s own residence featuring prints from noted photographer David Hume Kennerly and sculpture from his travels in Asia as the development manager for the Pero Family in Dallas. Tim’s brings his sensibilities from living in Dallas in cannonical modern urban residences by the likes Bud Oblesby and Frank Welch of the O’Neil Ford School here to Austin’s own growing modern tradition. The building as a whole is a focused on elegant, urban living through a simple edited material palette, amazing framed views to the Zilker’s mature tree canopy and ample outdoor gathering spaces.
NAN is the remodel of a 11,450 SF warehouse into an office and production facility for the custom electronic parts manufacturer Arnold Electronics, Inc. The existing, prefabricated warehouse was converted into a high-tech office and manufacturing facility with the intent to create a graphic and architectural identity for the client.
The project VIL is an interior build-out in an existing warehouse for the Los Angeles headquarters of the content and production agency Conscious Minds. A main architectural feature is a continuous surface sheet forming an articulated ceiling and simultaneously folding around two conference spaces. The digital surface manipulation follows in part pragmatic stipulations but also creates a divided two-material sheet that appears to artificially tear at the seams to allow glimpses into the otherwise enclosed conference rooms.
TCA has had a lot of experience connecting smaller apartments together into a seamless whole, but this adventurous client requested something we’d never seen before. In a newly constructed multi-residential development, in the East Village of NYC, TCA had the opportunity to meet a unique client’s desire to combine two penthouse condos… with a helical slide. In this transformation, two identical 1-bedroom units, one atop the other, were combined into a duplex 2-bedroom home with the option to descend in the usual way on a new Italian-made “Rintal” stair, or more speedily, in a seated position, careening through the new double-height atrium.
The project proposes an architecture that responds to the inherent qualities of the site, privileged views, and the larger context of the Sonoran Desert. The language of the house draws upon these inherencies and allows for a greater understanding of the project’s circumstances.
This site for this project has one main view to the east towards Camelback Mountain. The intent of the project was to focus the views towards the iconic landmark to capture it and have it constantly presenced in the experience of the house while creating other introspective moments of experience.
The idea of working with repeated motives of a barn gable is inspired by the American painters Charles Sheeler and Andrew Wyeth. Sculptural monoliths of barns are orientated according to the sloping landscapes giving interesting compositions where many volumes in various directions can be seen as a layered additive structure.
Sited in a 1950’s era dense neighborhood in Tempe, Arizona, the Sosnowski Residence takes the form of a courtyard house defined by three sandblasted 8-8-16 standard gray CMU walls at the main level and an exposed Virendeel truss at the upper level that ultimately characterizes the project.