Article source: Olafur Eliasson and Kjetil Thorsen
The Serpentine Gallery Pavilion 2007 is designed by the internationally acclaimed artist Olafur Eliasson and the award-winning Norwegian architect Kjetil Thorsen, of the architectural practice Snøhetta. This timberclad structure resembles a spinning top and brings a dramatic vertical dimension to the traditional single-level pavilion. A wide spiralling ramp makes two complete turns, allowing visitors to ascend from the Gallery lawn to the highest point for views across Kensington Gardens as well as a bird’s eye view of the chamber below.
Immergas has extended its research and production field to new generation technologies, related to renewable resources exploitation (like solar thermal, photovoltaic and heat pumps); the new Center for Advanced Training contains teaching rooms and showrooms where technicians and professionals may be trained and updated on both implanting and installation technologies tied to productions based on renewable resources. So the building’s outline is that of an “open laboratory”- a space in which one works and is received.
I intended to make a building like the small city.
Originally, a human being is a creature living in the crowd. Nevertheless it is said that most family types are single life households in present Japan. The person keeps the balance while going back and forth in a personal domain like the house and the state of the crowd like the society. Can the apartment \there is society in the immediate neighbor of a personal domain\ become city life in microcosm?
This project is a narrow house of width 3.6-meters, depth 11.7-meters. Because width is very narrow, to make felt the extension of the space in what way is point of this project. Because securing privacy was valued, the window was not able to be set fruitlessly, therefore, by installing the courtyard, it made felt the extension of the space and achieved a good balance between getting daylight and securing privacy.
This project comes up from a tendering process to build state subsidized housing in Cerredo (Asturias), a mining town located in the very heart of the Cantabrian Mountains where no residential construction had been made for over 25 years.
Model 01
Architect: Zon-e Arquitectos / Nacho Ruiz Allén, José Antonio Ruiz Esquiroz
Name of Project: Social Housing for Mine Workers
Location: Degaña, Asturias, Spain
Project Area: 2,385 sqm
Photographs: Ignacio Martinez and Jose Antonio Ruiz
The city is a mark of multiple times and appears spatially as an entity in permanent mutation. To the existent urban structures others are added, adapted to the successive ways of “living”, promoting the revival of obsolete situations and the framing of records from the past.
Night View (Images Courtesy FG+SG Fotografia de Arquitectura)
Tags: Avenida Marechal Gomes da Costa, Lisboa Comments Off on R.T.P. Television Studios in Avenida Marechal Gomes da Costa, Lisboa by Frederico Valsassina
A mixed development at the social heart of the Financial District.
Lying adjacent to the Gate building, the project consists of a complex of ten buildings on a raised podium of car parking, which is enclosed by perimeter live/work studios. The podium level is pedestrianised with shops and restaurants. Above, are offices and apartments, with penthouses on the top two floors.
The project TilTil D.F. is the result of a request to gt2P, having as aim the development of a diverse program in an open space that merge with the topography and the landscape of thelocation. The requirement was done to this studiobecause of its experience in the development of projects of architecture based on the use of methodologies of parametric design. This knowledge has given them the capability to determine the relevant variables in their projects and to establish relations among them, in order to streamline the formulation and implementation of projects.
We make use of leftover space between five buildings to provide an extension to the public realm. Our inspiration bases on uniquely Japanese notions of layered scale and externality like the Japanese traditional ‘hiroen’ . The modern hiroen changes character on the place and makes a new context of the town.
The amorphous form appears both gentle and dynamic, resembling, among other things, a large fish. But it can also be viewed simply as a volume inspired by the motion of waves – as if the structure had taken shape as a flowing, swelling mass and then solidified. The form of this hydroelectric power station traces and dramatizes the channelled dynamism of the water as it flows into the holding basin, down through the turbines, and back into the River Iller. Another obvious association is with eroded stone; in the surrounding Allgäu region, not far from the Alps, such isolated rock formations are a common sight.
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