Completed in 2011, the Museum of the Moving Image houses a comprehensive collection dedicated to educating the public about the art, history, technique, and technology of film, television, and digital media. Leeser Architecture’s expansion and renovation of this unique museum allows for the interplay of rich moving image history with innovative technology and cutting edge design.
Article source: BAK Arquitectos
Site
Mar Azul is a seaside resort 400 km south of Buenos Aires, with an extensive beach of dunes and lush virgin forest of conifers. The land is part of the forest has the distinction of being very narrow and long and having a surface slope almost 5 meters before the baseline. From that point the dune has a sharp depression of low vegetation cover (acacia) but no pines. So looking from the lot to that area, conifers of the terrain is clear cut in this very special evening when the sun is going down and horizontally through the trees. This uniqueness makes this undoubtedly the most privileged view.
Reopening of Cutty Sark Gardens by Queen Elizabeth II
The reopening of the Cutty Sark Gardens by Queen Elizabeth II has been a great success for Greenwich. Despite heavy rain the public were out in large numbers on this particular occasion. The Cutty Sark Gardens, designed by OKRA received much praise and is indicated as one.of the key projects in the Mayor of London’s initiative for public space; the Mayor’s Great Spaces.
The idea behind House 11 x 11 was to design an apparently compact house of homogenous materials, with a low external surface but as large a usable area as possible, a house that serves a family as an inhabitable sculpture and shows its exterior as an image of the inner organization.
Night View (Images Courtesy Jens Weber & Orla Conolly)
Since the beginning of the millennium local nodes with a high density concentration of mixed program are used in Korean town planning. These nodes consist of a mix of public, retail, culture, housing, offices and leisure generating life in new metropolitan areas and encouraging further developments around them: the Power Centre strategy. The Gwanggyo Power Centre will consist of 200,000m2 housing, 48,000m2 offices, 200,000m2 mix of culture, retail, leisure and education and 200,000m2 parking.
Location: Future new town of Gwanggyo, located 35km south of the Korean capital Seoul
Program: 200,000m2 housing, 48,000m2 offices, 200,000m2 mix of culture, retail, leisure and education and 200,000m2 parking
Date: 2007-2011 (initial planning)
Budget: Withheld
MVRDV: Winy Maas, Jacob van Rijs, Nathalie de Vries with Youngwook Joung, Wenchian Shi, Raymond van den Broek, Paul Kroese, Naiara Arregi, Wenhua Deng, Doris Strauch, Bas Kalmeijer, Simon Potier, Silke Volkert, Marta Pozo, Francesco Pasquale
The new building is rooted in the slope between the two sports fields of the school. In the south end of the building will be posicioned the public program, the library and the amphitheater enhancing the relationship of the school campus with the urban fabric of the city.
This house, too, lies in the vineyard with a wonderful view of the Moselle. It is in part a masonry building with a visibly screwed oak façade; in part it has a load-bearing timber and glass façade. The building encloses an internal courtyard on three sides and is oriented to the northeast, towards the Moselle. There, too, a large pool of water was positioned, which can also be used as a swimming pool. A footbridge leads across this pool to the entrance to the house.
Now that preservation is increasingly important in our approach to existing cities, the period between the 1960s and 1980s is, worldwide, an exception. We can imagine saving Fin de Siècle, early Modernism, but the more anonymous and impersonal architecture that emerged after World War II has few fans and almost no defenders. That is why we were very happy to work on turning the almost-ruin of Vremena Goda into the new house for Garage. We were able, with our client and her team, to explore the qualities of generosity, dimension, openness, and transparency of the Soviet wreckage and fi nd new uses and interpretations for them; it also enabled us to avoid the exaggeration of standards and scale that is becoming an aspect of contemporary art spaces. – Rem Koolhaas
Bow Quarters is a beautiful seven-acre Grade-II listed residential development set within a historic site of the converted Bryant and May matchbox factory. The site is separated from the Olympic Park by the Blackwall Tunnel. Studio Verve was shortlisted and invited to provide design proposals for the conversion of one of the mezzanine apartments into a two-bedroom flat.
Completed in 2005, the office façade of the new Hyundai Development Company headquarters was designed to integrate the headquarters with the public plaza, the below-grade spaces and any future development on the site. A 62 meter ring dominates the main facade together with a complementary vector that explores the depth of the facade as a space that will be locally accessible through volume and plane projections.