Sumit Singhal Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
UFA Cinema Center in Dresden, Germany by COOP HIMMELB(L)AU
January 6th, 2017 by Sumit Singhal
Article source: COOP HIMMELB(L)AU
The design concept of the UFA Cinema Center is characterized by two intricately interconnected building units: The Cinema Block, with eight cinemas and seating for 2600, and the Crystal, a glass shell which serves simultaneously as foyer and public square.
Photography: Duccio Malagamba, Gerald Zugmann and Hélène Binet
Client: UFA – Theater AG, Düsseldorf, Germany
Design Principals: Wolf D. Prix, Helmut Swiczinsky
Design Architect: Tom Wiscombe
Project Architect: Verena Perius
Project Team: Eric Geddes, Alex Hagner, Spencer Hunt, Laura King, Johannes Kraus, Miro Krawczinski, Andreas Mieling, Stefanie Murero, Florian Pfeifer, James Puckhaber, Stefano Pujatti, Jennifer Rakow, Stephanie Reich, Andreas Schaller, Karolin Schmidbaur, Alexander Seitlinger, Bernd Spiess, Michael Volk, Andras Westhausser, Susanne Zottl
Construction Documents: Arge Eiger Nord Vienna; Coop Himmelb(l)au – ATP
Structural Engineering: B+G Ingenieure, Bollinger und Grohmann GmbH, Frankfurt, Germany
The Cinema Block opens up towards the street and is permeable for pedestrian traffic. It is differentiated by the circulation system of the cinemas and by views through to the street.
The Crystal is no longer merely a functional entry hall to the cinemas, but an urban passageway. The urban quality of the space is reinforced by circulation systems of stairs and bridges which allow views of people through layers of light and color.
The eight cinemas extend over four floors including the basement and offer seating for 2,600 people. The different levels are connected by free floating stairs and an elevator.
The bridges, ramps and stairs to the cinemas are themselves urban expressions. They allow views of the movement of people on a multitude of levels, unfolding the urban place into three dimensions. The lively quality of this space can be described in relation to the dynamic structure of film.
The Skybar, the “floating” double-cone inside the foyer, is accessible and will host different functions (café, bar etc.).
In this way, the content of the building becomes visible to the city as much as the city is visible from the building. It is an inside-out building which sustains a dialogue with the city.
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