Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
San Pellegrino church restoration and outfitting of plaster deposits in Lucca, Italy by MICROSCAPE architecture urban design ASSOCIATED ARCHITECTS
May 27th, 2018 by Sumit Singhal
Article source: MICROSCAPE architecture urban design ASSOCIATED ARCHITECTS
The Church of San Pellegrino in the historic centre of Lucca takes its name from its location which is on Via San Pellegrino, now called Via Galli Tassi: the northernmost route to the city of Lucca on Via Francigena.
It is believed that it was built at the ancient San Giorgio doorway, that is, the access door to ancient Roman forts, and that it was hidden in the walls and used as an emergency entrance or exit in case of attack or siege. It would have generally allowed the passage of one person at a time. Expanded in the middle of the seventeenth century with the great vaulted hall, it became a pilgrimage and prayer centre for wealthy local families. In 1808 the Church of San Pellegrino was closed for worship. In the twentieth century it was an organ workshop where city church organs were manufactured and repaired, it then became a warehouse. The Church was in an advanced state of neglect, the objective set by the commission was to restore the exterior, the roofs and interiors with the intent of transferring the plaster cast collections from the Polo Museale Toscano. The collection consists of 230 pieces dated from the mid-nineteenth century to the mid-twentieth century. The project also involved the adjacent rooms that were connected to the church when an ancient door was reopened. It’s a low cost project with utmost respect for the historical artifact, the space has been restored to its former splendour and artificial lighting has been created with equipment placed on the hall cornice in order to hide any technological elements from view . The natural and artificial light truly defines the space. The only architectural elements that have been added are the powder coated steel slabs placed to connect the door to the adjacent rooms, the missing steps in the presbytery, the areas where the side altars of St. Rocco and the nativity were originally placed (no longer present in the church), and the front entrance area. The white marble and bardiglio floor has been cleaned and coated in order to keep the authentic look of the multiple layers of wear from the last century. The atrium room on the first floor of the adjacent rooms will be turned into a small office.
The setting up of the plaster deposits – and given the large amount of pieces – is structured by means of two systems: shelves made of metal tubes and wooden pallet tatami boards. These elements define multiform spaces by using the most important sculptural elements and adequately placing them according to their shape and size. The church hall is divided into multiple visual glimpses that vary according to the light, whether it be natural or artificial. The material of the architectural finishes combined with the linearity of such a traditional space makes for a very contemporary feel. The glass entrance door connects the urban space to the interior, the first visible element is the frontispiece panel with graffiti in various languages. The multilingual text is a visual metaphor for the universality of art. Being just across from the Palazzo Mansi National Art Gallery, the Plaster casts of the Church of San Pellegrino now form an integral part of the Tuscan museum area.