Fit-out of a Sri Lankan restaurant & bar based in inner Sydney. Steel shelves filled with colourful spice jars, polished concrete, copper lighting, dark timber and leather seating with a busy open kitchen at one end and a high bar at the other. A long, narrow space makes for a bustling atmosphere where the sambols, hoppers and curries fly out of the kitchen from lunch until late.
Architectural Project to increase the headquarters building of PRF – Gás, Tecnologia e Construção, S.A. which arises from the need to expand its administrative, warehouse and workshop areas.
The proposal considers the restructuring of the existing building, built in 2001. The building has the same functions, distributed in three floors. For the construction of the new building, right next to the first one, the existing functions have been extended by floor: workshops on the ground floor, storehouse on the middle floor and offices on the upper floor.
Hutong, poses the question of how we can reinstate a discourse on the reinvigoration of ancient city spaces. We avoided inserting intrusive programs into the courtyard house, deflected from the idea of merely switching out old doors and windows, and refrained ourselves from the plagiary of a faux-Wabi-Sabi-esque atmosphere that is in fashion amongst the Chinese bourgeoisie. We challenged ourselves to look for new perspectives apart from the banal and overused stylistics and tastes.
In actuality, urban renewal is not a solely aesthetic issue. What it needs is the renewal of spatial relationships to revive and attract new human usage. This project was faced with hindrance from multiple parties, complicated and layered bureaucracies presented arduous limitations to the design.
The Comprehensive Well-being Plan emerged in the middle of the Ad Portas Building as the conclusion to a qualitative anthropological study undertaken by Beatriz Turbay on the La Sabana campus. We prepared a master plan for the civic space and set about building a campus to suit students’ needs. To achieve this, we laid out a system of pergolas that accompanies the façades, plazas and walkways, and structures the footpath network of the community. The furnishings were meticulously designed to provide maximum comfort. This concept, which also balances landscape and infrastructure values, also includes the new classrooms, which function both as venues for teaching and open and spontaneous civic spaces. In the future, the planting of the campus will resemble that of a botanic garden.
Project: Comprehensive Well-Being Plan, University of La Sabana
Location: Chía, Cundinamarca, Colombia
Photography: Alejandro Arango Escobar
Supervising Architect: María Paula Rico
Design Team: Carolina Zuluaga, Camilo Betancur, Daniel Molina, Felipe Delgado, Juan Pablo González, Juan Camilo Solís, Melissa Ortega, Juliana Arroyabe, Stefanía Palacio, Angélica Gaviria, Daniel Rojas, Interns Nicolás Barón, Alejandro Muñoz, Oscar David Pachón, Juliana Pérez, Antoine Piketty
Architectural Supervision: Juan Pablo González, Oscar David Pachón, Alejandra Rincón
The project’s starting point was a group of existing buildings, whose interiors were in an advanced state of degradation, in some cases even in ruins. These buildings were united so as to create a new dwelling.
The project aimed to change the buildings’ exterior appearance as much as possible, while conserving and recovering the exterior walls. The interiors were redesigned according to the requirements of contemporary dwellings. The intention was to regenerate without being misrepresented, requalifying spaces that were “dead”, and integrating them with new spaces.
Situated in a slight slope, the building is located in the center of a public park surrounded by several communal buildings. The image of the East entrance of the site has been requalified by the new construction whereas to the West, bleachers connect the building to the new esplanade.
The new community center located in the Châtelaine-Balexert seeks to preserve a logical continuity and preservation of the existing landscape as well as construct synergies with the surrounding buildings. This functional and spatial continuity along with the existing topography allows for an optimal distribution of the project and its spatial requirements. This strategy ensures a balance between the volumetric needs and the shape of the terrain shape forming a direct relationship.
This newly constructed residence has abundant light throughout to showcase the contemporary design and the impeccable attention to detail. Designed by John Lum Architecture, the house captures the city’s newfound appetite for modern flair with a functional layout that distinguishes the private spaces from the public. The design is organized around a capacious entry leading directly to a dramatic, two-story foyer with an open-riser staircase completed with custom stainless steel rails. Beyond the entry is a guest suite and a large media room. Each floor utilizes warm, modern materials to create an intimacy that is rarely found in a house of this magnitude. Simple, clean lines marry with subtle textures. Generous, black-mullioned windows and well-placed skylights pull in light. Sliding doors open to private decks with unparalleled views. A terraced landscaped backyard features a fire pit, hot-tub-ready terrace, and lawn, providing an oasis perfect for active play. Intended to delight while being able to withstand the daily wear and tear of a lively household, the design integrates custom details, specialized finishes, and luxury features for ultimate livability.
With this significant building AllesWirdGut marks the structural upgrading of this part of the inner city of Erlangen in Bavaria. The new Provincial Government Office forms the pivotal element of the district development. The development responds to regional and supraregional relations and links important inner-city connections. Several finger-like structures gather around an atrium and resemble a four-leaf clover. Open spaces are created around the building by moving the building from its immediate property lines, which complement and enhance the public space in terms of quality.
In the initial conversations with Chan Han Goh, the director of Goh Ballet Academy, she identifies that ‘dance is not about luxury, it is about the work, and what is done in the studio,’ and that is why the architecture of the Goh Ballet Academy is stripped back and minimal, creating a focus on the technical aspects of dance. The former principal dancer of the National Ballet of Canada had begun her training in her parent’s basement and wanted her studio to reflect the modest necessities for training in ballet.
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