Article source: Bien Urbain – atelier d’architecture
Situated in the very centre of the Musée des Arts Décoratifs in Paris, the exhibition rooms devoted primarily to fashion are in the Rohan Wing of the Louvre running along the Jardin des Tuileries and the Rue de Rivoli.
This wing was renovated in the 90’s, with an additional floor being added and with all of its windows blocked, such that its architectural structure was not immediately visible.
The grid has a particular power that extends way beyond its graphical presence. In art, it appeared as an optical device for visual explorations on perspective, particularly intense in the times of Paolo Uccello. In cartography, Cartesian coordinates have occupied extensively the world of maps as a reference system since the 17th century.
The particularity of the grid, as Rosalind Krauss has expressed in her 1980 article “Grids” published in the magazine October, is its capacity to mask and reveal, setting a seemingly ordered play of appearance and disappearance. What it reveals is what might appear over the grid once it is laid out. What it masks or occults is a pre-existing condition that its own laying out has covered, as an erasing action over a prevailing context.
The interior scenario is based on the idea of continuity from the past to the future. Built in mid-19th century the building organically combines its historical architectural legacy and cutting-edge functionality of the futuristic technical centre. Zifergauz is designed to embrace digital reality and advanced ideas. It stands at the site where under Peter the Great history took a new turn and the great Russian fleet saw its early days. The building was designed to vertically store the timber delivered for the needs of the Admiralty shipyards.
The project is located at the former site of an aluminum factory in Huli District, Xiamen City. The building was originally a public bath of the factory. In 2019, the building was also partially renovated after the aluminum factory was transformed into a creative office park with multiple business forms, such as bars, basketball arena, and live-streaming space. This time we were commissioned by the Buddha artist Jiang Sheng to renovate the building into a new studio and exhibition space called “The Field”.
The word “Elysium” originates from Buddhism, meaning the Western Pure Land of Ultimate Bliss or Sukhavati, but “THE FIELD” is not intended to be an isolated pure land. The owner hopes to abandon the concept of “isolated and unreachable” and create an attractive spiritual place.
Dominique Perrault Architecture + Zhubo Design Co have been designated winner of the international competition for the design of the Shenzhen Innovation and Creative Design Institute.
In recent years, the city of Shenzhen has launched numerous international competitions for the creation of large-scale cultural and sports facilities, attracting architects from around the world. In particular, the city is planning the construction of a dozen cultural facilities that will help the city assert itself as an internationally recognized innovation centerAlongside the new campus for the Shenzhen Innovation and Creative Design Institute, appear: the Shenzhen Opera House, the Shenzhen Exhibition Center, the Design Museum, the Shenzhen National Museum, the Science and technologies Museum, the Oceanographic Museum, the Nature Museum, the Shenzhen Museum of Art and the Conservatory of Music.
The new Macau Central Library will be located by the Tap Seac square in the historical center of Macau, a UNESCO World Heritage Site. It is situated on the site of the former Hotel Estoril (designed by the Macau- born Portuguese architect, Alfredo Victor Jorge Álvares), which was the first casino resort in Macau opened in 1962 and has been vacant since the 1990s.
Libraries are dynamic and continually changing. While clearly a contemporary structure within a traditional context, the new Central Library will provide a forward-thinking platform for influencing its surroundings. The adjacent square will become an integral part of the library, creating an activated public realm, which will encourage visitors to use all the public amenities that new library can offer.
Zaha Hadid Architects announced winner of the design competition to build Phase II of the International Exhibition Centre in Beijing.
As the cultural, academic and civic centre of China, Beijing has also developed into one of the world’s centres of communication and scientific research. With its own station on Line 15 of the Beijing Subway, the International Exhibition Centre is located next to the city’s Capital International Airport and has grown to become an important venue for conferences, trade fairs and industry expos attended by delegates from across the globe.
“There are luxuriant mulberries on the mountain and beautiful lotus flowers in the pool.”—<guofeng, book=”” of=”” songs=””>
8,000 years of time have elapsed, accumulating the rich cultural atmosphere of Zhengzhou. And the rapid development of modern technology has brought a new life to this land. The design of the ancient capital, the new city, the land of Zheng tendency, and the place of heaven and earth, is based on this.
The project is located in the future land and air transportation hub of Zhengzhou. The plate has great potential. The two horizontal and two vertical road network systems immediately reach the prosperous city; the dense urban atmosphere and the distant humanistic essence collide and merge into a unique modern oriental temperament. The design is based on this as an opportunity, combining ancient and contemporary elements such as academies and technology to find the resonance between tradition and modernization, and creating a new ecological ideal life that matches the top luxury and upstart.
This era embraces integration between design and art, work and life, beauty and practicality. Traditional boundaries and rules are broken, and lifestyle keeps evolving. A Boundless and Ideal Life Experience Center at CCD Headquarters was created under such context. It sits on 48F of a high rise in Shenzhen a key part of the Greater Bay Area. By combining a playful spirit of exploration with technological elements, the project shows a creative and fantastic image.
Miralles Tagliabue EMBT studio, led by Benedetta Tagliabue, consolidates its Asian presence by winning the international competition that will turn Century Square into a new green landmark for Shanghai. Located within one of the busiest commercial areas in the world, the renatured plaza will become the central place to experience the many facets of this cosmopolitan city of exceptional cultural richness.
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