A temporary pavilion designed and erected in Chicago’s Millennium Park as part of the Burnham Plan celebrations – reflecting the Chicago’s long tradition for embracing cutting edge architecture in an in intricate but fluid structure that incorporates hidden traces of Burnham and Bennett’s original 1909 plans to redevelop the city.
MAXXI supercedes the notion of the museum as ‘object’ or – presenting a field of buildings accessible to all, with no firm boundary between what is ‘within’ and what is ‘without’. Central to this new reality are confluent lines – walls intersecting and separating to create interior and exterior spaces.
The Technikum III laboratory aspires to integrate various fragments on the site: the laboratory spaces, the existing institute buildings and the urban context.This is achieved by “defibration” – the de-laminating of the building volume and facade – which generates a building that is both simple and complex in its reaction to functional demands.
An ever-changing event space; a living, responsive environment with large-scale kinetic elements that rearrange and reconfigure to create a radical public spectacle within an urban setting. The design of the Museum is premised on its position as one of four landmark buildings built on a master plan of two crossing axes.
An opportunity to broaden the educational diversity of this active and historic London area. Following the principle of ‘schools within schools’, the design generates natural patterns of division within highly functional spaces which give each of the four smaller schools a distinct identity, both internally and externally.
A new landmark for the citizens of Durango and a new symbol of Eusko Tren’s identity and expansion across Europe. Our concept conjoins buildings emerging from the site and creates a connective urban tissue of tracks, pathways and parking to provide direct access to the station and commercial space.
Project Team: Guillermo Álvarez, Jimena Araiza, Andrés Arias, Muriel Boselli, Daniel Dendra, Alejandro Díaz, Elena García, John D. Goater, Daewha Kang, Kia Larsdotter, Sophie le Bienvenu, Murat Mutlu, Mónica Noguero, Markus Nonn, Benjamin Pohlers, Aurora Santana
Competition Team: Alvin Huang, Yang Jingwen, Simon Kim, Graham Modlen, Sujit Nair, Annabelle Perdomo, Makakrai Suthadarat, Philipp Vogt.
A chamfered diamond outline and meandering structural lattice establishes Dorobanti Tower as a landmark design for Bucharest – a residential building standing at the centre of a new meeting place and urban plaza – a ‘concrete carpet’ on which seating areas, water basins, fountains and green spaces are arranged.
Linking city to river promenade, the new Beethoven Symphony Hall rises – a beacon of light, a porous multifaceted crystalline mass, growing out of earth, floating on water. This iconic structure, its two embedded performance spaces softly visible from without, becomes a ‘performer’ in its own right after dark.
Competition Team: Kristof Crolla, Tom Wuenschmann, Evan Erlebacher, Andres Schenker, Chryssanthi Perpatidou, Elizabeth Bishop, Michael Powers, Teoman N. Ayas, Michael Mader, Goswin Rosenthal, Tariq Khayyat, Yelda Gin
A new promenade linking key areas of Hamburg – incorporating ‘purposeful erosion’ to create a meandering river promenade with open vistas – compressed and expanded at key moments, punctuated by cut-out access cones, amphitheatres and three contrived ‘rock formations’ on which restaurants, cafes and kiosks are placed.
Articulated through a series of ‘petals’, the Dubai Financial Exchange building makes a powerful architectural statement at the heart of the new waterfront business bay. Comprising a heavy sculptural solid ‘floated’ above a lighter volume of glass, the building successfully accommodates both broker ‘shop fronts’ and a central trading floor area.
email
Facebook
Twitter
RSS Feed
