The Drive is a sleek, stylish and modern 21st century house. With every detail finely honed, the house is a shining example of carefully considered architecture and precisely-detailed construction.
The site is ideal for this type of house, a rectangular plot facing due south and sloping down to the road; achieving a grand vista from the entrance.
Located on a plot of land in the heart of the block occupied by an 8 stories car park, the project comprises two operations of 75 housing units for sale and 74 social housing units.
The project proposes to engage the project’s actors, as well as the inhabitants, in the steps of a rational, visionary and sustainable approach to urban transformation.
The Perched House stands true to its name; wherein the first floor mass hangs effortlessly on the ground floor, forming a minimal and indulging architectural elevation. The house rests in a modest plot size of 6800 sft. The dwelling of 3 bedrooms, common spaces and an entertainment room takes upto 6000 sft in its built form.
A house is not just the elevation but also the planning. Much time had gone into planning the house such that everything is well-connected vertically and horizontally as well as keeping the house naturally well lit and ventilated. This thought formed the idea of having a double height space as the heart of the house. This south-west facade opened up to the margin courtyard on the outside and was a dining room in the inside. The open floor plan on the ground floor meant that only the bedroom was enclosed, while all the remaining common spaces were visually and physically well connected by partition screens and glass partitions.
Home for a winemaker is built on a ridge line in Arrowtown with ever changing seasonal views. The site drapes to one side of the ridge with mountain views.
The house seeks out the abundant views and sun, while maintaining privacy. It is a place to seek refuge in the home no matter what the weather.
This 2 bedroom home is restrained in the use of space and materials.
Pasodoble offers a home to people with mental disabilities and to students, as well as collective and social housing. Commercial spaces and a center for physical training and rehabilitation are located on the ground floor. A continuous arched portico binds them together and forms the structural base of the building.
Two distinct volumes accommodate this diverse programme. They share an enfilade of slightly shifted patios. Together they reconcile the two different alignments on site and frame a majestic cedar tree. The space and the tension between the two bodies is reminiscent of the popular dance pasodoble, and creates the architectural theme and stimulates collective delight.
The site for this residence in Pattaya in Chonburi province does not border the sea directly. Between them is a stretch of lawn – on which building is prohibited by planning regulation – and a road that parallels the front side of the property. A U N Design Studio, headed by architect Khetkhun Yodpring, worked around this setback by raising the main entry points and living areas to the second floor, filling up the front third of the site and using the rest of the semi-submerged first floor for parking, services and staff quarter. This design strategy opens up the view toward the beach and resolves issues of privacy as a result of having a thoroughfare at the front of the property at the same time.
The Saint Adrian House is a balancing exercise between opposing needs.
The Duarte Pacheco Quarter where it stands, built between 1935 and 1939, was part of the “Estado Novo” (the authoritarian regime that ruled Portugal from 1933 to 1974) social housing policies in a moment of severe lack of residences with minimal hygiene and health standards for the most excluded and disadvantaged classes.
Built under a modest “Português Suave” (Soft Portuguese) style (a state-stipulated national architecture style), these economic houses had granite masonry foundations and exterior walls, as well as wood floor and roof structures. Volumetrically very simple, they featured flat façades with simulated stonework details elaborated with mortar.
Architecture Team: Tiago Do Vale, With Maria João Araújo, Camille Martin, Priscilla Moreira, Florisa Novo Rodrigues, Teresa Vilar, Clementina Silva, Hugo Quintela, Adriana Gomes
The “From The Garden House” design was an unusual experience for us. The owner had already had a design of the garden, which was well under way. All that was missing was a house. At the time, it seemed like a ridiculous reversal.
Before we met, the nature lover had turned a complete fallow land into a beautiful green oasis with a lake and a flowing road to where the house would be located. And those curves, which he liked to navigate, inspired us.
A Refurbish of a residential home. The intention of the project is to provide a new and contemporary image to the social areas of the house and at the same time provide comfort to the recreational spaces.
The design of Casa Vereda arises from the idea of hosting the social spaces of the house, in such a way that the rest of the areas are articulated through it. In such a way that the formal solution is the conceptual result of a clamp that takes as its main element the living room, the double-height dining room, and the direct contact with the garden as content and the rest of the house as container.