“The Living Ocean and Coast”, the theme of the 2012 International Exposition in Yeosu, South Korea, asks for a greater recognition and awareness of the oceans and marine resources, and their importance to mankind.
The Overlook Pavilion at the Penn State Arboretum is part of Phase One of a Master Plan to develop the H.O. Smith Botanic Gardens, a 56-acre parcel that serves as the front door to the 365-acre Arboretum. The Pavilion sits on the highest point of the site serving as the architectural anchor and the link between the botanical gardens and event lawn to the south and the naturalistic landscape and watershed to the north.
NEX is delighted to contribute to creating a benchmark in integrated design at this year’s RHS Chelsea Flower Show (Tuesday May 24th to Saturday May 28th) working with Buro Happold and Chelsea Gold Medallist Marcus Barnett on the creation of a pavilion for The Times Eureka Garden, in association with the Royal Botanic Gardens, Kew.
The Australian pavilion has been designed to read in its surrounds as a bold sculptural form, both modern and organic. Set in a stark abstract landscape of the World Expo Site, the sensuous ribbon of the facade generates an undulating form which is designed to have no obvious front, rear or sides. The prominent entry is articulated by a large glazed tear and illuminated signage. The form varies dramatically as one moves through the surrounding streets.
This is a permanent pavilion for a net artist, Toshiko Horiuchi Macadam. The artist knitted the net entirely by hands, which is designed for children to crow in, roll around, and jump on the net. It was easy for us to see the artwork being outside even when it cannot be exposed to rain or ultraviolet light. We wanted to design a space as soft as the forest where the boundary between outside and inside disappears. The space attracts people like campfire. The children play inside of the net just as fire and parents sit around and lay on the woods.
Night View (Images Courtesy Katsuhisa Kida/FOTOTECA)
Gernot Riether is using digital design and fabrication techniques to reintroduce plastic as a building material for light-weight and inexpensive structures. The project provides a new aesthetic for environmentally friendly architecture, changing our perception of plastic from an environmentally problematic to a “green” material.
Throughout history, art has always served as a powerful and resonating vehicle of cultural expression and a reflection on a society’s status and enlightened position in the world. These pavilions are at once looking into the past, the present and the future, seemingly engaged in a profound and silent dialogue. They are designed to embody timelessness and to allow for varied subjective interpretations and the superimposition of different meanings as time and local culture moves forward. Through their abstract and formal language they are conceived as tectonic gestures, privileging at once elegance, perfection and beauty, all drawn from the unique and profound landscapes, histories and futures that define this remarkable part of the world.
On May 12th, 2011, the official opening of the Peter Minuit Plaza and the dedication of the New Amsterdam Plein & Pavilion took place in Battery Park, New York. The ceremony was held at 10:30AM (EST) in Peter Minuit Plaza, and was attended by American and Dutch dignitaries, civic and business leaders, and key representatives of New York City’s cultural and arts community.
“Treehugger” is a pavilion that is currently exhibited at the National Garden Show (BuGA) 2011 in Koblenz, Germany. It results from a research-project that was initiated by Dipl.-Des. Christoph Krause, director of the Chamber of Skilled Craft’s “Center for Design, Manufacturing and Communication” in Koblenz in 2009. “Treehugger” has been designed by the Department for Digital Design at University of Applied Sciences, Trier, and was led by Prof. Holger Hoffmann in collaboration with his Düsseldorf based office One Fine Day. Frankfurt based Office for Structural Design has been responsible for the structural engineering of the project. OCHS Holzbau, Kirchberg, executed the timber/steel-construction. In addition to the project’s mere architectural aspects an integrated interactive light-installation has been developed by the Faculty of Intermedia Design together with the Faculty of Computer Sciences, both from University of Applied Sciences, Trier, as well.
The mobile art pavilion will be housed from March 2011 next to the Salzburg Biennale. It will give various cultural institutions a new presence in the city. During the next ten years it will be placed in different locations and used for cultural events. The aim of the design is to create a contemporary design through the innovative pavilion, which can be a self-conscious living showcase for contemporary art production in Salzburg.