Built in 1940 as Paramount Studio’s commercial offices, this dilapidated yet iconic Art Deco building was extensively redesigned and restored by architects Fox Johnston over a nine year period.
The building was then given an exciting new commercial & creative life by Barton and McCarthy, working with Don Cameron and Fearns Studio.
The new offices of the Paris based digital photo retouching studio B’Pong were designed to help launch their presence in New York City. The entry space and central conference area are wrapped in stacked homasote, to create a sense of mass and weight, a counterpoint to the light coming from skylights above. The workspace beyond is accessed through a door in the mass and reveals glowing workstations. These are encased in corrugated resin and perforated metal screen, creating a moiré effect around the desks.
As part of old Jinglin College campus built in last20’s to30’s in Nanjing, Wujigeng Building is regarded as typical Minguo (Republic of China period 1912-1949) style, Big Chinese roof and masonry grey brick wall as main façade elements, for its representative architectural quality, the left old Jinglin College campus buildings were preserved as major historic and cultural sites under state protection.
Sited opposite the Butterfly House, The Studio is a garden based creative home work space for our Architectural Practice. Situated in South East of London the building was driven by the directors need to balance a young family with an increasing workload.
Ricky Hosn and Alessio Casalini, co-owners of Quad, one of NYC’s most popular and prolific recording studios, have completed a significant redesign of their Q1 Control Room. Working with Walters-Storyk Design Group architect/ acoustician John Storyk, Hosn and Casalini maximized the interior space of their primary studio, and significantly pumped up the volume of their Augspurger system.
‘HIDDEN IN A PEACEFUL COURTYARD OF CENTRAL PARIS, THIS STUDIO APARTMENT STRICTLY ACCOMMODATES WHAT’S NECESSARY TO GET AN URBAN FEEL OF THE WORLD MOST DENSE CITY.’
Article source: Krill Architecture & Christian Müller Architects
Het Buro/De Bovenkamer is a project specially developed and designed for young people. In the Bovenkamer 24 studio’s are realised, twelve of which for former drop-outs, getting a few hours of professional guidance a week, while the other studio’s are for young professionals, acting as role models. With 475m2 office space the Buro offers the possibility for easy start-up of small enterprises. The glazed corner will serve as a coffee corner, a meeting place for the youth, entrepreneurs from the Buro and people from the neighbourhood.
Software used: Vectorworks, Open Office Excell and Creative Suite.
Contributors: Arnold de Bruin, Barbara Costatino, Raimonda Cibayte, PaulPeter Kuper, Magdalena Merchan, Jiri Serek, Elena Vicente
Programmatic concept: Het Observatorium, Greetje Hoitink en/and Krill architecture, met/with Hans Venhuizen, Michaela Stegerwald Architectuur, John van de Wetering Advies,
The brief from this young couple was to design both living accommodation and studio space for sculpture & painting. Located in a millenary old forest of towering trees, on the shores of Lake Pirihueico in the south of Chile.
The proposal was to make a brightly lit and welcoming refuge, which inhabits the rough nature of its environment, enjoying this from within a core which maintains its distance, but at the same time both integrates with and emphasizes its surroundings. Formally it assimilates the vernacular architecture of the south, with large (overhanging??) roofs and simple rounded geometric volumes roughened?? through the ageing of the timber. The building form is not willful given the wet summers and extremely snow filled winters experienced by this remote lake set amongst the foothills of the Andes, but at the same time it contributes to the fantastic existing nature of the place.
The Studio City neighborhood of Los Angeles was established along with the prominent movie studios during the early 20thcentury. In one of its high-end apartment complexes, a new water feature created with Banker Wire mesh, emphasizes the connection between Studio City and the movie industry – and provides a canvas for multimedia entertainment.
In a world where dreams come easy, but are tough to fulfill, producer/songwriter Jon Leidersdorff has caught a golden ring. Committed to building a cohesive infrastructure for the music scene in his hometown, Leidersdorff discovered an abandoned warehouse in downtown Asbury Park, and envisioned it as a multi-purpose center for a collective of music business locals. Investing his own savings and securing a Small Business Association (SBA) loan from the local Asbury Park Community Bank, Leidersdorff called the Walters-Storyk Design Group to create his Lakehouse Recording Studios as the lynchpin for the complex.
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