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Archive for the ‘Adobe CS’ Category

The new IDF Habitat Headquarters in Métropole du Grand Paris, France by Piuarch and Stefano Sbarbati

Friday, January 12th, 2018

Article source: Piuarch and Stefano Sbarbati

Extreme organizational flexibility, attention to environmental quality and an accurate interpretation of the setting: these were the requirements for the headquarters of IDF Habitat, the French company in charge of the development of social housing operations. In March 2017 IDF Habitat proudly announced its new address, 15 km from the heart of Paris. Designed by Piuarch, Stefano Sbarbati and Incet Ingénierie, the winners of a competition held in 2013, the Champigny-sur-Marne headquarters were inspired by the desire to create an efficient, functional complex, and above all one that stands as an indispensable element in the area’s transformation process. The building is in fact part of the so-called “ZAC des Bords de Marne,” an ambitious redevelopment program aimed at defining a new social, cultural and productive sector connected with the city, interpreting expectations and generating a system with a strong identity.

Image Courtesy © Sergio Grazia

  • Architects: Piuarch and Stefano Sbarbati
  • Project: The new IDF Habitat Headquarters
  • Location: Métropole du Grand Paris, France
  • Photography: Sergio Grazia, Martin Argyroglo
  • Software used: Autodesk, Autocad, 3dS Max, Rhinoceros and Adobe CS
  • Client: IDF Habitat
  • Cost: 7.100.000 euro
  • Floor space: 3,000 sq.m.


Hue Hotel in Boracay, Philippines by CAZA

Sunday, November 19th, 2017

Article source: CAZA

Our ambition was to rethink the concept of a boutique hotel and tropical architecture for the 21st century. Embracing the lush climate, but drawing attention inward, the bulbous design comprises a stack of interlocking rings producing a continual, rhythmic cycle of entertainment and relaxation through terraces, roof gardens, and hotel amenities. The experience moves from communal, recreational spaces in the central enclosure to a collection of bespoke guest rooms along the upper reaches of the building.

Image Courtesy © Frank Callaghan

  • Architects: CAZA
  • Project: Hue Hotel
  • Location: Boracay, Philippines
  • Photography: Frank Callaghan
  • Software used: Autocad, Rhinoceros, Adobe CS, 3dS Max


Ilôt Poste Weiss, ZAC Châteaucreux à ST-ETIENNE in France by ecdm Architectes

Sunday, August 13th, 2017

Article source: ecdm Architectes

Contribute to a new polarity in the landscape 

Located across from the St. Etienne station on the Esplanade de France, the influence of the intervention at the heart of the BIA Châteaucreux is a link between neighborhoods and horizon lines, a low point in the topography of St. Etienne in front of a preferred route to the city center. Combined with the scale of the project and the symbolic value of the program, This unique location gives the project a special status in the construction of the city. The project subscribes to the contemporary idea of the construction of the city that leads to the creation of rhythms, of multipurpose spaces contributing to the realization of a less linear environment, able to evolve and mutate. The goal is to embed the large commercial component of the neighbourhood in a more complex urban dynamic, made of interlocking assemblies essential to any large and vibrant city. Thus, the project offers an open floor plan, initiating continuity and affiliations, creating links between polarity and panoramas, hills and plains, lower and upper town.

Image Courtesy © ecdm Architectes

  • Architects: ecdm Architectes
  • Project: Ilôt Poste Weiss, ZAC Châteaucreux à ST-ETIENNE
  • Location: ST-ETIENNE, France
  • Software used: Autocad, SketchUp, Rhino, Adobe CS


Jack Daniel’s Barrel House 1-14 in Lynchburg, Tennessee by Clickspring Design

Tuesday, July 4th, 2017

Article source: Clickspring Design

Most who have visited a distillery know that entering an active barrel house is a profound olfactory experience. Over a period of five or more years, as a barrel of whiskey matures, a portion of its contents is lost to evaporation. This inevitable process, multiplied by thousands of barrels, creates the “angel’s share”, a scent that blankets the building in a delightfully unmistakable aroma. The angel’s share is one of the first characteristics that welcomes visitors to Barrel House 1-14 at the Jack Daniel Distillery.

Image Courtesy © Andrew Pogue

  • Architects: Clickspring Design
  • Project: Jack Daniel’s Barrel House 1-14
  • Location: Lynchburg, Tennessee, USA
  • Photography: Andrew Pogue
  • Software used: Revit, Autocad, and Adobe Creative Suite
  • Lead Architects:  Tuck-Hinton Architects
  • Client: Brown-Forman
  • Project Management: JLL
  • Landscape Architect: Shadley Associates
  • General Contractor: Messer Construction


Two Part Porch by KASE Sudio

Tuesday, August 16th, 2016

Article source: KASE Sudio

Overlap combines the acts of dining and growing into the same layer. It enhances an important existing view by framing it with a radially arrayed trellis roof that intersects with a more solid roof for weather protection. The act of physical and visual overlap creates juxtaposition between individual elements (i.e. bench, screen, floor, ceiling) which highlights each element’s unique characteristics. The consistent material pallet unifies the porch as a whole, while providing it fresh identity from the original structure.

Image Courtesy © KASE Sudio

Image Courtesy © KASE Sudio

  • Architects: KASE Sudio
  • Project: Two Part Porch
  • Software used: Rhinoceros 5.0, Maxwell Rendering and Adobe CS6


Archaoelogy Switzerland at the Swiss National Museum in Zurich by ATELIER BRÜCKNER

Friday, August 12th, 2016

Article source: Atelier Brückner GmbH

Archaeology Switzerland – National Museum Zurich

The National Museum Zurich provides a new permanent exhibition, designed by ATELIER BRÜCKNER: “Archaeology Switzerland”. It is located in the new building by the architects Christ & Gantenbein, which sculpturally complements the old museum building and makes a continuous and uninterrupted visitor viewing route possible. 500 square metres of exhibition floor space in the shape of lightning lie between the existing cultural-history presentations of the Swiss National Museum. New means of gaining access to the past are thus created – and not only for Swiss people.

Image Courtesy © Daniel Stauch

Image Courtesy © Daniel Stauch

  • Architects of the exhibition / Exhitibion designers: ATELIER BRÜCKNER GmbH
  • Project: Archaeoloy Switzerland at Swiss National Museum
  • Location: Zurich, Switzerland
  • Text: by Claudia Luxbacher. English translation by Sean McLaughlin
  • Photography: Daniel Stauch
  • Software used: Vectorworks 2013, Adobe Suite CS5 / Photoshop / Indesign / Illustrator /After Effects & Keynote 2009


Nursery in Buhl, France by Dominique Coulon & associés

Thursday, April 7th, 2016

Article source: Dominique Coulon & associés

The building marks the entrance to a small village nestling in a valley in Alsace. A 14th-century castle dominates the site from the nearby hillside. The day nursery echoes the orthonormal geometry of the fortified castle. A perimeter wall with openings like on a castle wall protects the children’s playgrounds. This spatial arrangement offers views of the rounded outlines of the Vosges mountains. The principle of the strictly rectangular plan is an arrangement of successive crowns containing the elements of the project. These layers give depth to the project overall. The heart of the building is formed by a central space which emerges at double the height and plays with natural light like a kaleidoscope. This almost cubic volume condenses a host of faces ranging in colour from pink to red. The matte and shiny colours resonate, shaping the space to make it richer and more subtle.

Image Courtesy © Eugeni Pons

Image Courtesy © Eugeni Pons

  • Architects: Dominique Coulon & associés, , David Romero-Uzeda, Olivier Nicollas
  • Project: Nursery in Buhl
  • Location: Buhl, France
  • Photography: Eugeni Pons, David Romero-Uzeda
  • Client: CC Région de Guebwiller
  • Architectes assistants: Javier Gigosos Ruipérez, Diego Bastos-Romero, Gautier Duthoit
  • Construction site supervision: David Romero-Uzeda
  • Structural Engineer: Batiserf
  • Cost Estimator: E3 économie
  • Acoustics: Euro sound project
  • Landscaping: Philippe Obliger
  • Construction companies: Earthworks, sewerage networks and road works (S.T.P. MADER), concrete stucture (MADER), water proofing roofing (SMAC), exterior joinery (MENUISERIE VOLLMER ET FILS), metalworks(MULLER-ROST), exterior isolation (SOMREN), scaffolding (LOC’ECHAF), interior wood work and furniture (HUNSINGER), plastering (SOMEGYPS), concrete screed (MADER), tiled floors (MULTISOLS), glued floors (HERTZOG), painting (SOMREN), green areas (PARCS ET JARDINS B.WITTERSHEIM), electricity (VINCENTZ), heating and ventilation (MAISON XAVIER FRUH), plombing and drainage (LABEAUNE), kitchen (M.E.A.)
  • Surface: 763m2
  • Schedule:
    • Competition: march 2013
    • Construction documents: from may 2013 to november 2013
    • Construction works: from february 2014 to june 2015
    • Completion: june 2015
  • Budget: 1 700 000 €
  • Software used: Vectorworks, cinema 4d, vrai, adobe cc suite


Voyager Espresso in New York by Only If

Friday, February 26th, 2016

Article source: Only If

In early 2016, Voyager Espresso, a new specialty coffee bar, opened in a subway concourse of the Fulton Street station, in Manhattan’s Financial District. The architect, Only If, was commissioned by the Australian team of Owner Prudence Reid and Owner/Barista Aaron Barnard to develop an innovative architectural and interior design for its initial retail location in this unusual underground site. Voyager Espresso, with its integration of an artistic and scientific approach to coffee, is a welcomed addition to the lagging food scene of the Financial District. Its rotating menu features seasonal, fresh crop coffees from the best roasters in the United States.

Image Courtesy © Michael Vahrenwald / ESTO

Image Courtesy © Michael Vahrenwald / ESTO`

  • Architects: Only If
  • Project: Voyager Espresso
  • Location: 110 William Street, New York, NY, USA
  • Photography: Michael Vahrenwald / ESTO
  • Design Team: Karolina Czeczek, Matthew Davis, Adam Snow Frampton, AIA, Francesca Pagliaro, James Schrader, Jon Siani
  • Collaborators: Dot Dash (Specialist Lighting)
  • Contractor: RZ Project Management Corp.
  • Scale: 550ft2 (51m2)
  • Completed: January 2016
  • Software used: AutoCAD 2015, Rhino 5, and Adobe Creative Suite


Cuyperspassage in Amsterdam, Netherlands by Benthem Crouwel Architects

Thursday, February 18th, 2016

Article source: Benthem Crouwel Architects 

Cuyperspassage is the name of the new tunnel at Amsterdam Central Station that connects the city and the waters of the IJ-river. Since the end of 2015 it has been used by large numbers of cyclists, some 15,000 daily, and pedestrians 24 hours a day. This ‘slow traffic corridor’ was exactly what many users of the city felt was lacking. What once was by necessity a left or right turn is now, at long last, straight ahead. The tunnel is clad on one side by nearly 80,000 Delft Blue tiles: a true Dutch spectacle at a central spot in Amsterdam.

Image Courtesy © Jannes Linders

Image Courtesy © Jannes Linders

  • Architects: Benthem Crouwel Architects
  • Project: Cuyperspassage
  • Location: Amsterdam, Netherlands
  • Photography: Jannes Linders
  • Software used: AutoCad, Adobe Suit


CEPSA, new Flagship Service Station in Ávila, Spain by Saffron Brand Consultants

Sunday, January 24th, 2016

Article source: Saffron Brand Consultants

Cepsa is one of Spain’s largest industrial group operating for over 80 years. In recent years it has become a major player in the global energy market. Yet it is their petrol stations that are the crucial touch-point that connects the brand with society.

Image Courtesy © MontseZamorano

Image Courtesy © MontseZamorano

  • Architects: Saffron Brand Consultants, Malka+Portúsarquitectos
  • Project: CEPSA, new Flagship Service Station
  • Location: Adanero, Ávila, Spain
  • Photography: MontseZamorano
  • Creative Direction: Saffron Brand Consultants
  • User experience & Industrial design advisors: Tangerine
  • Area: C-store 81 sqm, canopy 320 sqm.
  • Year of project: 2014-15
  • Software used: AutoCad and Microsoft Adobe Creative Suite


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