Architecture is the result of a complex phase, such as the project. It is not a unique and linear process but it is based on the continuous review of multiple options available always keeping a critical attitude. This is a peculiar practice manner based on the primary role of the IDEA in the process. The act of DOING is also fundamental and researches a balance between the three steps of working on architecture: theory, order and the final outcome. Each one keeps the essence of the original idea and gradually becomes more precise and developed until the project reaches the realization. Theory is a synthesis in the making of the background made of models, references, words and other contributions coming from other disciplines, all weaved together.
The new intervention in Casa de São Lourenço is inseparable from the construction of Pousadas de Portugal network, with Pousada de São Lourenço, opened in 1948 in Serra da Estrela, 1200m high, leaning over the Glacier valley of the river Zêzere. This ambitious plan aimed at promoting the culture and customs of the various regions of Portugal, combining, for this purpose, the work of modern architects with regions’ traditional practices.
Louis Armstrong Stadium, located in Flushing Meadows, NY, has won a prestigious international design award, called Prix Versailles, Special Prize for Interior in the Sports category. The award recognizes structures for the beauty of their design, sustainability and commercial function. The stadium is designed by ROSSETTI, headquartered in Detroit.
Louis Armstrong stadium is one of a collection of facilities at the United States Tennis Association’s (USTA) 42-acre National Tennis Center, which is home to the US Open. The 14,069-seat stadium opened in 2018 and features an innovative design that encourages air flow through the stadium while keeping rain off the court. It is true to the outdoor nature of the tournament by allowing play to continue during the rain while naturally conditioning the space for spectators and players.
The N12 House “ Garage House With A Migratory Terrace ” is a plan at a villa site located in the scenic hills of Asakura City, Fukuoka Prefecture. The environment is surrounded by rich nature and the south side is a gentle slope with a good view.
As a second house, it was proposed an extraordinary space where the owner can spend time relax on holidays. At the same t ime, designed with an awareness of how to create a spacious space so that the owner could have a lively time with his guests.
This Project is based on an integral reform of an existing house in the center of Petrer (Alicante, Spain). The arrangement is distributed as follows: parking space on the ground floor, day zone on the first floor and night zone on the second floor. The existing façade has been modified with surgical care, removing only the brick parapets on the front of the balcony and unifying the two window openings that connect the living room with its terrace.
Given the existing building, the objective is to create a new atmosphere, bringing the old dwelling up to date with mechanisms and languages of our present-day culture. An atmosphere of calm and luminous serenity is desired, providing a sense of comfort that cares equally for body and spirit. Functionality and a utilitarian approach have been highlighted, combined with craftsmanship, imagination and innovation. A tendency towards abstraction is seen in the house, with materials reduced to their minimum essence and carefully expressed.
The project is located in El Carmen, Valencia’s historical district. This place has experienced a chaotic growth over the years. The urban plot is irregular and erratic, very rich in genuine street intersections. These spots are where social life happens.
Close to Torres de Serrano, the apartment is set on the last floor on a late 60s building. It has a particular shape molded by carrer de la Creu and the north side of Plaza del Ángel. Its rationalist style, highlights among buildings over 100 years of history.
The distribution follows a fan scheme and in combination with the openings, makes it very open and panoramic. It allows to establish several visual connections to iconic elements of the city: the Miguelete, the Carmen church, the monumental Arabic Wall, and Serranos main street, witnessing an inspiring cultural palimpsest.
Imagine a house the way you want it to be”, this was the assignment of the Dumbrava Vlasiei architecture competition, in which we were invited to participate, and where the single constraints were the local urban regulations and a budget limit. For an architect, this can be the kind of moment which he dreams of, but when it eventually appears, he realizes that the inexistence of normal architectural impositions can be a deceptive trap. The lack of spatial, morphological, historical or cultural landmarks that characterizes interventions in a completely new neighbourhood, at the zero point of its becoming, is sometimes a more important obstacle than it may seem in starting and developing the creation process inherent to architecture. Consequently, lack of limits generates self-censorship, the conscious development of a personal set of values.
Like so many other buildings in Portugal, this has been a ruin for decades.
Located in the nº 27 of square Largo 1º de Dezembro in São Pedro, Sintra, a world heritage village with a mountain full of Palaces, Castle, Convents, and other natural marvels. This small building was completely renovated to accommodate two tourist apartments. Its architectural and landscape surroundings make it perfectly integrated into the historic setting and serene environment of Sintra.
A life project. This was the briefing we received from a young couple with children when they reached out to our office. The old apartment, comprising of almost 500m2, was dark and compartmentalized and all the finishings were so old they needed replacing.
Carte blanche was given to the office to redistribute the ample square meterage and rethink the division of all spaces. With freedom and technical precision, we seek purity and conciseness in this project. There are no excesses here.
This renovation transformed part of a 33-year-old building in Shibaura, Tokyo, that once provided warehousing and R&D space for a leading electronics company. Design of the 150 m2 area was also undertaken to attract a future corporate tenant who will use all 1,380 m2 of the floor space.
A primary consideration was that any walls erected should not impede airflow of the central air conditioning, which suggested that we should approach the project by redefining the role of office walls.
The name Warehouse Market Tokyo ReBar derives from the rebar used.
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