Assemble were commissioned by Goldsmiths, University of London, to create a new public art centre, transforming the former industrial spaces of the Grade II listed Laurie Grove Baths. The design strategy opens up and makes accessible hidden spaces of South London’s social history, bringing public life back to the building. The 1000m2 building accommodates seven new gallery spaces, a café, curators’ studio and event space. Goldsmiths Centre for Contemporary Art will be a significant cultural resource for students, artists and the wider public, offering a diverse programme focused on exhibitions, events and education.
Architects IBLA have almost doubled the space inside this typical London townhouse with the addition of a pair of ‘secret’ new floors at the top and bottom of the property.
The clients, a pair of doctors, wanted to significantly increase the amount of floor-space in their Chiswick home, whilst maintaining the existing character and external massing of the original house, and keeping their garden intact.
Taking inspiration from the great tree in his home town of Gando, Burkina Faso, where members of the community often meet to reflect about the day, Francis Kéré’s 2017 Serpentine Pavilion design was based on creating this sense of community while connecting people with nature.
A great over-hanging roof canopy made of steel and a transparent skin covers the entire footprint of the Pavilion, allowing sunlight to enter the space while also protecting it from the rain. Wooden shading elements line the underside of the roof, creating a dynamic shadow effect that changes with the movement of the sun and clouds.
The new mental health hospital for the South West London and St George’s NHS Mental Health Trust in Tolworth, London is steered by the Trust’s requirements to provide state of the art facilities while also delivering therapeutic and safe environments that meet current and future user needs.
C.F. Møller’s design for the Tolworth mental health hospital in Kingston was carefully developed following years of evidence-based research and consultation with users and stakeholders.
When it comes to revitalising London nightlife, brothers Alastair and Nicholas Heathcote have prior experience. Everything they’ve touched in the last five years – their Indian-inspired cocktail den The$ Imperial$Durbar and Himalayan haunt The$Hill$Station$in Tooting, as well as their East London venture, the late-night Dalston tapas joint La$Cabina – has become a hit.
Reed Watts Architects have recently completed their third and largest project at the V&A, a new café and pergola structure in the John Madejski Garden. Going from conception to completion in less than four months, the elegant steel structure defines a new space for seating in the museum and provides a dual-fronted café counter for Benugo, the museum’s café operator.
The V&A in South Kensington hosts over 4m visitors every year and its main café enjoys an outstanding reputation as one of the most beautiful in London. The brief for Reed Watts was to deliver a café in the Madejski Garden that would be met with a similar reception, replacing an existing structure that was no longer fit for purpose.
The interiors of the home were playfully designed to suit the desires and personalities of Lazarus and his family. As a result, the home is filled with colourful and individual touches throughout. In the main dining space sliding pastel green kitchen units are complemented by a cantilevered sea-blue wrap-around leather banquette and reclaimed peach church pew. Glass doors disappear into walls, neon hearts glow, stairs become periscopes. In the 3rd floor master bathroom a well placed step puts the 6’3” and 4’11” couple at equal heights at double stone sinks as well as providing access to a secluded street facing bamboo terrace.
Situated in Chelsea, London, the store’s design is inspired by the contextual relevance of the location combined with an influence of futuristic elements. The result is an interior characterized by classic architypes, a pale red color palette, and stainless-steel elements.
An existing column is used as the starting point for the store’s layout. From this centralized column, 12 arches stretch towards the perimeter walls. This series of arches function as a key element in creating a sense of organizational hierarchy, establishing visual separators within the space. The arches are clad in a clay based plaster with a subtle gradient color, ranging from a lighter base to a darker shade. Illumination from between the arches further emphasizes the gradient effect.
Located in two interconnecting railway arches along the Albert Embankment in Vauxhall, London, this newly completed theatre provides a more spacious home for the local and award-winning Above The Stag LGBT+ theatre company, which had outgrown its previous venue.
The new Theatre comprises a 110-seat main auditorium, a 60-seat studio, a dance/rehearsal space, exhibition facilities and a large café-bar open throughout the day and evening, along with comprehensive back of house facilities.
The intersection of Old Street and Great Eastern Street is an iconic landmark in East London. The ancient Roman street widens on the western side after crossing what is being called the Silicon Roundabout, the intersection of City Road, and opens the doors of Shoreditch at Haggerston.
This junction is not only significant from the morphology of the urban fabric but also for becoming a regeneration catalyst in this old industrial area influenced by the City of London that has experienced an important creative and artistic boom.
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