The project consisted on the final phase of the rehabilitation of a mid-century house that had been previously intervened in two initial stages between 2014 and 2016 in which the second and third floors were transformed into a temporary apartment and a terrace respectively.
Each of the three stages of the project intended to make a reinterpretation of the proportions, atmospheres and motifs of the epoch in which the house was built; combining original elements with the new palette that coexists with the preexistence and generates new experiences within the house.
Article source: TACO taller de arquitectura contextual
Casa de Monte is a compact vacation home designed for a couple of young adults, immersed in the wild landscape of southeastern Mexico. The objective was to achieve a reflective and contemplative place that links the occupant with the surrounding wild landscape. An intuitive, functional and simple experience of living, but with great spatial warmth.
The location of the building is defined at the back of the property by issues of privacy and noise control; oriented in such a way that it works with insolation and dominant winds to achieve a comfortable indoor temperature.
The revitalization Mérida’s historic center has brought with it a new value for built heritage, whether it be partial or total and the interventions we see today are very diverse.
Diaphanous House is an anonymous dwelling on its exterior that adapts to the contextual image of the city, returning to its original façade and joining the rhythm of mass over openings of the neighboring houses. Inside, the existing building the first bay containing the lobby and guest bedroom area is preserved. The building aims to mix two languages; one belonging to the past and the other being contemporary, resulting in our opinion, a sustainable architecture with a proper use of resources.
Casa Puebla displays a concept towards inside life where the visual motif is the Popocatépetl volcano, one of the most important natural icons in central Mexico.
The residence was conceived through inspiration regarding the aesthetic values of Mexican culture translating them into an avant-garde concept, in a fresh, contemporary and warm way, carefully selecting materials, as well as encouraging its residents to live both on the inside and to the outside through the openings towards the garden. Color and material palette seeks to blend architecture with its context, being an implicit tribute to the volcano.
Papalote was remodeled in a total way, this expansion includes new interior and exterior exhibition areas, a new store, and a new food court area, a new multiple use room, a new parking and service building, and a general improvement of its offices.
Papalote’s integral renovation contemplated the efficient use of natural resources, adapting the spaces to use natural light and ventilation, adding intellingent lighting (LED), and a water treatment plant to recycle water. This will translate into an earning of nearly 25% of its energy consumption, and up to 90% in its water consumption.
Photography: JAIME NAVARRO, MARÍA DOLORES ROBLES MARTÍNEZ G
Renders: LEGORRETA®, DECC
Client: PapaloteChildren’s Museum, Mexico City’s Government
Structural Design: Izquierdo Ingenieros y Asociados S.C.
LEGORRETA® Team: Víctor Legorreta, Miguel Almaraz, Adriana Ciklik, Carlos Vargas, Miguel Alatriste, Berenice Corona, Daniel Reyes, Ana Paola Espinosa, María Beckmann, Koji Makita, Héctor Guillén, Fredy López, Oswaldo Anaya, and Joel Rojas.
The building where this project was developed is located in the Historical Center area of the city of Veracruz, in the Eastern State of Mexico. The area is completely covered by the temple’s nave that formed part of the Santo Domingo Monastery, constructed in the XVII Century.
This Monastery was one of the first that were established in Veracruz, with the arrival of the Dominican Order, and begun its construction in 1624, concluding in 1651. When President Benito Juárez launched the Reforma Laws, the complex became privately owned, and it was in 1857 when the warehouse “Casa Zaldo Hermanos” was founded. This local was in operation for more than 40 years. During the first decade of the Twentieth Century, a building was erected where the main facade and atrium were located, leaving only the side facade untouched, where a half orange dome may be seen.
A house inside a vertical spiral hides in the depths of its surroundings. The integration between outside and inside is the main ingredient– much before any construction material or form.
The luminous and protective structure decides to be inspired by the the trees around it. Like roots, it sets its nine supports to stand tall in a vertical slope in the heights of Mexico City.
“Casa Flotante” is much more than all its spaces. It’s a bridge between nature and shelter, which invites all trees and plants inside.
SONATA, as in music, is a compositional procedure that uses two contrasting themes, complexity in its unity and simplicity in its repetition.
Sonata is a quest, a constant quest to offer a unique product within a market full with similar options in size, program and price.
The client asked for the project to be “different”, but economically accessible, in which “nothing felt extra”; any material or element that he felt didn’t have a functional purpose, was going to be removed at the time of construction. With a main façade facing south, in Yucatan, we knew that the protection from the sun was a must, however, a skin or lattice was no longer an option if we wanted to achieve what the client requested; it would be necessary to find within the architectural program a way to protect the user, and at the same time, turn this resource into a fundamental one for the success of the project, which without it, the project could not work.
Casa Quieta is a residential cluster in the northern part of Cuernavaca with a mild microclimate, rich topography and biodiversity: ponds, streams and Cuernavaca´s profuse vegetation. This natural richness became the design principle for each space in Casa Quieta 12. Architecture unfolds from sights, orientation and trees merging harmonically.
The house essence builds up from its context: its principal axis emphasizes the void between trees with geometric lines it approaches the landscape’s fluency. The design premise was a negotiation with nature: to spread out or fall back where it demanded so; always looking after interior distribution and composition. Privacy coexists with magnificent open views through terraces and gardens. A blind façade to the street solves this paradox and creates great contrast when crossing the threshold into open and luminous spaces.
Casa Cabo is a refuge that invites those who inhabit it to experience the particular conditions of its environment, characterized by an arid nature of high temperatures, peculiar endemic vegetation and dry winds.
The house is resting on platforms made with the same earth of the surroundings that decline gently with the slope of the land. The compacted earth walls that seem to emerge from the sand between rocks and vegetation, support the structure of the roofs, giving privacy to the interior of the space and framing the view towards the sea.
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