After seven years of planning and fundraising in the midst of a national recession, construction of the North Carolina chapter of the American Institute of Architects’ (AIA NC) thoroughly sustainable Center for Architecture & Design was completed this summer in Raleigh.
Image Courtesy FAIA
Architects:Frank Harmon, FAIA, Frank Harmon Architect PA, Raleigh, NC
Project: AIANC Center for Architecture and Design
Location: Raleigh, North Carolina
Client: North Carolina Chapter, American Institute of Architects
Landscape Architect: Greg Bleam, FASLA, Charlottesville, VA
Contractor: Clancy + Theys Construction Co, Raleigh, NC
After seven years of planning and fundraising in the midst of a national recession, construction of the North Carolina chapter of the American Institute of Architects’ (AIA NC) thoroughly sustainable Center for Architecture & Design was completed this summer in Raleigh.
Located on an oddly shaped, previously unused lot in downtown Raleigh near the State Capitol and Government Complex, the new Center is the first AIA headquarters facility to be built from the ground up expressly for this purpose, and AIANC hopes it will serve as a flagship for modern, sustainable urban design in North Carolina’s capital city.
The site for the Imperial Centre Theatre is across an abandoned street from the historically significant Imperial Tobacco Company cigarette factory in Rocky Mount, North Carolina. This site, which has been a city park for the past century, was formerly occupied by a public swimming pool. The Imperial Centre Theatre is linked to the larger complex by an enclosed bridge that spans over the abandoned roadway. This bridge is designed to allow the presence of the historically significant street to be understood while minimizing the impact on the character of the original buildings. The structure and plan alignment of the bridge were derived from the existing overhead gantry previously used for transporting coal to the central boilers. The Imperial Centre Theatre seats 300 people in a surprisingly intimate relation to the stage.
The Performance Pavilion is the major architectural element in the overall plan of the new Festival Park in Fayetteville, North Carolina. It is comprised of a raised, covered stage, and back-of-house functions in a simple, rectangular extrusion. It is intended that, on a daily basis, the pavilion appears more like a park folly than an empty stage. To this end, the back-of-house functions slide to one side, allowing an open view through to the backdrop of existing trees. Operable panels, which can be retracted from behind a scrim wall, create a backdrop and crossover when performances are taking place.
Triangle Brick Headquarters is the North American base of operations for the German parent company Röben Tonbaustoffe. The project consists of corporate offices, a product design center, and a uniquely landscaped brick garden. The project has been designed to showcase brick masonry in a range of applications and has been influenced by the architectural legacy of the parent company in Germany.
Image Courtesy Jonathan Hillyer
Architects: Clark Nexsen (formerly Pearce Brinkley Cease + Lee)
“Disorderly Conduct” is a sapling sculpture by Patrick Dougherty at Guilford College in Greensboro, North Carolina. The sculpture was created over a three-week period, using saplings of red maple, gum, and persimmon harvested nearby. Students and other volunteers assisted Patrick in its construction. The final work stands sixteen feet high and covers a footprint that is 35′ x 25′. The inspiration for the work was a wasp nest found during the harvesting. Patrick noted the interlocking cells, and saw them as a symbol for community befitting the Quaker school.
The heart of downtown Asheville’s arts and entertainment scene, the Asheville Civic Center, has been a regional destination for over 35 years hosting diverse entertainment, trade shows and events. Pearce Brinkley Cease + Lee, in association with Betsch Associates, is providing design and construction administration services for renovations to the Civic Center. Events must continue during construction. To accommodate the Civic Center’s schedule, the renovations will be completed in distinct phases, beginning with movable seating replacement. Lighting and electronics replacement follows; next renovation of concession and concourse areas; and finally the addition of events support areas, e.g. large meeting rooms, locker rooms, media areas and talent green rooms.
Image Courtesy Warner
Architects: Clark Nexsen (formerly Pearce Brinkley Cease + Lee)
Located in Raleigh’s revitalizing Historic Depot District, an unlikely butterfly has emerged from its decades-long cocoon. The historic 1910 two-story brick structure built for Allen Forge & Welding Company and enlarged around 1927 for the Brogden Produce Company — and more recently home to longtime occupant Cal-Tone Paints — has emerged from its asbestos clad sheathing into a new incarnation as the home of Raleigh’s Contemporary Art Museum (CAM).
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Completed in 2007, the bus shelter is a prototype design that has been initially constructed on the Main Campus of Wake Tech Community College. As the College’s enrollment grows and the subsequent demand for public transportation increases, this prototype will be located on all of the current and future campuses. The bus shelter received a 2008 AIA National Small Project Structures Award.
Rear view at sunset (Image Courtesy JWest Productions)
Architects: Clark Nexsen (formerly Pearce Brinkley Cease + Lee)
Project: Bus Shelter
Location: Raleigh, North Carolina
Client: Wake Technical Community College
Project Team: Jeffrey Lee, Douglas Brinkley, Marni Rushing, David Hill
A three-story, 51,000-square-foot classroom and research building at North Carolina State University, with lecture halls, laboratories, advising offices, a television production studio, video editing suites, and an internet café. The L-shaped structure defines a new campus plaza. This project received a 2011 National AIA CAE Facility Design Merit Award.
Plaza view of exterior (Images Courtesy JWest Productions)