The Queens Hospital EMS station was commissioned by the design excellence initiative process implemented by the New York City Department of Design and Construction, for the Fire Department of New York City.
Kathryn Dean, Principal for Dean/Wolf Architects explains the design by staying “I am interested in the capacity for architecture to convey identity and meaning through emotional resonance. I believe this happens through the impact of materials and form coming together in a particular place… In order to understand the building, it is important to understand two departure points: First, the building was commissioned shortly after 9/11. Second, when I work, I often build intuitive paper models to investigate ideas. When I received the commission, I started making these models. After several more rational schemes, the double horizontal bars emerged. It took me a bit of thought to realize why this felt right. They were my own deep emotional response to the fallen towers.”
Blue Table Post, an ultra-modern video/audio post-production complex with an artisan-based creative philosophy and a high technology core is already drawing stars to its brand new, top-flight suites. A long-time dream of triple Emmy-winning editor Oliver Lief, the complex was designed to support his creative talents and, those of Emmy-winning recording mixer/sound designer Rich Cutler and senior colorist/vfx artist Begonia Colomar. Situated in a handsomely renovated five story building, in Brooklyn’s burgeoning Boerum Hill neighborhood, Blue Table Post is a collaboration by architects Craig Shillito, Bob Kellner and Chris Inthurburn, and Architectural /Acoustic consultants, WSDG-Walters-Storyk Design Group. The first project in the door was Michelle Obama’s CNN “We Will Rise” documentary directed by Tony Gerber, for which Blue Table handled all of the editing, sound-mixing, color grading, graphics and vfx. They had the pleasure of collaborating on site with Meryl Streep for nine days of intensive writing and VO.
The first half of the 20th-century was a time of growth and dignity for downtown Yakima. Presidents Roosevelt and Taft visited the emerging agricultural center where the main street featured fountains, grand theaters, and stately, multi-story brick-and-masonry buildings. By mid-century, however, most of these structures had been demolished to make way for parking lots as businesses struggled to keep their downtown relevant and residents fled to the suburbs.
This play structure is situated on the sloping landscape of a mid-century modern common land, where neighborhood kids enjoy a shared backyard. The Architects Collaborative designed and developed the Five Fields neighborhood in the early 1950s hoping to foster community by creating a piece of shared common land. In the ensuing 60+ years homeowners have come and gone but the community and its care and appreciation for the common land remain. TAC conceived the neighborhood as an experiment and the community, wishing to keep the experimental spirit alive, requested a structure that is both safe and exhilarating for the kids. They wanted something that would challenge the kids without any singularly functional elements.
San Francisco‐based Pacific Eagle and local entitlement partner SKS Partners are proposing a 36-story mixed-use residential and hotel property at 555 Howard, designed by Renzo Piano Building Workshop (RPBW), in collaboration with Mark Cavagnero Associates. The LEED Platinum-targeted project will include 69 residential units, a 255-room luxury hotel, meeting and ballroom facilities, a spa and fitness center, ground floor restaurant, a skybar/café on the top floor that will be open to the public and a rooftop public open space with panoramic views of the city and bay.
SFMOMA’s leadership worked closely with Snøhetta to create a transformational expansion that incorporates and renovates the museum’s existing Mario Botta–designed building, which debuted in 1995. The new museum accommodates the significant growth of SFMOMA’s collection, program and visitorship, nearly tripling the museum’s gallery space, including nearly 45,000 square feet of free public-access space and weaving SFMOMA into its urban setting as never before.
Project Architects: Aaron Dorf, Lara Kaufman, Jon McNeal
Senior Architects: Simon Ewings, Alan Gordon, Marianne Lau, Elaine Molinar, Kjetil Trædal Thorsen
Design Team: Nick Anderson, Behrang Behin, Sam Brissette, Chad Carpenter, Michael Cotton, Aroussiak Gabrielian, Kyle Johnson, Nick Koster, Mario Mohan, Neda Mostafavi, Anne-Rachel Schiffmann, Carrie Tsang, Giancarlo Valle
The University of Oklahoma has renovated and expanded The Fred Jones Jr. Museum of Art. The impetus of the expansion was the awarding of the Eugene B. Adkins Collection to a partnership between the University of Oklahoma and the Philbrook Museum of Art in Tulsa. The Collection is among the nation’s most important private collections of works by the Taos artists as well as Native American works of art. It totals more than 3,300 objects including 1,100 two-dimensional works, 370 pieces of pottery, more than 1,600 examples of jewelry and silverwork, and nearly 250 pieces of other Native arts.
As the Chesapeake Campus has developed, we created the concept of jewels. These are unique works of architecture that complement the red brick buildings and add energy to the campus plan.
All the buildings find inspiration from beautiful scale and proportion.
They fit together and the spaces between buildings are as important as the structures themselves.
The Kirkpatrick family began oil exploration in the 1920’s when John Kirkpatrick’s father-in-law, M.B. Blake, drilled their first well. John then founded Kirkpatrick Oil in 1950. Kirkpatrick Oil has been active in the Hennessey area for 60 years.
Apple today announced that Apple Park, the company’s new 175-acre campus, will be ready for employees to begin occupying in April. The process of moving more than 12,000 people will take over six months, and construction of the buildings and parklands is scheduled to continue through the summer.
Envisioned by Steve Jobs as a center for creativity and collaboration, Apple Park is transforming miles of asphalt sprawl into a haven of green space in the heart of the Santa Clara Valley. The campus’ ring-shaped, 2.8 million-square-foot main building is clad entirely in the world’s largest panels of curved glass.
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