The Pavilion was built on an existing underground water tank that dictated the foot print of the structure. Glass became the primary material for construction as the Pavilion was sited amidst lush tropical greenery. Glass not only formed the walls but also the roof in the form of a strategically placed skylight opening up to the view of a large jackfruit tree above blurring the boundaries between the inside and the outside.
The “Centro per l’arte contemporanea Luigi Pecci” was opened in 1988 and donated to the city of Prato by Enrico Pecci, in memory of his son who died at an early age. The museum is situated on the periphery of Prato, near the exit of the A11 highway, a strategic spot where, from the first floor, you can see the skyline of Florence, the city where tourism and ancient culture reign. On this spot however, two opposites dominate: (textile) industry and modern art. The art centre is one of the few museums in Italy that is devoted to modern art and furthermore, that possesses a superb collection which, for lack of exhibition space, is stored in various depots. To be able to display the invisible works of art it was decided to double the exhibition space and to solve two important problems with the new construction.
Location: Viale della Repubblica 277, Prato, Italy
Photography: Artribune, Augusto Biagini_Pratosfera, Federico Paoli, Ivan Aiazzi, Juza Photo, Lorenzo Gallo, Luca Rimatori, Luciana D’Agnano, Marco Di Domenico, Vittorio Giugni_Libera Mente
This project was in Pasdaran area in Tehran. After the first visit of that location, decided first priority is to make a strong structure for this building. because this building didn’t have a strong structure and that was very old.In the drawing process, we decision an Architectural space for a predetermined paradox should be (as regards this restaurant has two kinds of approach to his service: Iranian food and international food but a focus on healthy food) an architectural method from forces around and atmosphere around. It was a new approach for our and we visited that location again and made new analyses from pay attention to forces around in this space and we find a new form of lighting and table and wall pattern but our Suggestion was to use of Brick because brick was one of traditional material for Iranian. After that, we made an imagining filter (Black & white) on the entrance and us decision all materials after arrived be must accept filter effect. for example, the brick after arrives to changed his color .this filter was impacted to all material Except Flowers and planet because: The plants are strong things in our life…
Arte Charpentier Architectes designed an innovative and challenging structure for the entry to the Evergreen campus.
Right at Paris’ doorstep, the Evergreen Campus hosts the Crédit Agricole’s head office. Multiple corporate entities share this space; the entire campus revolves around a central park that acts as its green lung.
Article source: _naturehumaine architecture et design
The Saint-André residence is located on a heritage street of Le Plateau Mont-Royal, and the project consisted in adding a modern extension on the back alley side while retaining the character of the built environment on the street side. We transformed the early-20th-century duplex into a single-family dwelling, with the intent of creating a bright, open-space house.
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