Phase II of the Frederick R. Weisman Art Museum is conceived of as a natural extension of the original museum designed by Gehry Partners in 1993.
Phase II provides an additional 8,553 square feet of exhibition space on the north and east sides of the existing building.
On the southeast corner of the existing building, new gallery space is articulated as three rectangular volumes clad in the same brick as that used on the existing building. The new gallery space will provide the museum with space appropriate for the exhibition of works on paper, American art, and ceramics while animating the east side of the building that faces Coffman Memorial Plaza. These new galleries provide different scales and spatial relationships than the existing galleries, offering the museum increased flexibility in the planning of exhibitions.
John Portman & Associates (JPA) is pleased to announce the grand opening of 615 South College in Uptown Charlotte. A celebration was held on Thursday, May 18 where Charlotte business leaders and commercial real estate professionals joined representatives of John Portman & Associates to commemorate the occasion.
Located at the iconic Dacon Building at Faria Lima Avenue, in São Paulo, the project of the new headquarters of LAR Construtora. Known as one of the most renowned companies in fast construction segment in Brazil, the project is signed by SuperLimão Studio and the company’s corporate architecture team.
Project Team: SuperLimão (Lula Gouveia, Thiago Rodrigues, Antonio Carlos Figueira de Mello and Leticia Domingues) and LAR Construtora (Vinicius Lacerda, Isabella Pelisser and Ana Clara Sguario)
Work / Contractor: LAR Construtora (Amanda Rigobeli / Everton Moreno)
The Yard is an early activation project at future site of a large mixed-use development project for the San Francisco Giants. Outdoor spaces provide venues for activities ranging from a beer garden to movie nights and yoga, while the repurposed shipping containers hold a range of vendors including local retailers and foodservice providers.
This project is a rebuild of an existing post 1991 Fire-storm house. Situated high on top of the Eastbay mountain range overlooking the city of Oakland, the site has unobstructed view’s toward the southwest Bay and Golden Gate. It was designed for a young family, who desired an open plan home that embraced the views of the bay and a connection to the existing garden.
Organized as a village-like cluster of distinct volumes that surround a central hub, the building’s form resonates with the character of Glencoe’s downtown. The theater’s two performance spaces—a main stage and a smaller black box venue—employ innovative staging and seating configurations to maximize the sense of intimacy between actors and audience and to enhance the immersive experience of Writers’ productions.
The owners of Chicken Point Cabin and their two young children bought the waterfront property—located half an hour from their house in northern Idaho—in order to build a lakeside cabin. Their intent was to be able to use the house year-round, but especially during the summer, when the local weather can get oppressively hot. Their only directive to Tom was simple: make the house as open to the water as possible. Tom’s response to this challenge was as direct as the request: a large pivoting picture window on the waterside that literally opens up to the landscape. “Little house, big window,” in Tom’s words.
SEATTLE—LMN Architects, a multidisciplinary design firm with a reputation for distinctive, community-focused projects, announces the topping out of the building podium for the new Hyatt Regency in downtown Seattle.
Positioned at the nexus of Seattle’s downtown commercial, convention, and high-rise residential neighborhoods, the 1,400,000-square-foot Hyatt Regency Seattle synthesizes a diverse mix of urban influences into a skyline-scaled, mixed-use building. The tower’s monolithic composition will provide a bold, yet quiet, counterpoint to the highly articulated neighboring towers; its ethereal exterior conceived to dissolve and merge into the silvery sky as it rises above surrounding buildings.
Located on the eighth floor of the Pacific Building, Digital Kitchen’s new headquarters features an outdoor terrace, open seating and reallocated space for private meetings. Anchoring the room is a wood clad box that houses private video editorial suites. Three open banks of seating move away from the office’s former compartmentalized working arrangement. A major focus of the new design was relocating the digital company’s servers. By moving the server room away from the exterior wall, natural light was drawn into the space and allowed for expanded server space.
Surrounded by wheat fields on a high-altitude plateau stand a small glass house and a solid, traditional barn. The owners, inspired by Philip Johnson’s Glass House, wanted a refuge that opens up to the prairie and mountains. The structures are conveniently close to each other and enjoy a sense of isolation at the end of a long country road. The roof of the wood-frame barn, which houses farm equipment below and guest rooms above, was inspired by the local vernacular and is echoed in the shed roof of the glass house.
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