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Dingji Photography – Huan Asia Art Space

Friday, July 21st, 2023

WIT: A Space for Portrait Photography


What is the essence of portrait photography?
This has been a constant pondering for Dingji Photography over the past eleven years. With a focus on excellence and a pursuit of the highest standards, Dingji has established seven distinct professional portrait photography institutions in Beijing, Shanghai, and Hangzhou. Now, Dingji presents a new concept for its eighth establishment: a non-profit, dedicated space solely for exploring the art of portraiture.

“After hearing this concept from the founder of Dingji, as someone who has visited numerous art spaces, I was immediately moved. In a time filled with competition and uncertainty due to the pandemic (during the planning phase), Dingji persists in stubbornly ‘discussing art’—a practice that seems detached from commercial interests yet truly elevates the production of portrait photography to its utmost perfection. This is commendable,” expressed Luo Zhenhua from WIT Design.

However, the average customer expenditure is five to ten times higher than that of Dingji’s regular stores, and yet it continues to be widely loved.

01 Space
“The Portrait Steward in the Era of Cloud Computing”

However, is art really so distant from us?

It is well known that many of our country’s products have hardware that is on par with top Western brands, yet there is still a gap in terms of pricing. Perhaps what is lacking is a thorough understanding of art and design.

Speaking of portrait photography, during the years of my interaction with Dingji, I have never for a moment considered it to be just an ordinary photo studio. Dingji’s artistry is far from being exclusive to a select few. It has consistently and silently provided a photography service that withstands scrutiny, constantly pushing the boundaries of portrait art to its utmost perfection.

Within the exhibition hall’s corridors, a scene of mechanical aesthetics unfolds. It seems as if, in the fraction of a second captured by the mechanical shutter sound, guests are frozen and captured, while being processed and uploaded in real-time. Dingji’s artistic output is not akin to the portrait oil paintings of the 16th-century Renaissance, nor the slow development of images by cameras in the 19th century. Instead, it exists within a futuristic realm of silver and metallic textures, where capturing, storing, and online management are unrestricted by technology—never fading, never lost.

This eighth establishment, the Huanya Art Space, offers customers a glimpse into the future—a scenario where, in the era of cloud data, they not only serve as photographers for the guests but also act as their portrait stewards.

As the artistic portrait stewards, Dingji also provides large-scale interactive installations within the exhibition hall, showcasing the power of their advanced backend technologies.

If there were a “Heavenly Photo Studio,” it would most likely be curved in design.

The exhibition hall is curved in design—Architect Antoni Gaudí once said, “Straight lines belong to man, while curved lines belong to God.”
The exhibition hall will host regular photography exhibitions, with the aim of fostering the self-evolution of Dingji through the showcased works. Additionally, the art corridor is divided into sections by the shape of mechanical shutters, with each section documenting a story and scene captured by Dingji’s photography.

02 Value
Brand’s Autonomous Transformation

Portrait Consultant + Art Exploration + Homage to Future Imaging

Returning to the commercial space itself, after the pandemic, the project has gained a significant number of customers, achieving an average customer expenditure that is 5-10 times higher than that of its regular stores. This transformation has brought about a qualitative change in both the business and brand dimensions.

This is a contemporary imaging space that observes and explores the future, reaching people through intuitive design and receiving positive responses. Portrait photography is a combination of a portrait consultant, art exploration, and homage to future imaging within a service-oriented system.


03 Nature

“There was a touching story about a Dingji staff member that really moved me: A customer wanted to have their portrait taken during sunrise. When the customer arrived at the outdoor shooting location promptly at 6 a.m., the enthusiastic Dingji business team offered them tea, and the makeup team had already prepared all the necessary facilities outdoors. The photography team’s instructor, equipment, devices, and lighting were all perfectly set up in advance. The customer’s experience was further enhanced as they melted into the moment, accompanied by the warm rays of the rising sun.”

Returning to the commercial space itself, the project has consistently attracted a significant number of customers after the pandemic.

At that moment, it wasn’t just a groggy independent photographer welcoming the guests, but rather an entire professional business team working together systematically to pursue artistic outcomes. In the end, a series of personalized, custom-made artistic portraits with a sense of contemporary tension are produced.














Wastewater Plant control Center and Blower House Complex in Cape Town, South Africa by SALT Architects

Wednesday, September 28th, 2022

Article source: SALT Architects

The project is a new Blower House Complex on the Athlone Wastewater Treatment Works just outside Cape Town. On Ground floor the complex consists of a large blower room with its Motor Control Centre (MCC room) and air plenums, a MCC for the future upgrade’s reactors, locker rooms for the ground staff, a laundry room, and stores. The nature of the first floor is more clerical and includes the control room, SCADA station, offices, boardroom, laboratory, and staff amenities. Connected at an angle to the blower house is the new electrical building which houses four large diesel generators and their associated plant to run the whole plant in case of a power outage.

Image Courtesy © Southland Photography

  • Architects: SALT Architects
  • Project: Wastewater Plant control Center and Blower House Complex
  • Location: Cape Town, South Africa
  • Photography: Southland Photography
  • Structural Engineer: Steven Wood
  • Project size: 3470
  • Site size: 350814
  • Project Value: R 112 434 896
  • Timeline: September 2018 – January 2022

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Greenwich Peninsula Low Carbon Energy Centre in England by C.F. Møller Architects

Monday, September 16th, 2019

Article source: C.F. Møller Architects

C.F. Møller Architects, artist Conrad Shawcross and developer Knight Dragon have completed a major new art and architecture collaboration for the Greenwich Peninsula Low Carbon Energy Centre.

The Greenwich Peninsula is one of London’s major urban development areas, including 15,700 new homes, over 300,000 m2 of office space and the conversion of the former Millennium Dome into the indoor arena renamed The O2.

Image Courtesy © Mark Hadden

  • Architects: C.F. Møller Architects
  • Project: Greenwich Peninsula Low Carbon Energy Centre
  • Location: Greenwich, England
  • Photography: Mark Hadden
  • Client: Pinnacle Power and Knight Dragon Developments
  • Landscape Architect: C.F. Møller Landscape
  • Artist: Conrad Shawcross
  • Other Collaborators: Futurecity, Structure Workshop
  • Engineering: Environmental: Buro Happold, Infrastructure: Ove Arup &Partners, Structural: Price & Myers
  • Size: 3000 m2
  • Year: 2008-2016

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Värtaverket Biomass-fuelled CHP plant in Djurgården, Sweden by Gottlieb Paludan Architects and URBAN DESIGN

Wednesday, November 22nd, 2017

Article source: Gottlieb Paludan Architects and URBAN DESIGN

Värtaverket is surrounded by industrial, office, residential and recreational areas. This major extension was required to show consideration for its neighbours, and respect the presence of a number of protected oak trees and the function of the area as a fauna path between the northern and southern parts of Djurgården – a scenic area that blends into Stockholm proper.

Image Courtesy © Robin Hayes

  • Architects: Gottlieb Paludan Architects and URBAN DESIGN
  • Project: Värtaverket Biomass-fuelled CHP plant
  • Location: Djurgården, Sweden
  • Photography: Robin Hayes
  • Software used: Revit
  • Client: FORTUM AB
  • Collaborators: URBAN DESIGN
  • Gpa Services: ARCHITECTURAL DESIGN, PROJECT FOLLOW-UP, SITE SUPERVISION
  • Cost: SEK 4,5OO MIO
  • Fee: DKK 11 MIO
  • Size: 20,000 M²
  • Constr. Year/status: 2016

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Stanford Central Energy Facility in California by ZGF Architects LLP

Wednesday, May 25th, 2016

Article source: ZGF Architects LLP

The Stanford Central Energy Facility is a transformational campus‐wide energy system – replacing a 100% fossil‐fuel‐based combined heat and power plant with grid‐sourced electricity and first‐of‐its kind heat recovery system. Positioning Stanford as a national leader in energy efficiency and carbon reduction, the results are impressive: greenhouse gas emissions are slashed by 68%; fossil fuel use by 65%; and campus‐wide water use by 15%. This comprehensive Stanford Energy System Innovation (SESI) system will eliminate 150,000 tons of carbon dioxide emissions annually, the equivalent of removing 32,000 cars from the road every year. Expected energy savings to Stanford over 35 years is $425 million.

The 125,614 SF Central Energy Facility is located on the west side of the central campus, just outside the campus core, Image Courtesy © Matthew Anderson

The 125,614 SF Central Energy Facility is located on the west side of the central campus, just outside the campus core, Image Courtesy © Matthew Anderson

  • Architects: ZGF Architects LLP
  • Project: Stanford Central Energy Facility
  • Location: Stanford, California, USA
  • Photography: Robert Canfield, Tim Griffith, Matthew Anderson and Steve Proehl
  • Total GSF: 125,614 GSF
  • Completion date: March 2015

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The Dandenong Precinct Energy Project in Victoria, Australia by PETER HOGG + TOBY REED ARCHITECTS

Tuesday, December 17th, 2013

Article source: PETER HOGG + TOBY REED ARCHITECTS 

The Dandenong Precinct Energy Project (P.E.P.) is a flagship project in the implementation of low carbon energy generation in Victoria. The P.E.P. will supply the buildings in a 7 hectare redevelopment precinct with electricity and heating thermal energy (Cogeneration) in the form of hot water with twice the efficiency of a typical gas fired power station, with less than half the carbon emissions of a coal fired power station. In addition, some building’s will utilize the hot water produced to run absorption chillers to provide cooling, resulting in even greater efficiencies, and further reduced emissions.

Image Courtesy © John Gollings

  • Architects: PETER HOGG + TOBY REED ARCHITECTS
  • Project: The Dandenong Precinct Energy Project
  • Location: Victoria, Australia
  • Photography: John Gollings
  • Project team: Toby Reed, Peter Hogg, Marcus Fajl, Ming Lie, Fairlyn Wiyono
  • Client: Places Victoria
  • Director of Infrastructure (Places Victoria): Nick Shashkoff
  • Project Manager: Hai Nguyen
  • Mechanical Consultants: Rudds Consulting Engineers
  • Acoustic Consultants: Rudds Consulting Engineers / Marshall Day
  • Structural Consultants: BDD Engineering
  • Builder: Becon Constructions (Aust)
  • Construction Manager: Peter White
  • Software used: Rhino

Right to Energy in Rome, Italy by OBR – Open Building Research

Friday, March 22nd, 2013

Article source: OBR – Open Building Research

In a time when it is our duty to investigate alternative non-oil based energy sources, Smart Grid represents the most sustainable model in environmental, energetic and economic terms. The nodes in the energy grid will be the power stations of the future: intermodal and social centers, in which we will be able to exchange energy and data, and interact socially as if we were in a market, or rather in an energy mall. In these energy malls we will switch from “volumetric” vehicles for long-distance travel short-distance movements (electro assisted and automated individual devices that are an extension to one’s body).

Image courtesy OBR – Open Building Research 

  • Architects: OBR – Open Building Research
  • Project: Right to Energy
  • Location: MAXXI, Roma, Italy
  • Design Manager: Andrea Debilio
  • Project Manager: Michele Renzini
  • Collaborators: Viola Bentivogli, Andrea Casetto, Dario Cavallaro, Benedetta Conte, Maria Lezhnina, Elisa Siffredi, Izabela Sobieraj
  • Consultants: Articolture, Artiva, Bartolomeo Mongiardino, Buro Happold, Liraatvisuals, Microb & Co, Visual Lab
  • Design Year: 2013

Punibach Hydroelectric Power Station in South Tyrol, Italy by Monovolume

Friday, October 5th, 2012

Article source: Monovolume

The Punibach hydroelectric power station is conceived as a fracture in the landscape. Harmonically integrated in its surroundings, it suddently brakes it open and reveals the machines in its interiors, which serve to transform natural powers into useful energy.

Image Courtesy Monovolume

  • Architects: Monovolume
  • Project: Punibach Hydroelectric Power Station
  • Location: Planeiler Alm (BZ), South Tyrol, Italy
  • Client: Puni Energie GmbH (Ltd.)
  • Programme: Hydroelectric Power Station
  • Realisation: 2010/11
  • Pressure Pipeline Length: 4.115 m
  • Turbines: 2 horizontal Pelton
  • Average Annual Production: 14,3 mil. kWh
  • Construction Cost: 9,0 mil. Euros
  • Software used: ArchiCAD

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Energetic and Formal Renovation of an Industrial Building in Italy, Florence by TA Plan Design

Tuesday, July 24th, 2012

Article source: TA Plan Design

The renovation of the industrial building was done to reduce energy consumption for heating by installing a polystyrene foam “coat” on all the external involucre. Particular attention was also given to the summer behavior of the building that had significant overheating problems. All windows of the south side have been screened by curved section brise-soleil manually adjustable: trough this setting you can block the passage of sunlight in summer and instead favoring the passive solar contribution in winter season.

Energetic and Formal Renovation of an Industrial Building

  • Architects: TA Plan Design
  • Project: Energetic and Formal Renovation of an Industrial Building
  • Location: Italy, Florence

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Mack Energy Corporation in Artesia, New Mexico

Saturday, July 14th, 2012

Article source: New Voodou

The architecture of the corporate offices for Mack Energy evokes the independent energy company’s engagement in oil and gas exploration, development and production in both form and materials. The boldly articulated curtainwall of the double height building entry recalls the skeletal form of drilling rigs whilecast relief on the concrete panels mimics the stratification of the earth. Throughout the building the abundant use of natural materials ties the structure to New Mexico’s diverse landscape environment — sun, desert, and mountains. Inside the atrium two of the soaring walls, clad in stone with a pattern that reveals the oil rich rock strata of southeastern New Mexico and west Texas, are also water walls that flow into a small interior pond though a channel imbedded in the floor. A tall, dramatic sculpture depicts a scene from an active well and echoes the articulation of the exterior frame.

Mack Energy Corporation

  • Architects: Van H. Gilbert Architect, PC
  • Project: Mack Energy Corporation
  • Location: Artesia, New Mexico
  • Project Architect: Van H. Gilbert Architect PC
  • Design-build contractor: Jaynes Corporation
  • Size: 50,000 square feet, two-story with a basement

(more…)




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