Developers Bruntwood SciTech invited SpaceInvader to consider best usage for a lower ground space within its newly re-developed ‘Glasshouse’ building at world-leading life science and innovation campus, Alderley Park. Glasshouse represents the redevelopment of a former toxicology lab, comprising 16 separate buildings, arranged around a central courtyard garden, into a single, new 150,000 sq ft commercial office building, specifically designed for digital and tech businesses.
Photographer: Andrew Smith at SG Photography Consultants:
Cubic Works – Shan Khambata – Director / Gareth Robinson – Senior Project Manager / Thomas O’Brien – Site Manager Suppliers:
Feature carpet insets – EGE Mark of Time range
Suites & meeting room focus workspace carpets – Tarkett Linon range
Rubber flooring throughout – Nora Interface Norament range
Teapoint feature terrazzo flooring – Amtico Spacia Range
Brushed stainless steel for joinery – Formica
Timber Laminate for joinery – Natural Mandal Maple
Green solid surface kitchen counter tops – Hi-Macs Maui
The Corian back-lit wall from CDUK – Mario Ramano Walls Honey
In the digital era, architecture has become a global communication tool with wide scope and reach. No longer resting solely in the hands of the experts, nowadays architecture draws on its tangibility and concreteness to become an, expression of general culture at all levels and a collective argument for debates. As a temple devoted to 360-degree diffusion of architectural culture, PRESS BOX, the installation by SET Architects, encompasses a selection of international publications curated by mint LIST.
Philip Morris International Inc. (PMI) (NYSE: PM) today presents IQOS World revealed by Alex Chinneck at Milan Design Week 2019, the pinnacle event in the world of art and design. IQOS, the flagship innovation in PMI’s smoke-free portfolio, will host the exhibition to the public April 9-14.
The IQOS World exhibition—which is expected to be visited by more than 50,000 people during Milan Design Week—is an artistic expression of the future, brought to life through a collaboration with well-known sculptor Alex Chinneck, whose art is distinguished by his bold and disruptive vision. Alex’s unique talent for combining art, architecture and theater in his work manifests on a monumental scale: The architecture itself, both inside and out, becomes transformed into a work of art, taking on new and unexpected shapes. The walls and floor become metaphors for a process of transformation, evoking—through imaginative portals—seemingly infinite routes to a newly imagined future.
Gwangju is the most suitable city representing CHANGE. Contrasting colors and alternating skin scaped projectiles boxed and directional sits on a calmly stepped podium surfaced with wood. As night appears the glimpse of festivity gently glows and the great Romantic views of the ACC, and Gwangju appears….
Intersections is an open and versatile furniture collection consisting of several geometric modules. As each shape slides into the other, like two combs, form and color meet and interweave. Together the shapes create sculptural urban installations or play sculptures that can function both as a place to sit and relax as well as a place for spontaneous play.
Article source: pbaa – piano b architetti associati
“Di Ponte in Bianco” is a temporary public art installation designed for the event “Aperti per Ferie 2016” organized by the cultural association Open City Roma. “Aperti per Ferie 2016” is part of the activities promoted by the municipality of Rome for the “Estate Romana”.
The idea comes from an air flow going through the entire apartment. The aim is to occupy the free space, above-ground, and cross over all the rooms. We want to guide the visitor bringing a continuity to the compartmentalized space of the showroom.
Located within a commercial complex, Go Orthodontistes clinic is accessible by a long hallway, which serves as a passageway between the exterior commercial complex and the carefully crafted universe that lies within.
In order to create a cohesive space of total design, it was necessary to conceive the interior space simultaneously with the elements of industrial design. The wood slats inform all interventions and the open layout, with its curved surfaces and reveals, mitigates confusion, favouring openness.
This work was made for the exhibition, “Measuring: This much, That much, How much?” held at 21_21 DESIGN SIGHT from February 20th to May 30th, 2015.
I designed this in collaboration with MUJI, using their first furniture product, the steel shelving unit.
First, I began the project by discussing the importance of this steel shelving unit with the designers at MUJI to study what this product meant for them.
Exhibition Kotaro Horiuchi 2014 “Fusionner 3.0” From the 7th of May to the 10th of June 2014 there were the exhibit of Kotaro Horiuchi’s project called « Fusionner 3.0 » 2014 at Shukutoku University of Aichi’s gallery.
Fusionner « Fusionner » comes from a French word meaning « to merge ». The architecture merge in the town just like renovations merge into inside space. Everything happens without imposing in the place. The most important thing is the inside of those places, the content with someone, or should we say, a group of people who will be actors of the activities that will take place in that space. To emphasise on those activities, the existence of architectural place or a place, which evolve smoothly, is necessary.
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