A unique place for sailors, icon building covered of architectural concrete skin from which arises precious red glass cubes. The existing building before work was abandoned for many years. At the heart of the port of Brest, it was opaque, thickset and tagged, shelter the homeless. Dockers former office, he was nevertheless a landmark building known to all Brestois. His new function: host associations dedicated to sailors. Reflection of what he receives, the project now has a strong identity linked to the world of the sea, with two main inputs (one for the day for associations and one for the night for the Seamen’s Club) and a discreet rear access for the region. The redevelopment of the immediate surroundings, originally a wild parking, also part of the project. The building before work was simply invisible. Few windows, dirty facades, negative image of a bygone era. The windows get larger, the facade protects itself with an insulation and exterior is adorned with a thin (5 cm) perforated concrete skin from which arise the inputs, real blocks of deep red glass, the floor soars skyward and attracts attention. The neutral building now gives way to a “significant” building which shows its identity with the world of the sea with a semi-figurative motif sail-shaped concrete cladding that makes a meaningful precious object. We made defects of the qualities. A new lighthouse for sailors on the port. The project is innovative, radical, with the use of two materials with opposite properties but highlighting with respect to each other. The fine facing opaque, dark, ultra-resistant and perforated highlights the airlock and the floor dressed in glass (VEC) colored red, shiny and transparent.
Jára Cimrman is a fictitious Czech national giant. He excelled in many roles – as an inventor, scientist, playwright, poet, composer, artist, teacher, traveler, philosopher, detective, mathematician, pilot, sportsman and dentist.
In his case, you can hardly find a profession that he has not made a radical contribution to.
He was born in the end of the 19th century and his footprint disappeared after the First World War.
This end of terrace courtyard was dominated by an enormous back wall and a tall palm tree on the left. Yet it also had inspirational Italian owners and a fabulous collection of some mature architectural plants. I decided to retain all the plants in their positions as I felt this was an integral fabric of the garden. Only one plant was to be removed – an overgrown Viburnum in the right corner – to be replaced with a beautiful multi-stem bronzed trunk Tibetan Cherry. Coincidentally, retaining the plants enabled a diagonal design to be implemented, which meanders through the trees.
The town of Belfort was founded to control the pass between the Vosges and the Jura. The original pentagonal structure was designed by Vauban in 1687 and completed and reorganised by General Haxo. Fort Hatry, where the new sports hall is located, was once part of the city’s defences. The shape of the fortifications was not so much a result of the orthogonal shape of the city but a response to the art of warfare at the time: defence and control of movement using the traditional configuration of edges and folded walls. Since the military abandoned the fortress it has become a recreational park used for open-air events with temporary structures such as fairgrounds or circuses.
Coming from abroad, the Quattan Foundation is perceived as a lighthouse bringing enlightenment to the Palestinian people. This role as flagship of Palestinian culture is in need for a recognizable image worthy to represent its social leadership with a physical landmark. We imagine this landmark as a light up the mountain, seen from everywhere and although modern and contemporary in its form, it is built from the Palestinian very earth and stone. The future building will target an international audience with a contemporary language, but what it will deliver is the local vernacular and very particular qualities.
Winner of the RIBA Downland Award 2012.
‘The Lighthouse’ is a beachfront property on the south coast of England. It is a super insulated, luxury 3 bedroom house sitting in a beautiful water side location enjoying stunning views of the Solent and the Isle of Wight.
The project was develloped to a student competition promoted by chalmers, to desing a “naturum”, a nature museum, deeply connected with the river of goteborg.
TWO MAIN INTENTIONS:
beacon/lighthouse_ light possibilities of the materials. The polycarbonate panels blends with the colours of the site and with the light. it’s a neutral material which gives and industrial sense to this architecture. during the day, a silent intervention, during the night a light reference for the river and to the city skyline.
Five giant sails majestically puff out their chests, iconic against the Vancouver skyline. Each becomes a dynamic canvas of colours and themes, changing according to season or event. Canada Place is transformed. In a perfect symbiosis of architecture and visual design, of graphics and light, a public space becomes a shared experience.
The lights and images become part of the body of the surface they inhabit. Does the light mold itself to the architectural forms or do the structures themselves arch into the light? An organic relationship, the urban environment is subtly activated to engage both employees and passersby.
Lightsails as guiding symbols for the exhibition around the Millstaetter lake, Austria. The lighthouse is used as a metaphor to guide the visitors around the different exhibitions. Nowadays the lighthouse is used as a symbol of holidays, sea, adventure and water.