WE architecture have won a new social housing competition, consisting of 38 apartments, in Saltholmsgade, Aarhus. The proposal has been made in collaboration with the housing organization Ringgaarden and JWH Arkitekter.
The project interprets the traditional historical city houses along Hjortensgade as modern, social and green communities. Communal features are places on the roof-garden from where residents can have an overview of Aarhus.
The skinnySCAR project of architect couple Gwendolyn Huisman and Marijn Boterman shows how forgotten empty spaces in the city can be used. Each city has neglected spaces like this, that are unused and underrated. These gaps can be upgraded to complete the urban fabric, while giving it a boost and creating possibilities for new forms of urban living for the adventurous ones. As young designers, Gwendolyn and Marijn are not limited by design traditions and conventions, and they saw the potential and challenge of a narrow gap with extreme proportions in an old Rotterdam neighborhood. In 2012 the process to convince the landowners to sell the narrow plot started, so they could develop it into their own home. After a short construction period of only 4 months in 2015/2016, the contractor left them an unfinished structure. They’ve been finishing the entire interior themselves since then and their design ideas are becoming manifest.
The original planning brief foresaw an adaptation of the existing house, which was inhabited by the building owner at the time. The home owner’s driving aspiration for the project was the integration of a swimming pool with a visual relationship to the outside. After many design variations and the exhaustion of all building parameters it became clear this would not be feasible within the constraints of the old house. However the strong desire for a private swimming pool remained, leading the owner to the courageous decision to tear down the original house and build new in order to realize their ideas.
For a taste of New York in the Mother City, look no further than the fresh, sophisticated new offices of Urban Lime! Inhouse Brand Architects has unveiled a stylish redesign for the Cape Town branch of this international property management company. The commission was the second from Urban Lime; Inhouse previously refurbished the upper floors and common areas throughout the same building and due to the success of this initial project, was the inevitable choice to fulfil the client’s latest aspirations for the first and second floors.
Steven Christensen Architecture of Santa Monica, California has been named a winner in the first annual AAP American Architecture Prize, which recognizes the most outstanding architecture worldwide.
The design for Liepāja Thermal Bath and Hotel originates from a keen interest in the formal associations of the dome throughout architectural history, and more precisely, its role within the typology of the public bath.
Fraser Brown MacKenna Architects are delighted to have been recognized by the Leading European Architecture Forum (LEAF) for their development at Pembury Circus, which has been awarded the title “Best Mixed Use Development” at the LEAF Awards 2016, alongside other high profile finalists.
Pirineos 125 is a department building that answers to the neediness of households in Mexico City. The project maximizes all the areas reducing the circulations and giving the priority to the living spaces. The building is spread in four levels, has eleven departments and a roof garden. The departments, with 67 m2, have two bedrooms with bathrooms, living-dining room and kitchen. The design provides natural light to all the rooms and the curtain wall facade creates a shadow play through the living room.
Award-winning architectural office, spatial practice, completed a site-specific light installation in Tokushima, Japan; titled Indigo Waterfall. The permanent fiber optic lighting installation is debuted at the Tokushima LED Art Festival 2016 flanking both sides of Kasuga Bridge creating the perception of indigo ink spilling into Shinmachi River.
Inspired by both the past and present industries of Tokushima City, the designer merges and highlights the importance of both industries in its development of the city. Tokushima City was built by the indigo dye industry; big indigo storehouses occupied both waterfronts surrounding Kasuga Bridge where white walls and blue stones were reflected onto the river. Tracing back to its history, the Indigo Waterfall gives new remembrance to the surrounding indigo storehouses by utilizing Tokushima City’s new thriving LED industry and its surrounding natural beauty. By connecting light, nature, local culture and people; the installation creates a new image for Tokushima City.
Indigo Waterfall bridges the past, future, and evolution of industrial development.