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Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. Hanjie Wanda Square in Wuhan, China by UNStudioDecember 11th, 2013 by Sumit Singhal
Article source: UNStudio Hanjie Wanda Square is a new luxury shopping plaza located in the Wuhan Central Culture Centre, one of the most important areas of Wuhan City in China. Following a competition in 2011, with design entries from national and international architects, UNStudio’s overall design was selected by Wanda as the winning entry for the facade and interior of the Hanjie Wanda Square. The shopping plaza houses international brand stores, world-class boutiques, catering outlets and cinemas.  Image Courtesy © Edmon Leong
 Image Courtesy © Edmon Leong In UNStudio’s design the concept of luxury is incorporated by means of focussing on the craftsmanship of noble, yet simple materials and combines both contemporary and traditional design elements in one concept. Ben van Berkel: “Reflection, light and pattern are used throughout the Hanjie Wanda Square to create an almost fantastical world. New microcosms and experiences are created for the shopper, similar perhaps to the world of theatre, whereby the retail complex becomes almost a stage or a place of performance and offers a variety of different impressions and experiences to the visitor.”  Image Courtesy © Edmon Leong Synergy of flows The concept of ‘synergy of flows’ is key to all of the design components; the fluid articulation of the building envelope, the programming of the dynamic façade lighting and its content and the interior pattern language which guides customers from the central atria to the upper levels and throughout the building via linking corridors.  Image Courtesy © Edmon Leong Façade design  Image Courtesy © Edmon Leong The geometry ranges from full stainless steel spheres to a sequence of gradually trimmed spheres down to a hemisphere, with an inlay of laminated glass with printed foil. The spheres have a diameter of 600mm and are mounted at various distances on the 900 x 900mm brushed aluminium panels, which were preassembled and mounted on site.  Image Courtesy © Edmon Leong The architectural lighting is integrated into the building envelope’s 42.333 spheres. Within each sphere LED-fixtures emit light onto the laminated glass to generate glowing circular spots. Simultaneously a second set of LED’s at the rear side of the spheres create a diffuse illumination on the back panels.  Image Courtesy © Edmon Leong A total of 3100000 LED lights where used to cover the 17894 sq.m. media facade. Various possibilities to combine and control these lights allows diverse media lighting effects and programming of lighting sequences related to the use and activation of the Hanjie Wanda Square.  Image Courtesy © Edmon Leong Interior concept  Image Courtesy © Edmon Leong Ben van Berkel: “In Hanjie Wanda Square a circular motif is repeated in many different ways, both in the facade and throughout the interior. The patterns used were influenced by numerous cultural references, both traditional and contemporary and are connected to fashion, products and everyday consumer items, but also to the use of pattern in art and in our cultural history. Patterns drive our aesthetic choices, whether they be personal or shared and in Hanjie Wanda Square act as a background to the world of desire encapsulated in the contemporary shopping plaza.”  Image Courtesy © Edmon Leong With two main entrances, the North atrium is recognised as a main venue hall, and the South atrium as a more intimate venue hall. The North atrium is characterised by warm golden and bronze materials reflecting a cultural, traditional identity.  Image Courtesy © Edmon Leong In the South atrium Silver and grey nuances with reflective textures reflect the city identity and its urban rhythm. Both atria are crowned by skylights with a funnel structure which connects the roof and the ground floor. The funnel structures are each clad with 2600 glass panels and are digitally printed with an intricate pattern. In addition, each funnel integrally houses a pair of panorama lifts.  Image Courtesy © Edmon Leong  Image Courtesy © UNStudio  Image Courtesy © UNStudio  Image Courtesy © UNStudio  Image Courtesy © UNStudio  Image Courtesy © UNStudio
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Categories: Autocad, Grasshopper, Plaza, Rhino, shopping center |
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