ArchShowcase Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. Theatre on the Parade in Den Bosch, Netherlands by UNStudioJuly 22nd, 2015 by Sumit Singhal
Article source: UNStudio The residents of Den Bosch in the Netherlands have played a part in the selection of Ben van Berkel / UNStudio’s design for the new ‘Theatre on the Parade’. Following a competition in which the inhabitants of Den Bosch were invited to vote for one of two finalists, UNStudio’s design for the new city centre theatre was selected for realisation, having received 57% of the votes.In total 2681 people (over the age of 12) cast a valid vote. In addition, the municipality conducted a survey among 5,000 people, while around 400 residents in the immediate area and other stakeholders received an invitation to vote.
The Theatre on the Parade is located in the heart of Den Bosch, adjacent to a large and lively public square(‘the Parade’) and near to the St. John’s Cathedral.Alongside essential functional, regulatory and sustainable considerations, the location of the theatre calls for a highly contextual approach, however the architecture of UNStudio’s design places equal emphasis on the overall experience of the theatergoer and the public qualities of the project. Ben van Berkel: “Ideas surrounding sensation and cultural expressionform the conceptual basis of the design.The massing of the building is simultaneously single and multiple:the shiftingdisplacementof thevolumessuggestsseparation and fragmentation, while moments of intersectionfuse the volumesand result in an autonomous, single object within the urban fabric.” Reminiscent of geological formations, the composition of the volumes thwarts expectations of alignment and order, therebyarresting the gaze and accentuating perceptions of volumetric and spatial arrangements. The composition of offset yet interrelated and connected parts thus avoids an image of seamless fusion, instead alludingto the dynamics and drama of the theatre experience. Contextual considerations The relationship with the surrounding buildings and the adjacent publicsquare (‘the Parade’) was an essential consideration in the design.In order to cause as little hindrance as possible to immediate neighbours, the two auditoria are designed as enclosed volumes clad in natural stone, while the facades of the public spaces are constructed from glass, so that the theatre building and the public square seamlessly merge and visitors become part of the show. The four volumes of the theatre frame the views to include the nearby St. John’s Cathedral and the Parade Square. The volume housing the larger of the two auditoria is partially sunken below ground, thereby ensuring that the building remains low and that sightlines to the St. John’s Cathedral are maintained. The massing additionally results in a compact building with an optimisedvolume and integrated stage towers, while a terrace on the third floor offers visitors further unobscured views of the city. Interior and Vertical Foyer The floor of the public foyer runs level to the ‘Parade’, enabling the theatre to form a natural extension of the public square. Guests can directly access the small auditorium via the theatre café, while the elevators and stairs take visitors to their chosen destination within the theatre. The main stairway with glass balustrades forms the heart of the vertical foyer, which extends over four levels and is 19 meters in height. The vertical Foyer forms the column-free central space of the building around which all circulation takes place, thereby creating a dynamic movement of people through all levels of the theatre. Ben van Berkel: “The various levels of the vertical foyer can be utilised simultaneously for a variety of commercial functions. This enables flexible programming for public and privates events, shows and conferences. Such additional programming adds liveliness and versatility to the theatre building and extends its public function.” Auditoria The smaller auditorium, the ‘Paradezaal’ which seats 420, houses a flexible stage and retractable seating, enabling a variety of performance types: from intimate theatre pieces to celebratory events and shows which can use the complete space without seating. Behind the scenes After the Summer work on the design will continue and the planning procedure will begin. Start of construction is scheduled for 2017 and the new theatre is expected to be realised in 2020. Contact UNStudio
Tags: Den Bosch, Netherlands Category: Theater |