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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

Exhibition design for the international exhibition Mad About Surrealism in Rotterdam, The Netherlands by MAXWAN architects + urbanists

 
April 30th, 2017 by Sumit Singhal

Article source: MAXWAN architects + urbanists

Museum Boijmans van Beuningen Rotterdam, in collaboration with the National Gallery of Modern Art in Edinburgh and the Hamburger Kunsthalle, presents ‘Mad About Surrealism’ with over 300 surrealistic works from Dalí, Ernst, Magritte, Miró and others. Most of the works have rarely ever been exhibited and some of them might never be on display again. The exhibition showcases the collections of four renowned surrealism collectors: Roland Penrose, Edward James, Gabrielle Keiller and Ulla and Heiner Pietzsch.

Image Courtesy © Lotte Stekelenburg

  • Architects: MAXWAN architects + urbanists
  • Project: Exhibition design for the international exhibition Mad About Surrealism
  • Location: Rotterdam, The Netherlands
  • Photography: Lotte Stekelenburg, Artur Borejszo
  • Client: Museum Boijmans Van Beuningen
  • Partner in charge:  Hiroki Matsuura, Rients Dijkstra
  • Team leader: Giulia Sarah Bacci
  • Team: Gabriella Georgakaki, Artur Borejszo, Aleksandar Hrib, Valentina Chiappa Nunez

Image Courtesy © Lotte Stekelenburg

  • Total floor area: 2500 m²
  • Start of project: 2016-11
  • End of project: 2017-01
  • End of construction: 2017-02

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

The exhibition is the third Maxwan designed ‘blockbuster’ exhibition in the Boymans’ main exhibition space, the Bodon Hall. The key ingredient in the design is a newly built central room with a zeppelin-like shape. The bright interior of the zeppelin hosts eight themes – Dali’s paranoia, Fabulous women etc. – composed of works from all four collections. By its size and position the zeppelin divides the Bodon Hall into four quadrants – one for each collector. The skin of the zeppelin is a highly reflective gray that surrealistically reflects light, artworks and visitors of the collection rooms.

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Artur Borejszo

Image Courtesy © Artur Borejszo

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © Lotte Stekelenburg

Image Courtesy © MAXWAN architects + urbanists

Image Courtesy © MAXWAN architects + urbanists

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Categories: Exhibition, Exhibition Center, Interiors, Museum




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