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Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. Tiger Prawn in Fitzroy North, Australia by WOWOWA Architecture & InteriorsMay 24th, 2019 by Sumit Singhal
Article source: WOWOWA Architecture & Interiors This job had a unique beginning, in 2014 WOWOWA produced a series of renovation tip YouTube videos celebrating some of Melbourne’s featurist houses Robin Boyd famously identified in the Australian ugliness. Often, colloquial vernacular nicknames were given to distinct housing styles, early Victorian pattern brick facades, like this project's were coined ‘Tiger Prawn’s’. These clients came to WOWOWA proclaiming they have a Tiger Prawn house and were eager to honour the glory of their Victorian terrace frontage with a new addition out back. Another key feature was the distinct Fitzroy North site was the carpark and laneway adjoining the back of the property, the back was publicly viewed and so from the outset we treated the back not only as a back but also a front. Reminiscent of ‘Janus’ the Roman god of beginnings, transitions, time and duality – depicted with two faces, so he could look to the future and to the past. WOWOWA thought this duality of past and present, front and back was an excellent driver for a narrative rich project.  Image Courtesy © Shannon McGrath
 Image Courtesy © Shannon McGrath Project Innovation/Need A god with two faces. The brief called for a mirroring of the robustness, craft & ornament of the front out the back in the spirit of cohesion and reinterpretation of the existing visual language. This mirroring of Jasus’ faces started in plan – quite simply by mirroring the terrace frontage to the back, setting up a similar duality. From there, the form was eroded to allowing for maximum light, flexibility and amenity into the densely programmed spaces. A commitment to the Tiger Prawn thematic ran deep and became a seafood buffet and everyone was invited. The crustacean’s shell inspired the fluted geometry but also the colour scheme – the grey and green hues of the raw prawn favoured by the photographer client loving monochrome prints. Furthering the sea vibe is the pearl earring ball light on the brick, cuttlefish bone ribbed pendants and upstairs screening shadow play (likened to the little scampering prawn legs) that dances over the highly decorative concrete floors which tie together the semi-compartmentalised kitchen living & dining areas of the downstairs. The Dichondra hanging from the balconies dancing in the wind like seaweed floating. A bridge too far you say? ‘Don’t come the raw prawn with me’ – this Australianism being enjoyed as the other client was a lawyer.  Image Courtesy © Shannon McGrath  Image Courtesy © Shannon McGrath Design Challenge The back façade dramatically turns the corner one meter off the boundary allowing it to also dance along the Northern edge. As well as providing a handsome vista for neighbours, it allows for large north facing windows that facilitate an impressive amount of borrowed landscape for such a tight 5m wide site. The fire regulated setback windows dually create substantial storage below and a high-level pocket garden. Like all Victoria Terraces, the house was dark, depressing and everyone living on top of each other – the brief was breathing space – together but apart. The whole family can now be in any kitchen living or dining nook, divided by courtyard & spatial play, but feel a sense of retreat. Light filled breakout spaces for a family of fours happiness and wellbeing. A “V” light-well with a special curved glass corner to the Southern boundary breaks up the mass and again, fills the space with light & ventilation. This project keenly responds to its tight 5m wide site making the most of it's position, but what makes this project special is it's strong and consistent thematic and it's geometric genius and control. It is disciplined and restrained as well as wild and ambitious in form.  Image Courtesy © Shannon McGrath  Image Courtesy © Shannon McGrath Sustainability A socially sustainable outdoor moment is the upstairs deck above the kitchen – accessed either out the heritage window from the kid’s bedroom or from the small staircase in the thin bridge between old and new where a desk snugly fits. This surprising cubby house like and exemplifies the maximum amenity gained for such an urban condition, for the two children now and into the future. The builder built us a solid house – a house so solid, if it burnt down the brick ruin would still remain and be magnificent. He made the WOWOWA designed timber table and carefully tiled the terrazzo and brass detailed bathrooms. The bricklayer phenomenally got the scallop edges crisp and generously bricked the small steps out to the garden as a bonus because he loved the design. A truly handcrafted outcome that everyone is proud of – this is true sustainability because it's livability as well as lovability.  Image Courtesy © Shannon McGrath  Image Courtesy © Shannon McGrath Big ticket items were the bricks and glazing. Coupled with the fancy concrete floor and bench top along with matching the height of existing ceilings, the budget was surprisingly modest given the impact achieved. The storage filled, space saving, dining bench seat sits within a pop out box on the boundary and facilitates beautiful views to the Street and East to the cantilevered scallops. This area is lightweight and speaks to a prioritising of economies. But, like all WOWOWA's work, Tiger Prawn packs an environmentally sustainable punch with insulated double brick cavity walls, double glazing with low-e, cross ventilation, thermal floor mass and a tidy footprint.  Image Courtesy © Shannon McGrath  Image Courtesy © WOWOWA Architecture & Interiors  Image Courtesy © WOWOWA Architecture & Interiors  Image Courtesy © WOWOWA Architecture & Interiors
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Tags: Australia, Fitzroy North Categories: House, Renovation, Residential |
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