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Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. Enchante in Gyeonggi-do, South Korea by IGASO architects & plannersJuly 24th, 2019 by Sumit Singhal
Article source: IGASO architects & planners Enchante The form, space, and skin of architecture are often determined by general inertia. Forms have pursued efficiency, sensitivity to space has been overlooked, and the envelope has been a universally reasonable way. The aspects of modern architecture have been customary for a long time, and are already too entrenched to be a product that reflects the culture and social values of the present era. The ENCHANTE considered accidental use in the extra space created by the inefficiency of form, expected abundance in the inconsistent inner and outer space where the circle is interpenetrated, and expressed the sensibility of architecture as an unarchitectural elements, the pouring art technique worked by architectural officials with their’s own hands. I hope architecture the ENCHANTE will become a special a shelter and a place.  Image Courtesy © Jeong Min Seok
 Image Courtesy © Jeong Min Seok
 Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok Shape The potential of the circle is infinite. Typically, commercial buildings prefer a straight rectangular shape for efficiency, but if adopted as a circle shape, users can have feelings of surrounding, abundance, moving, circulation and suspicion with five sences. The ENCHANTE adopted tree circles for the planar configuration and tried to find the infinite possibilities of the circle. Skin The skin was designed to reflect various aspects and phenomena of the city by using glass, used brick and concrete that reveal physical properties as a cross-contrast group that express roughness-smoothness, solid-void, covering-passing and tried to give building users a variety of rhythms and changes.  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok Pouring Art Drawing pictures on a building. Architecture design was started with the notion that there should be many stories and users should be interested in it. Many ways were discussed over a long period of time, and in the extreme, we painted the building ourselves. We carefully planned the color scheme, bought enamel paint and thinner, and poured various colors of paint into the spandrel backboard and tilted, which gradually created the most valuable pieces in the world. Amateur works made by client, acquaintances and architect were boldly used as building elements in the exterior of the building.  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok Roof Terrace The client wanted to create a nice space for the tenants and customers, and wanted to include his philosophy and life in the building. The rooftop of a typical neighborhood facility has a formal appearances, but the client has made green fields and plant, and even ponds with fountain water, and is still agonizing over it. It's a opening breath in a dense city with dull gray architecture built on economic logic.  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok  Image Courtesy © Jeong Min Seok
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Tags: Gyeonggi-do, South Korea Categories: Building, Commercial Building |
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