Sumit Singhal Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
Residential Building in Málaga, Spain by Muñoz Miranda Architects
July 24th, 2019 by Sumit Singhal
Article source: Muñoz Miranda Architects
This is a project that appears on the seashore, near a preexistence of a protected smokestack from the beginning of the 20th century, that informs us of the industrial activity in that area, at that time the industrial outskirts of Malaga. Pairs of identical buildings were built, as if they were twins, on the seafront, like an extension of Malaga center, and converted it into a new promenade for the city, close to where the economic crisis had left the last two land plots unbuilt near the industrial vestige. Now, after more than a decade, this place is completed with two “stepbrothers” projects; by the same mother (the city plots) but different fathers (the architects of each project). The project aims to make it easier to understand the place linked to the smokestack of the twentieth century. In fact, it proposes a materiality that dialogues with it, but using bricks with a different technique, assuming a new contemporaneity and forming an abstract and massive facade in glassfibre reinforced concrete (GRC).
Collaborators: José Luis Lucas Trujillo, Architect (Preliminary Project, Basic Project, Execution Project) / Juan de Dios Tunis Jerónimo, Architect (Preliminary Project, Basic Project, Execution Project) / Antonio Jesús Fernández Tapia, Architect (Execution Project) / David García Gallego, Architect (Infographics) / Ana Muñoz Miranda, Technical Architect (Measurements and Budget) / Pedro Antonio González Garrido, Technical Architect (Health and Safety Study) / Mar Martín de las Mulas Moreno, Architect (End of Work) / José Díaz Montes, Architect (End of Work) / Ángel Aguilera Delgado, Architecture Student (End of Work) / Enrico Tossici, Architecture Student (End of Work) / Joana Medina Martín, Student Interior Design (End of Work)
Surveyor: Juan Barrionuevo Polo
Technical Consultants: Manuel Gómez Pastor (Installation) / Francisco López Julián (Telecomunications) / CALCONSA XXI SLU – Miguel Ángel Maíso Rodríguez (Estructure)
Developer/Owner: RENTURNOGA S.L.
Construction Company: Ferrovial Agroman SA
Surface Area: 6.750 sq m over ground / 4.001,70 sq m underground
Then, the building reaches a scale of greater order that enhances the whole compared to the apartment individuality; This last shows itself with the living and terrace spaces that open on the facades facing the sea, where the changing of typology units is added to the whole obtaining an abstract set as if the building had been born as a sculpted clay block. The material massiveness (context-construction) and the vacuum produced by human life (program) are organized as stacked elements as if they were containers made of corrugated metal sheets just like those of the Malaga's port, where each type of housing is exteriorly manifested by a grooved texture vertical or horizontal.
The indoor common space of the two courtyards is covered with a white corrugated sheet forming the access corridors to the apartments, protecting the courtyards with a glass skylight to create a space like the neighboring courtyards. Inside the apartments, the typological variability does not alter its basic conception founded on forming a circular functional space between the living room, the terrace and the kitchen, giving the option to incorporate the latter into the living room as in an American kitchen. The transition point between the underground built and the topside one is represented by the entrance, in which the materiality of the facade gets inside through the walls: The roof, covered by white slats, anticipates what will happen in the patio and the black granite floor introduces us into the garage dark spaces characterized by concrete, where the walls of the driveway are covered with a corrugated metal sheets as if it were the mold of the GRC of the same color, placing emphasis of this transition between the ramp and parking entrance from the street.
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