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Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. Desert X Al Ula Visitor Centre in Saudi Arabia by KWY.studioApril 5th, 2020 by Sumit Singhal
Article source: KWY.studio Some of the most prevalent structures found everywhere around Al Ula are walled date plantations, usually rectangular in shape with large, centrally aligned gates. With palm tree crowns peaking above the sand coloured walls, we can imagine the refreshing shade within, a place where one could rest from the surrounding arid desert. Not far from Al Ula is Hegra, Saudi Arabia’s first UNESCO World Heritage Site for its rock-cut monumental tombs. The most significant of these are decorated in an eclectic weave of architectural styles in precisely cut sandstone columns, arches and cornices: fine examples of delicate design and incredible craftsmanship. Interior space is usually a clear, carved void defined by the mass of cut stone – and by Meda’in Saleh’s siq there is an intriguing traditional dining hall lined by three benches for holding annual banquets.  Image Courtesy © Colin Robertson
 Image Courtesy © Colin Robertson The Visitor Centre is a simple square building, carefully isolated at the entrance of the Hidden Canyon welcoming visitors for the first Desert X Al Ula exhibition: it offers basic amenities such as an information centre and a café as well as a generously shaded courtyard and a viewing deck outside. It is a place to rest and find shelter in the open desert, while its courtyard frames views into the sky and the magnificent landscape. The few, precisely located windows create various focal points up and down the canyon and increase the contrast between the domestic and the unlimited: an expression of our scale and our relationship with nature.  Image Courtesy © Colin Robertson  Image Courtesy © Colin Robertson The circular roof opening creates a particular atmosphere – a perfect shape framing the rocks and the sky. The two entrances into the courtyard are viewing axis extended by the transparent doors into the information centre and the café: the opposing windows in each of those spaces giving a framed view back into the desert. The moment one enters the apparently enclosed courtyard is the very moment when one sees through the building – while it’s scale and depth is made ambiguous, there is an immediate spatial and functional clarity.  Image Courtesy © Colin Robertson  Image Courtesy © Colin Robertson The floorplan is symmetric and nondirectional with each of the two main public spaces accessed from the centre of each side of the courtyard; facilities such as restrooms, staff and storage are located in the corner diagonal to the courtyard. The metric of the building is strict and reoccurring in all dimensions of its spaces and openings: its structural grid is simple, and the uniformly dimensioned spaces allow for the reorganising of the structure for a future change of use. Desert X Al Ula Visitor Centre is a modest structure, designed and rapidly built with mostly local materials, drawing from two local references: an archetypal walled garden, expressed in the ruled symmetrical geometry and enclosed appearance, and constructive clarity, with spaces appearing to be carved from a solid mass through simple subtractive operations. The Visitor Centre is open: visitors to the landscape and the art will complete the experience.  Image Courtesy © Colin Robertson  Image Courtesy © Colin Robertson ABOUT KWY.studio is a multidisciplinary platform investigating the nature of collaboration within the context of specific projects. Founded in 2009 by architects Ben Allen and Ricardo Gomes in Berlin, and curator and editor James Bae in Los Angeles, since 2015 has its studio at the Lisbon Architecture Triennale, Portugal and an office in Copenhagen, Denmark.  Image Courtesy © Colin Robertson  Image Courtesy © Colin Robertson KWY’s projects are collaborations between the principals and invited specialists. Recent collaborators include artists, curators and landscape architects. With few initial preconceptions, each project begins with dialogue and analysis between the collaborators. This process-oriented methodology often leads to diverse thoughts that are otherwise unexpected and unimaginable. In 2017 KWY curated Walk&Talk’s Public Art Circuit in the Azores, Portugal, and in 2018 completed Origin, a light installation in Aarhus, Denmark in collaboration with British artist Nathaniel Rackowe. In 2019 KWY curated the design exhibition Portugal Normal, part of 3DaysOfDesign in Copenhagen, collaborated with Oskar & Gaspar and Rodrigo Leão designing Planos de Fuga in Lisbon, and collaborated with Tomás Saraceno in the design and production of Spider/Web Pavilion 7, one of his contributions for the 58th Venice Biennale. Image Courtesy © Colin Robertson Image Courtesy © Colin Robertson  Image Courtesy © Colin Robertson  Image Courtesy © Colin Robertson  Image Courtesy © kwy.studio  Image Courtesy © kwy.studio  Image Courtesy © kwy.studio  Image Courtesy © kwy.studio  Image Courtesy © kwy.studio
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Tags: Al Ula, Saudi Arabia Category: Visitor Center |
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