Sumit Singhal Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.
Taipei Music Center in Taiwan by RUR Architecture, DPC
October 14th, 2020 by Sumit Singhal
Article source: RUR Architecture, DPC
Pop music, while a global phenomenon, is regional in its definition. The Taipei music scene typifies the phenomenon; while it crosses borders and cultures and dialects, it nevertheless has produced styles and genres with distinct transnational form and appeal. Though many aspects of pop culture exist in a hyper-technological or virtual realm, there is a need for a defined physical hub dedicated to the production and reception of pop.
Photographs courtesy RUR Architecture & Fei and Cheng Associates
The importance of the architectural expression of the TMC cannot be overstated. It is very important for the public and users to know that when they enter the precinct of the TMC they are entering a unique creative part of Taipei City with its own architectural identity, style, and aesthetics; for the identity of Taiwanese pop music, while enmeshed in its local roots has also transcended them and operates on a world stage. The success and excitement of this archipelago of pop culture and performance is predicated on an urbanism that is architecturally distinct from what is around it, yet remains urbanistically connected.
Photographs courtesy RUR Architecture & Fei and Cheng Associates
Photographs courtesy RUR Architecture & Fei and Cheng Associates
While the scale and grain of the civic programs – retail, dining, offices, etc. – respect the vital fabric of Taipei street life, their architectural identity is unique and distinct. With the Taipei Music Center, a new elevated public ground is created, the Event Horizon, which will bridge the two building sites presently divided by Civic Boulevard. The groundwork for the public spaces is developed from a flowing crystalline geometry. It emerges from the ground but maintains its artificiality rather than being mimetic of landforms. This fabric also serves as the socle for the principle honorific programs of the TMC. The three iconic object buildings – the 6000seats Concert Hall, the Exhibition Hall, and the Creative Area Building – have different relationships to this crystalline urban fabric.
Photographs courtesy RUR Architecture & Fei and Cheng Associates
Photographs courtesy RUR Architecture & Fei and Cheng Associates
The Exhibition Hall cube, being the most ideal, is also the most autonomous object elevated from the ground. The ideal platonic geometry of the Exhibition Hall cube is a testament to the highest achievements of pop culture. The Exhibition Hall cube includes multiple Exhibition Spaces, Administrative Offices, and Collection storage spaces. The TMC while comprised of the three monumental elements – the Concert Hall, the Exhibition Hall, and the Creative Area Building – is perched atop a groundwork which organizationally integrates the center into the city of Taipei while remaining architecturally distinct. The iconic architectural programs symbolize the principal uses and attractions of the complex, making it a powerful representation of Taiwan’s pop music industry worldwide. They are immediately recognizable and palpable symbols to the visitor and to those who encounter the center remotely through electronic media.
Photographs courtesy RUR Architecture & Fei and Cheng Associates
Photographs courtesy RUR Architecture & Fei and Cheng Associates
Photographs courtesy RUR Architecture & Fei and Cheng Associates
Photographs courtesy RUR Architecture & Fei and Cheng Associates
Photographs courtesy RUR Architecture & Fei and Cheng Associates
Photographs courtesy RUR Architecture & Fei and Cheng Associates
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