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Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. The House of Seven Courts in Gujarat, India by PVDRSMay 20th, 2022 by Sumit Singhal
Article source: PVDRS Introduction Located on the outskirts of Mehsana, this farmhouse was built for the clients who had just one requirement – a three-bedroom house. Hence the architects were given complete freedom to explore various materials, colors, and building techniques. The house was designed based on the principles of passive design. Maximizing the natural flow of air and daylight was necessary for the hot and dry climate of Gujarat located in western part of India. The transition of open and built spaces highlights the use of colors and the play of light and shadows throughout the house.  Image Courtesy © Vinay Panjwani
 Image Courtesy © Vinay Panjwani Site Planning The mass of the house was placed in the Northeast to capture the cool Southwest Breeze. In the East, dense vegetation was planted to act as a visual and noise barrier from the highway. The remaining part of the site is converted into a landscaped lawn with a curved pathway and various landscaped elements and local plants and trees. Climate Responsive Design – The Seven Courts Responding to the hot and dry climate of this region, the spaces are oriented along the North-South axis with parallel solid walls along the East and West to reduce solar heat gain. This climatic orientation led to the rise of seven courtyards inside the house, three in the public areas like living and dining, and four private courts attached to the bedrooms and bathrooms. A deep south-west facing verandah is provided to avoid any direct solar gain during summer ensuring the penetration of the early winter sun inside the main spaces.  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani Planning of Spaces The house is a single-storeyed structure with a living- dining space, kitchen, and three bedrooms. From the approach road, one walks along a linear wall with circular cut-outs that create interesting patterns. At the entry of the house, one is welcomed in the courtyard with a lily pond. There is another courtyard at the junction of these public and private spaces. The entrances of the bedrooms are flanked by a linear court along with private courts for each bedroom. In the NE corner are the servant quarters directly connected to the utility kitchen. The central spine is an essential circulation space of the house. It begins linearly at the arrival court and is twisted at the main entrance of the house. It then moves along the functional spaces, cranks, and leads to the bedrooms. The change of direction notifies the user that they are heading to a more private zone. One can see an interesting pattern of light and shadows throughout their journey along this central spine. All these built spaces are connected to the outer verandah establishing a horizontal connection with the landscaped garden in the front.  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani Varied Volumes As a passive design strategy, the habitable rooms were given a greater height than the circulation spaces and the verandahs. The beams of the verandahs were continued in the rooms, and a non- structural wall was constructed above it that supports the ventilators. The windows allow the summer breeze to come in, whereas these ventilators help flush out the hot air, keeping the space much cooler. Landscape Design For the landscape, there was a very strong emphasis on selecting local species of indigenous plants like Champa, garmalo, hibiscus, etc. At the entrance, there was a lily pond along with decorative plants like ferns, traveler’s palms, etc. that were very carefully placed across the site. The kitchen has a garden at the back where there were local species of fruits and plants like tulsi, mint, that were consumed by the owners. The large lawn was a rolling landscaped area with gentle mounds and a blend of fine grass and elephant grass.  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani Description to accompany the sections: Section AA’ The section highlights the variations in the volumes of the built and semi-open spaces. While the verandah space establishes a horizontal connection to the surrounding landscape, the courtyard establishes a vertical connection to the sky.  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani Section BB’ The section passes through the verandah, living-dining, central spine, and the kitchen. The living-dining room opens to the verandah with large sliding windows. When these windows are completely opened, this room acts as a single, large space during gatherings. Other highlights are the square dining table made with Valsadi teak and black bamboo granite and the jharokha window overlooking the courtyard. Section CC’ The section shows the living room and its verandah along with the central spine and the powder room. The private courts are attached to the bathrooms with various plantations.  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © Vinay Panjwani  Image Courtesy © PVDRS  Image Courtesy © PVDRS  Image Courtesy © PVDRS  Image Courtesy © PVDRS  Image Courtesy © PVDRS  Image Courtesy © PVDRS
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