The intervention interprets the building where is inserted, an old convent, as a context in constant transformation over time.
The project arises from a reflection around the creation process in contemporary art, its unpredictable condition and the current dissolution of limits between the space of production and exhibition. We can recognize that much of contemporary art expression understands the architectural space as a matter of work (we remember Shibboleth by Doris Salcedo breaking the floor of the Tate Modern in London in 2007, High Plane V by Katterin Sigurdardottir occupying the false ceiling of the PS1 in New York or Esto no es un graffiti where artists demolished some facings of walls in the same place of our project). We think the contemporary exhibition space shouldn’t be projected like a static room in time but like a never ending space in ellipsis, waiting for each exhibition come for completing it.
Recently, ‘Urban Renovation’, proposed by Shanghai city and Shenzhen City, become the most popular topic in urban and architectural area, which however, was put into practice by Dushe nearly three years ago. In a latest completed project in Nanjing, Dushe convert a former food market into a cultural center. In this project, Dushe provided integration services including architecture design, interior design and landscape design. Following Jiahe Boutique Hotel, Baiyunting Culture and Art Center has become another representative work of Dushe in the area of urban renovation.
A few steps away from St Jean Station,the Maison des Danses strengthens the artistic and educational vocation of the neighborhood,along with the Conservatory of Bordeaux and the School of Fine Arts.
The “Maisons des Danses” is part of Bordeaux’s traditional spirit,and offers cultural facilities open to choreography and the world.
Huellas Artes interprets the human footprint as an artistic trail in Santiago city. It is a cultural engine fueled by the passing flow of citizens and visitors from around the Bellas Artes metro station, a highly cultural area of downtown Santiago. It is an architectural intervention that proposes a new use scene in a fully unclosed outdoor space.
Rebuilt after the last war in a style reflecting the local Ile de France architecture, though on a much smaller scale than the original, the Château de Rentilly lost its historical value and its significant relationship with its remarkable location. This project has sought to restore both aspects by encasing the building in a second skin of pleated, mirror polished stainless steel which reflects and diffracts the image of the park, acting as a kind of sound box. The interior has been stripped down and simultaneously opened up on both opposite sides, one to the jardin à la française, the other to the english landscape park, emphasising the concept of immersion in the natural world.
The Reforma Diana Tower is a state of the art building resulting from the special conditions of the terrain located at Av. Paseo de la Reforma no. 412, near the Diana Cazadora sculpture.
The limitations of this terrain are a maximum height of 40 levels over Reforma and a restricted façade of only 16 meters. Other limitation was the need to respect three back terrace levels to allow the natural light to reach Tokio Street. The building has a total construction surface of 33,800 square meters and a height of 140 metes over the street level.
For the first time since the fall of communism,the Baia Mare’s city government is trying to revitalize the city’s identity, unique in Europe because of the \”The Baia Mare Art School of Painting – (founded in 1896)\” by creating workshops for artists, creative camps, and exhibition spaces. Inspired by this initiative the project that I propose represents a new monument that will historically contribute to this city – a new landmark, daring and poetic, which rebirths the spirit of “The Baia Mare Art School of Painting”. I wish that this city will become a magnet for plastic artists.
The Pomona College Studio Art Hall is a 35,000 square-foot, two-story, interdisciplinary arts center at the heart of the Claremont, Calif., campus, designed to create a physical environment where an appreciation for the creative art process can be nurtured and explored.
The Foundation Jerôme Seydox-Pathé is an organization dedicated to the preservation of Pathé’s heritage, and to the promotion of the cinematographic art. Its new headquarters will be located in avenue des Gobelins, on the site of a XIX century disused theater.
Design team: B. Plattner and T.Sahlmann (partner and associate in charge) with G.Bianchi (partner), A.Pachiaudi, S.Becchi, T.Kamp; S.Moreau, E.Ntourlias, O.Aubert, C.Colson, Y.Kyrkos (models)
Consultants: VP Green (structure); Arnold Walz (model 3d); Sletec (cost consultant); Inex (MEP); Tribu (Sustainability); Peutz (acoustics); Cosil (Light); Leo Berellini Architecte (interiors)
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