Located in two interconnecting railway arches along the Albert Embankment in Vauxhall, London, this newly completed theatre provides a more spacious home for the local and award-winning Above The Stag LGBT+ theatre company, which had outgrown its previous venue.
The new Theatre comprises a 110-seat main auditorium, a 60-seat studio, a dance/rehearsal space, exhibition facilities and a large café-bar open throughout the day and evening, along with comprehensive back of house facilities.
Architectural concept by YUAR design team lead by Ing. arch. Lukáš Janáč, Ing. arch. Jan Homolka and Gregory Speck.
The office space exhibits the organisation of a town with each part of the office offering the amenities of urban space like streets, town square, riverside, parks as zones of encounter and meeting. The three floors are connected by way of a large sculptural staircase located in the very center of the office space that is to be seen as the main town square. The main square offers a large variety of meeting and working possibilities ranging from very private to very informal.
KAAN Architecten has designed “CUBE”, the new Education and Self Study Center at Tilburg University (Netherlands). This compact and ostensibly low structure blends into its surrounding green landscape and into the larger architectural ensemble of the Dutch educational campus, which includes the quintessential Cobbenhagen building of the Catholic College of Economics, constructed back in the Sixties.
Project Team: Allard Assies, Dennis Bruijn, Timo Cardol, Sebastian van Damme, Michael Geensen, Alejandro Gonzáles Pérez, Marlon Jonkers, Rense Kerkvliet, Martina Margini, Kevin Park, Roland Reemaa, Maria Stamati, Yiannis Tsoskounoglou, Noëmi Vos, Yang Zhang
Main Contractor: VORM Bouw, Papendrecht (Netherlands)
Project Management: VORM Ontwikkeling, Papendrecht (Netherlands)
The proposal is based on the will by the City Hall of Enabling the lobby of the current Teatre de Torredembarra. We believe that the Torrencs deserve much more than a hallway enabled in an abandoned theater. Regardless of its current state and its architecture, the building is now a faulty reference point in a gray period for the history of Torredembarra.
The Forum was conceived in 2004 by John Gaunt, Dean the University of Kansas School of Architecture, Design & Planning from 1995 to 2015. Located off historic Jayhawk Boulevard, the addition to historic School of Architecture at Marvin Hall addresses the school’s critical need for an auditorium for lecture courses and guest speakers, while also providing a separate breakout jury space for student reviews and presentations. In this way, students of the School of Architecture will no longer be required to trek across campus to attend their classes, but rather, will attend classes in a building that exemplifies their studies on emerging technologies, passive design strategies, and energy-efficient mechanical systems.
The building envelope is created by methods of twisting, connecting and layering the city grid axis and the adjacent RRS Discovery ship axis, using a ring structure made of reconstituted stone and concrete to compliment the traditional construction materials used in Dundee and reflect the natural cliff structure of the coastline.
The building’s form creates dramatic spaces with an impressive main hall forming a public indoor plaza, and areas that overhang the external public plaza. The external envelope draws people to the waterfront and generates a new migration route along the riverside promenade. The interior space of the main hall is filled with a gentle light emanating from apertures cut through the layered stone to create an open yet intimate public space.
The Klinker Cultural Centre was given a lively exterior to reflect the expressive nature of its programs. Its central location in Winschoten makes it easily accessible to the residents who can enjoy the cultural offerings of the theatre, arts centre, radio studio and library, or savour a coffee in the theatre café. In this way, residents themselves actively contribute to their city’s cultural life.
The Arbour proposes to be the hinge of the George Brown College Waterfront campus. The building links the School of Design, the Daphne Cockwell building, and upcoming Innovation Center while also serving as the gateway to future development. Located at the junction of the urban grid and nature’s grid, the Arbour interlaces both to boldly respond to the site’s conditions.
Cutting a diagonal across the site from top to bottom, the Arbour organizes itself around the available daylight on site. Inside, an escalating atrium serves as the extension of the public realm and brings light deep into the building’s floorplate. Around this core, a staggered truss system organizes the different spaces in an efficient and adjustable way. The trusses create resilient and generous spaces using mass timber construction.
The project sets the restoration of the Sant Julià’s Castle enclosure – 19th century fortress- and the recovery of its surroundings, through the creation of a facility to host a Contemporary Arts Centre, accompanied of complementary services: workshops for artists, auditorium, hotel and restaurants. The fortress is formed by a set of units, built with vaults and walls made of stone with considerable thickness, the majority of them half-buried and communicated through tunnels that run across the mountain.
Tags: Sant Julià de Ramis, Spain Comments Off on International Contemporary Arts Centre and Hotel at the Sant Julià de Ramis Fortres, Spain by FUSES VIADER ARQUITECTES
Set in the orthonormal organisation of the town of Mons-en-Barœul, the cultural centre pivots, the better to look at the town hall. The building gains in autonomy and becomes an urban landmark. It contains three music studios, one 500‑seat modular auditorium, a bar, an exhibition gallery, and a large rehearsal room.
The pivoting of the volume of the large rehearsal room creates a large empty space on the inside that connects with the other elements of the project. The geometrical conflict generated by this pivoting is revealed by the triangular shape the empty space creates. In association with the diagonal lines of the staircase, the walls bend in an upward movement.
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