About me:
My name is Androsics Tamás, graduated as architectural engineer. Right now, I continue my study at Pollack Mihaly Faculty of Engineering and Information Technology to get an Architect (Master) degree. The following building made as my final project of my Basic study.
The program for the Wallis Annenberg Center for the Performing Arts [the Wallis] was to transform the Historic Post Office Site into a cultural center for the performing arts including, the 500 seat Goldsmith Theatre, the 120 seat Lovelace Studio Theatre, an education wing, administrative offices, café, gift shop, sculpture garden, education court and a state of the art performing arts support spaces.
We are pleased to introduce the third cafe project of Nordic Bros. Design Community Loisir after dessert cafe Pied and Kafe Nordic in Itaewon and Hannam-dong.
Penda has been commissioned by the Beijing-based property developer Hongkun to lay out a concept for its café brand Home Café with potential to spread it throughout China. The café chain will incorporate various concept versions to offer spaces to breathe in heavily polluted areas of China. Two debut locations opened its doors in Beijing and Tianjin. With air pollution being a major issue in Chinese cities, Penda decided to create a café for visitors to take a deep breath of clean air.
\”Saul Z¬¬¬¬¬ona 14\” is a house with many charms. Under one roof, we combine fashion, design, art, objects and food. Here, a union of culture and commerce full of surprises and small treasures entices clients and visitors to take the time to enjoy diverse experiences. It is a place to meet, to stop for a drink at the café, to shop at the store or to visit the terrace to have a long meal or just sit to read. The design’s playful qualities draw from cultural references.
The new ‘Ground’ cafe, at Yale’s Marcel Breuer-designed Becton School of Engineering and Applied Sciences (‘SEAS’), serves not only to create social cohesion among faculty and students of the engineering school, but also to encourage interaction between and among members of other departments in the University. In the design, the firm engaged the unadorned poured-concrete volume of this former seminar room by layering a palette of walnut planks, perforated aluminum, and cleft bluestone over the walls, floor, and ceiling of the space. The original concrete surfaces are intentionally visible through, and are highlighted by, the veils of the material intervention out of respect for Breuer’s unique exploration in his design of the textural possibilities of a single material.
By definition, an omnibus refers to a collection of stories made by a single narrator or several authors tied together by a single subject. It also pertains to a collection of objects at once. Along these lines, Omnibus City is a proposal that connects elements of downtown Salt Lake City that are already physically close, yet are experienced individually. Omnibus City strives to create a collection of experiences along three main corridors: Green, Culture (Main Street), and Retail. Acting as a catalyst of activity linking adjacent blocks to Main Street, these passageways are connected through a common design vocabulary of path, pattern, and phenomenon meant to permeate blocks 69 and 70 and guide visitors through its permutations.
College girl by day and dirty minded lady by night?
A local coffee house that transform itself to a dark alcohol bar when sun goes down.
Transforming space, the kind that knows how to create an intimate atmosphere of a neighborhood café and from the exact same components creates the atmosphere of a pickup bar.
The interior design shows an exciting interaction between the tile and the vinyl flooring in wood look. The request of the customer was to create a space that is not only in keeping with the philosophy of the fruit, but rather connect the feeling of lightness and physical well-being.
The Zadar Peninsula. Roman Forum. Between the St. Anastasia’s Cathedral and the Archeological Museum. The place of intervention is Bruno Milić’s office and housing complex from 1964, which has been converted into 37 rooms with 111 beds. The existing spatial limits were transformed, using new drywall geometries, color rasters, rhythms of ceramic tiles, glossy varnish, acrylic reflective boards and tinted mirrors, to create a new relation towards the antique, modernistic heritage and nature.
Project Team: STUDIO UP / Lea Pelivan, Toma Plejić, Jelena Martić, Izvor Simonović-Majcan, Marko Salopek, Robert Tičić, Sara Jurinčić, Vanda Trifunović, Hrvoje Šmidihen, Nikola Brlek, Rosa Rogina, Mirna Udovičić, Nikola Arambašić,Damir Gamulin (signage), Siniša Radić (mechanical engineering), Vojislav Štrbac (electrical engineering), Milan Bjedov (hydro engineering), Maksim Carević (fire and work safety), Ante Uglešić (construction)
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