The brand specializing in water dispenser production and sales was given a new younger and more fashionable image under the management of the second generation ownership. Waterfrom Design transforms the perspective of space in the 30-year factory as if it were water. Deconstructing the filtration cycle is a complex process, and layers are used to separate spaces based on the concept of “water filtration” in the water making process. Light materials such as barcode glass and mesh are used for partitioning, and vertical and horizontal routes pass through and overlap like the water treatment process. Table lamps and railings are decorated with bright and saturated colors. The spatial direction and linear rhythm are guided through the layout of work tables, pipelines, and steel beams. The stainless steel block shaped structure at the entrance is polished by hand and glistens like water ripples. The reception counter and outdoor signboard wall are made from cement and have layers of water wave patterns. Along with the wall full of the filtering material activated carbon, as if they begin to tell the story of this space.
This alteration and addition project in Ashburton, New Zealand has brought new life to an old home, while respecting its original forms and materiality.
The 58m² addition contains a secondary living room, guest bedroom with attached bathroom, and a “cosy reading nook” all with hydraulic under floor heating, R3.2 wall and R4.0 roof wool insulation, and thermally broken double glazed windows, creating a warm and comfortable internal environment.
Playstudios offices, planned and designed by RUST Architects, are located in a complex of three industrial buildings in south Tel Aviv, which served as an exhibition and events hall and an old sewing workshop of Kastiel, Israel's oldest high-end furniture company.
Unlike most of new high-tech offices in Tel Aviv, which are located in new towers, the planning required the design of an existing industrial complex, constructed of beams, concrete pillars, and wide windows that are open to a large inner courtyard with its old tree and climbing plants that are synonymous with the complex.
Located on the undulating fjords of Faroe Islands, with views to the capital Tórshavn, the sea and verdant fells, Glasir seeks to harvest the efficiencies of combining Faroe Islands Gymnasium, Tórshavn Technical College and the Business College of Faroe Islands into one building for over 1,750 students, teachers and staff.
Glasir retains the autonomy and individual identity for each of the three schools while creating ideal conditions for collaboration and learning to flourish — an incubator for innovation rather than a traditional school setting. Shaped by the internal needs of the students and teachers, Glasir is conceived as a stack of five individual levels that wrap around a central courtyard: one for each of the three institutions, one for food and faculty, and one for physical exercise and gatherings. The building is organized like a vortex, with each level opening up and the top levels radiating 30m / 100ft out towards the mountainous landscape.
Client: Mentamalaradid (Ministry of Culture) / Landsverk
Collaborators: Fuglark, Lemming & Eriksson, Rosan Bosch, Samal Johannesen, Martin E. Leo SP/F, KJ Elrad Radgevandi Verkfroendingar
Partners-in-Charge: Bjarke Ingels, Finn Nørkjær, Ole Elkjær Larsen
Team: Alberte Danvig, Alejandro Mata Gonzales, Alessio Valmori, Alexandre Carpentier, Annette Birthe Jensen, Armen Menendian, Athena Morella, Baptiste Blot, Boris Peianov, Camille Crepin, Claudio Moretti, Dag Præstegaard, Daniel Pihl, David Zahle, Edouard Boisse, Elisha Nathoo, Enea Michelesio, Eskild Nordbud, Ewelina Moszczynska, Frederik Lyng, Goda Luksaite, Henrik Kania, Jakob Lange, Jakob Teglgård Hansen, Jan Besikov, Jan Kudlicka, Jan Magasanik, Jeppe Ecklon, Jesper Boye Andersen, Ji-Young Yoon, Johan Cool, Kari-Ann Petersen, Kim Christensen, Long Zuo, Martin Cajade, Michael Schønemann Jensen, Mikkel Marcker Stubgaard, Niklas Rausch, Norbert Nadudvari, Oana Simionescu, Richard Howis, Sabine Kokina, Simonas Petrakas, Sofia Sofianou, Takumi Iwasawam, Tobias Hjortdal, Tommy Bjørnstrup, Victor Bejenaru, Xiao Xuan Lu
The project is situated at Jima Village in the east of Yangshuo — a famous tourist county surrounded by karst mountains, winding rivers and beautiful scenery. The name “Jima” in Chinese is very poetic, meaning “steed”, which makes the secluded, old and austere village appear to be dreamy to some extent. With tranquil ambience and beautiful landscape, it's a perfect site for a resort hotel where people can stay away from the hustle and bustle of urban life.
Article source: NAT Office – christian gasparini architect
The renovation and restoration project works on the idea of a new internal configuration, which renews most of the building, preserving the historic layout of the facades and eliminating surpluses and incongruous openings. the preservation of the facades composition’s characters is enhanced by an interpretation of the flush shutters on the facade and the figure of frame and sill, often forgotten in the contemporary restoration.
Sasaki’s addition to the student recreation center at the University of Arizona in Tucson cuts an impressive silhouette against the Sonoran Desert landscape. The 54,000-square-foot addition doubles the amount of space for cardio-fitness and strength conditioning and diversifies the center’s recreational program offerings. The structure is a genuine expression of the student body’s commitment to health, wellbeing, and sustainability—inspired and informed by the very people whom the center is intended to engage. Since opening in 2010, participation has increased 91%, general use of fitness equipment has increased 150%, wait times have been eliminated, membership has increased 10.5%, and 10 new programs have been initiated. The building is LEED® Platinum Certified—the first collegiate recreational facility to be designated as such.
Step out of your caravan into the shade and fresh air, protected by a canvas annexe which frames a view of the lush landscape beyond. This experience was the inspiration behind BENT Annexe, an addition for a delightful family of four and their two adorable Dachshunds. Because every day should feel like a breath of fresh air, surrounded by nature.
BENT Annexe adds additional living space to a 1960s home with a lot of charm, while also reconnecting it to the garden. In contrast to the heaviness and introspective nature of the original home, this new, light-weight and light-filled Annexe is open and outward-looking, feeling more like a sheltered place in the garden that a traditional living space.
We imagined the community life of this building centered around two urban, yet private courtyards. BC 13 unfolds around these two defining spaces, ensuring organic connections to its neighboring buildings. The brick paved and planted courtyards offer opportunities of interaction. Both access staircases as well as all the apartments benefit from a visual link with these courtyards, provided by large loggias and sill-less windows.
For the opening of Hem’s first US showroom in Downtown Los Angeles in collaboration with Madera, the independent design brand has commissioned San Franciscobased designer Clark Thenhaus, founder and director of Endemic Architecture, to create a sitespecific installation in the courtyard space of the new showroom. Confetti Courtyard is a vibrant installation that reimagines the space as a lively and kinetic layering of architecture, furniture, landscape, and social activity.
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