Collection Building is an art depot open to the public. A public route zigzags through the building, from the lobby on the ground floor where a café can be found up to an exhibition space, sculpture garden and restaurant on the roof. On the way up the route passes along and through art depots and restoration workshops. In depots visible from the route, the exhibition can be changed on a daily basis by simply moving storage racks so each visit to the building can offer a unique experience. On three floors the route passes through exhibition spaces which will be programmed by Museum Boijmans Van Beuningen.
Client: Museum Boijmans Van Beuningen, De Verre Bergen Foundation, the City of Rotterdam
Program: 15.000m2 art depot with restoration facilities, exhibition spaces, offices, logistics, bar, restaurant, sculpture garden and private collectors facilities.
Budget: 50 million Euro
Design Team: Winy Maas, Jacob van Rijs, Nathalie de Vries with Fokke Moerel and Sanne van der Burgh, Marta Pozo Gil, Gerard Heerink, Elien Deceuninck, Saimon Gomez Idiakez, Nacho Velasco, Jason Slabbynck, Mariya Gyaurova.
Sustainability: BREEAM Excellent (goal)
Structure: PietersBouwtechniek
Cost engineering: IGG Consultants
Installations: DGMR Consultants
Legal Project: Richard Jan Roks, Kennedy Van Der Laan, Amsterdam, with Jan Knikker, Fokke Moerel
The objective of the competition was to find the best visions for a common exhibition space of the Baltic Sea countries in Estonia.
The Baltic Sea Art Park will be located in the downtown of Pärnu, on the left shore of the Pärnu River. According to initial plans, folk art and art work of professionals of the Baltic Sea nations will be exhibited in the floating pavilions. To establish these national pavilions, nine countries will be invited: Denmark, Estonia, Germany, Finland with autonomous Aland, Latvia, Lithuania, Poland, Russia and Sweden.
Authors: Zbigniew Wroński, Szczepan Wroński, Marta Sękulska – Wrońska, Małgorzata Dembowska, Krzysztof Moskała, Michał Czerwiński; visualisations – Sebastian Kochel.
On the north edge of Shanghai city, an isolated wetland of about 10 hectares has remained undisturbed for several decades. Now it becomes a nature reserve and a part of the park system of New Jiangwan City, a new town developed around the wetland. Since the fragile ecological system can only afford guided tours of small groups, it is necessary to establish an exhibition observation center at its west side for the public to use. In the architect’s long-term plan, two elevated walkways will radiate from the Center into the reserve so the entire area will be accessible to the public.
Sky Courts Exhibition Hall, located in the International Intangible Culture Park in Chengdu China, utilizes the internalized strategy of the traditional Chinese courtyard house to create a variety of aggregated exhibition galleries within one building. Broken up into a series of variably scaled halls wrapped around seven courtyards, the structure creates a range of open spaces inside the deep floor plan. This ‘packed’ and ‘wrapped’ internalized organization has both spatial as well as environmental benefits to the building.
Photography: Yihuai Hu, Höweler and Yoon Architecture
Client: Chengdu Quingyang SCD, Ltd
Program: Cultural Building: Exhibition Hall
Services: Architecture (New Construction)
Design team: Eric Howeler, Meejin Yoon, Meredith Miller, Ryan Murphy, Parker Lee, Jennifer Chuong, Casey Renner, Chua, Matthew, Nerijus Petrokas, Zi Liu, Saran Oki, Cyrus Dochow, Thena Tak, Yushiro Okamoto, Jeremy Jih
Under the Expo 2017 theme \”The Energy of the Future\”, S+A concept proposes an enduring landmark in Astana that integrates renewables, efficiency, clean technologies and sustainability into livable and feasible architecture where \”Energy is Life\”.
In the summer of 2012, we were invited by Vanke Group to design their exhibition centre in a seashore park at Bayuquan, Yingkou, China. We tried to explore 2 kinds of relationship within the design – the relationship between space and the scenery, and the relationship between public and private.
UNIT Architects held the opening night of their 12 week exhibition on Tuesday 16th July in the entrance space of Buro Happold’s 17 Newman Street offices as part of Buro Happold’s Emerging Architects event programme.
Emerging Architects is a series of events run by Buro Happold to promote and expose the work of some of the world’s most imaginative and engaging new architects. Currently in its sixth exhibition, the series has drawn in a diverse array of talent, and promises to go from strength to strength.
The Brisbane Convention and Exhibition Centre Expansion (BCEC on Grey) is responsible for the engagement of one artist to conceive and create a narrative of works which enrich the experience from the street right through the internal public spaces of such a large and significant public building.
‘Frozen time’ has been presented for a Japanese watch brand CITIZEN in Baselworld which is the largest watch and jewel industry exhibition in the world. In this year, the main exhibition hall has been fully renewed, therefore all the brands are intended to express their next 4 year’s vision. In order to conceive their brand identity almost all the brands has designed a fully new booth for this year’s exhibition. CITIZEN as a Japanese watchmaker took their approach to represent their brand identity differently in this context. Instead of just renewing entire booth for next 4 years, they have reserved a large reception space to be opened and to present an installation for CITIZEN every year as space to evolve and to express their fundamental identity of ‘Challenging sprits’.
…is an architectural interpretation of the Taiwanese Mountains reflecting in the sea, a building of 65.000m2 library and exhibition spaces in the Center of Taichung.
The building consists of 3 interconnecting spaces, interpreting known landscape motives.
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