The Rola-Moça State Park is one of the most important green areas of the State of Minas Gerais. Located in the metropolitan area of Belo Horizonte, it houses some of the sources that supply the capital, as well as the natural habitat of species of endangered fauna such as the brown jaguar, the ocelot, the maned wolf, the wildcat, the macuco and the stag So the Park is situated in a transition zone from Cerrado to Atlantic Forest, rich in ferruginous fields, which are very rare, being found only in the iron and iron quadrangle and in Carajás.
The Serralves Foundation promoted a contest for the Design of an Exhibition Pavilion to “invigorate the creation of new creative projects based on an innovative approach that stimulates new creative solutions”. As a premise, the competition was set to create an itinerant pavilion capable of displaying varied contents on any given location and configurating several dimensions. Therefore it was asked to design a structure that was supposed to be assembled, disassembled and stored several times.
The challenge of designing a space for the Zurich University of the Arts (ZHdK) in Hong Kong was to offer the most flexible framework for a variety of activities such as workshops, exhibitions, performances and others to happen. The rough concrete shell was therefore planned as a adaptive spatial infrastructure. To reinforce the concept of a “tunnel” between Zurich and Hong Kong and invite the neighbourhood to interact with the space the façade is worked out as a porous interface. Instead of a fix facade two layers of polycarbonate roller shutters create a translucent buffer zone that can alternately or simultaneously lift up and fully open the end of the “tunnel” to the street. The 25m long room can on the other hand be configured in a sequence of different sized spaces.
Discovering Taiwan is a permanent exhibition dedicated to the History of the collections of the National Taiwan Museum, the History of the Natural and Aboriginal Treasures of Taiwan, and the History of Japanese Researchers who built this institution one century ago. The exhibition scenography links this past to the future by questioning the prospect of cultural heritage through 367 pieces including 265 of the most important pieces from the Museum’s collection, facing sculptural, video and sound installations created by contemporary Taiwanese artists.
This art space takes the metaphysical blank space in abstract paintings by contemporary Chinese artists as its starting point. It uses natural light, simple black strokes and translucent materials to create a fuzzy, dream-like physical realm. The project is located within Beijing’s 798 Arts District, as a renovation of a former factory, originally build in the 1970’s during Mao Zedong’s Great Leap Forward.
This project is a exhibition pavilion supported by Longfor Real Estate and Orient Sundar windows company, within which the sustainable architecture strategies and the edge-cutting building techniques could be introduced to the public.
The exhibition project conceived by Migliore+Servetto Architects for “Steve Jobs o visionàrio” exhibition, created and produced by Fullbrand at the Pier Mauà in Rio de Janeiro and then at the MIS in San Paolo, builds a path of knolewdge structured in narrative cells which allow the visitor from time to time to establish a new relationship with the contents of the exhibition.
Vanke Tianfu Cloud City, designed by Aedas, is a prime mixed-use development in Chengdu comprising office, exhibition, hotel, residential, retail and market facilities. Situated within the Tianfu new development zone which is designated for hi-tech and sci-tech industries and in close proximity to Xinglong Lake, the project design is inspired by tech cloud.
The project was developed after winning the tender by invitation held by Coima for the realization of amenities in the building Diamantino, which is part of the new development of Porta Nuova in Milan.
The theme of this exhibition was the artistic work of the portuguese King Fernando II (1816-1885). He was very dedicated to value the arts in general and he had an abundant personal artistic production, in the areas of drawing, engraving and decorative arts. The exhibition was installed in the Pena palace in Sintra, summer residence of the King, as an extra zone of the normal visit to the palace. The objective was to develop an installation that continued the romantic and intimate language of the palace. The intervention values the original space presenting an combination of furniture and color coherent with palace visual language. All the technical installations are hidden. The exhibition presents drawings, engravings an objects mounted in wall frames and showcases, all designed specially for the exhibition and inspired in the romantic language of the palace. The furniture design, the color and the graphic communication intend to create a very intimate mood, deeply connected to the king’s character.
The exhibition catalog was designed like a personal notebook of the king, presenting its sketches.
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