Project: Wuhan Film Production Studio Plot D and Plot E
(Residential and Commercial)
Design Scheme Location: Wuhan, China
Client: Wuhan Urban Construction Group Design and Project Architect: Aedas and gad
Gross Floor Area: Super high-rise tower and retail street – 228,948 sq m and Residential – 387,050 sq m Completion Year: On-going
Design Directors: Dr. Andy Wen, Global Design Principal; Yijun Qian, Executive Director
Wuhan is an ancient yet diverse city with a rich history and traditional culture. Aedas Global Design Principal Dr. Andy Wen and Executive Director Yijun Qian led the team to win the competition of Wuhan Film Production Studio Plot D and Plot E (Residential and Commercial) Design Scheme in the heart of city. Integrating the Wuhan landscape with cultural characteristics, the design is set to be a cultural-commercial hub filled with historical and functional features.
A future cultural-leisure destination in Wuhan
Located in the centre of Hanjiang district, the project is closely situated to the major roads and metro system, enjoying a convenient accessibility to link with other districts. Connected to the landscape view axis, the Cloud City has a spectecular view overlooking the surrounding landscape and Zhongshan Park to the East.
Site location
The overall Cloud City development is a mix of office, residential and commercial. The design promotes the integration of ‘sharing, connectivity and greenery’, to maximise the use of the L-shaped plot and to meet the urban planning requirements. To deliver an efficient commercial experience, the super high-rise tower that consists of office and hotel is placed near the metro entrance. Residences are allocated in the mid-levels, and the porous podium on the lower levels connects with other functions and irrigates the city with vibrancy. With the connectivity to the landscape axis, the skyline merges with the nature and landscape nearby.
Planning requirement of landscape view axis Planning concept Integrated design
Dr. Andy Wen shares, ‘Architecture needs to be multi-dimensional and integrated with features from different eras. Using our professional experience and creativity, we have adopted a micro-urbanism approach to create a timeless and people-centric development.’
The 250m super high-rise tower marks the highest point and urban icon within the district. The tower drew inspiration from the poetic Wuhan and authentic cultural symbol – having cranes flying in the clouds around towers. The slightly curved linear architectural form features a Chinese cornice-like crown on top, and a horizontal metal void in the middle of the façade. Glittering in the night, the crown mimics the energetic crane flying above the golden cloud. The building is cut asymmetrically and creates an interior collaborative space in the middle facing the park. Designed with simplicity and aesthetics, the tower also adopts efficient interior ventilation to ensure a comfortable environment.
Design concept of ‘Yellow Crane’ tower
250m super high-rise building The crown is designed in a form of Chinese traditonal cornices
The clubhouse at the crown enjoys an unobstructed cityscape view
The office, headquarters and 5-star hotel are respectively placed in the convenient low, middle and high zones, enjoying the city and landscape view; the headquarters is designed at the serene high zone. The vertical program arranges the communal collaborative space in between the functions, creating interspersed
interactive spaces including rooftop garden, sky lobby and wellness amenities. The openness, complemented with various circulations and entrances, creates a new spatial experience to connect live-work and socialising areas.
Design concept (shown in GIF) Vertical program arrangement
The podium adopts a L-shape layout, stacked by various blocks and linked by golden fins echoing the motion of Wuhan lake city. The podium includes a multi-dimensional garden, metro sunken plaza, individual flagship blocks and themed plaza. A vibrant shopping experience is created through diverse retail nodes and a multi- dimensional wandering pavement.
Spatial arrangement along the retail circulation Stacking fins through the podium façade
The corridor on the podium connects the functions and merges with the urban fabric and the retail street. The underground retail street links the metro and the surrounding developments to the north. The multi-layered circulation ensures a convenient metro and interconnected pedestrian system.
High line landscape corridor Underground metro system
Corridor seamlessly linking to the surrounding plots
‘Architecture is a powerful medium that resonates with the urban context. The design aims to break the conventional layout of tower and podium, creating a porous and interconnected development which merges with locality.’ Yijun Qian said.
*This is a competition scheme and does not represent the final design.
About Aedas
Aedas is the world’s only local and global architecture and design practice driven by global sharing of research, local knowledge and international practice. Our 1,100 creative minds with design studios across the globe create world-class design solutions with deep social and cultural understanding of the communities we design for. We create world-class design solutions that are tailored to the needs of cities and communities around the world.
Forum Groningen is a new multifunctional building in the center of Groningen, a cultural ‘department store’ filled with books and images, that offers exhibition spaces, movie halls, assembly rooms, restaurants. The Forum aspires to become a platform for interaction and debate, a ‘living room’ for the city.
Forum Groningen is NOT a library, NOT a museum, NOT a cinema, but a new type of public space where the traditional borders between these institutes will dissolve. Information will be presented thematically in a way that transcends the different media.
Design Team: (NL Architects) Pieter Bannenberg, Kamiel Klaasse, Walter van Dijk, Thijs van Bijsterveldt, Florent Le Corre, Sören Grünert, Iwan Hameleers, Sybren Hoek, Kirsten Hüsig, Mathieu Landelle, Zhongnan Lao, Barbara Luns, Gert Jan Machiels, Sarah Möller, Gerbrand van Oostveen, Giulia Pastore, Guus Peters, Jose Ramon Vives, Laura Riaño Lopez, Arne van Wees, Zofia Wojdyga, Gen Yamamoto with Christian Asbo, Nicolo Bertino, Jonathan Cottereau, Marten Dashorst, Rebecca Eng, Antoine van Erp, Tan Gaofei, Sylvie Hagens, Britta Harnacke, Jana Heidacker, Sergio Hernandez Benta, Johannes Hübner, Yuseke Iwata, Cho Junghwa, Linda Kronmüller, Jakub Kupikowski, Katarina Labathova, Ana Lagoa Pereira Gomes, Qian Lan, Justine Lemesre, Amadeo Linke, Fabian Lutter, Rune Madsen, Phil Mallysh, José Maria Matteo Torres, Victoria Meniakina, Shuichiro Mitomo, Solène Muscato, Lea Olsson, Pauline Rabjeau, Thomas Scherzer, Michael Schoner, Martijn Stoffels, Jasper Schuttert, Bartek Tromczynski, Carmen Valtierra, Elisa Ventura, Benedict Völkel, Vittoria Volpi, Murk Wymenga, Qili Yang, Yena Young, Alessandro Zanini.
Naito Shinjuku was established in 1699 as a stage stop along a major thoroughfare heading out of Edo (old name of Tokyo). Dropping the “Naito,” the district started to be called Shinjuku in 1920, the same year that saw the Musashino-kan Shinjuku emerge on Shinjuku-dori Avenue, which was also home to the Shinjuku Mitsukoshi store. Local merchants opened a 600-seat movie theater in the three-story wooden structure with tiled façades. In 1928, Musashino-kan Shinjuku relocated to its current site, a new cinema with 1,115 seats housed in a three-story concrete building. During the silent movie era, Musei Tokugawa was active as a narrator here. Later, an air raid over Tokyo caused a fire to burn the entire interior of the theater, but the building survived and became a symbol of post-war recovery. Cinema offered entertainment to the populace, and Musashino-kan entered the golden age in an alliance of more than 20 theaters. But the movie-going population peaked in 1958 at 1.1 billion tickets, and rapidly dropped to 1/3 of that patronage by 1965. Amidst a declining industry, the decrepit Musashino-kan was demolished in 1966 and rebuilt. Still standing today, the building initially consisted of a retail and dining complex seven floors aboveground and three floors underground. The first movie theater in this new building had 500 seats on the seventh floor. In 1994, the Cinema Qualite mini-theater opened. The seventh floor was closed in 2002, and the third-floor theater operations changed banners from Cinema Qualite to Musashino-kan Shinjuku. For the improvements made most recently, however, aseismic reinforcement work on the entire building prompted the Musashino-kan Shinjuku on the third floor to undergo a complete renovation.
Located at First Street, HOME forms the cultural heart of one of the largest areas of development in Manchester city centre – a flagship building that acts as a catalyst for the surrounding area. As the base for the new organisation formed by the merger of Cornerhouse and The Library Theatre Company, HOME has been designed to allow for the commissioning, production and presentation of critically engaged and technically complex artistic projects, as well as the hosting of large scale cultural events. The overall budget for HOME was £25 million. Its striking exterior acts like beacon, while the welcoming public spaces and social areas within are designed to be inviting to all. HOME is like a second home, a cultural home: a place for making, meeting and socialising, alongside enjoying the very best in international contemporary visual art, theatre and film.
Our proposal for the future Palazzo del Cinema di Locarno aims to build a physical structure that will constitute the urban identity of the Locarno Film Festival. The project aims to bring together the infrastructural needs of the Locarno Film Festival, the pre-existent physical structure of the Palazzo Scolastico and the Piazza Remo Rossi to synthesise a structure which will capture the presence of the Film Festival within the city of Locarno. The Locarno Film Festival does not have yet a recognizable home within the city, and the complex of the Palazzo Scolastico and the Piazza Remo Rossi represents a great opportunity to encrust the Film Festival within an urban structure which has already deep affective relations to the Locarno citizens, and a significant presence in today’s cityscape. We hope that our project will be able to intensify both the presence of the Film Festival and the City of Locarno.
With more than 100-year-old history, the movie theater “Weltspiegel Cottbus” is one of the oldest cinema buildings of Germany and has stamped many childhood memories. A local enthusiast asked Studio Alexander Fehre to conceive a new overall concept for the former single-hall cinema and to give it a coherent interior design . Now two additional film halls with 80 places in each and a film bar belong in the annexe to the building. The historical hall with 520 places and a golden ceiling was utilized by a retractable platform also for events. By an exciting and universal interior design with references to the early film history an exciting merging of history and modern age succeeded.
email
Facebook
Twitter
RSS Feed
