The interiors of Bayou Villas designed by MSE (Metex Studio Erk) is based on the idea of integrating with nature and offering a personalized experience in itself, reflects the experiences of the nature-human-life relationship.
Hope all is well. We would like to share with you one of Paul McClean’s recently completed projects, located in Los Angeles. The interiors were designed by Lynda Murray, LMID, Inc.
Photographed by Jim Bartsch.
A captivating site looking east towards the San Gabriel mountains with a unique view of the Hollywood sign and the Griffith Observatory, the firm’s clients wanted a family home for themselves and their three children. Because the usable area of the site was somewhat limited and restricted by planning ordinances, they needed to place a substantial part of the program below grade. It made sense to locate the main living spaces and the parents’ suite on the upper level and locate the three children’s rooms as well as a family play area and media space in the basement. The most pressing design challenge was how to get enough light into the lower level while providing privacy from the street and access to the view. The design solution involved creating a central lower-level courtyard with a bridged connection to the main entry above, focused directly on the view of the Hollywood sign in the distance.
The house is separated from the street by a series of stone walls with only a small break on axis with the entry bridge. Entry is through a metal gate and along a tall water wall overlooking the central courtyard and leading to the glass bridge. Upon entering, the living area looks directly out over the pool with the kitchen and dining family space to the left and the main bedroom wing to the right. The living area contains a unique bar area with an aquarium back drop and a clear glass floor to the wine cellar below.
The bedrooms on the lower level all look out over a central landscaped courtyard, with a sliding glass wall that combines the outdoor garden with the family room in pleasant weather. The lower level includes a gym and wellness area in addition to the wine room, with its glass ceiling to the bar area above. Since space is at such a premium, parking for the property is accessed by a ramp and located below the rear garden and pool area.
A palette of natural stone and soft wood tones, accented by black steel windows and trim, creates a warm and inviting series of contemporary spaces, with a seamless connection to the surrounding garden and hillside spaces.
McClean’s eponymous firm is one of the leading contemporary residential design firms in Southern California. Paul has become the go-to architect for celebrity clientele such as Beyoncé, Jay Z and Calvin Klein. With projects ranging in size from 3,500 to well above 50,000 square feet, McClean’s homes are tailor-made to harmoniously fit his clients’ varying lifestyles. Although based in Southern California, the firm is busy working on homes throughout the United States and abroad.
Article source: Architectural studio ZJA in collaboration with HEYLIGERS architects
The former Diamond Exchange, Capital C Amsterdam, dating from 1911, has undergone a major renovation designed by the architectural studio ZJA in collaboration with Heyligers architects. The monumental building has been largely restored to the original Gerrit van Arkel design and has regained its original allure. The Dutch monument is crowned with a striking, spatial dome of glass and steel; the High Light. Common thread running through the building are about twenty art and design projects.
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A dredger-ship moored in Zapyškis (Kaunas district, Lithuania) can no longer be used for its intended purpose due to outdated technology that is harmful to the river ecosystem. The team’s goal here was to use it as an exhibit and at the same time create a space with a new function. Thus, the culture ship ‘Nemuno 7’ was born. It houses an interdisciplinary arts centre which offers exhibitions, a park on the water, artists’ residences and other cultural activities. The deck of the ship is planted with various types of pioneer plants. Their integration was one of the key elements of the ship’s transformation.
Cukrarna is a former sugar refinery, built in 1828 in Ljubljana, Slovenia. During its’ two-hundred-year history, it was a sugar refinery, destroyed in a disastrous fire, and later a tobacco factory, a textile factory, a military barracks, and a homeless shelter. It was also a temporary home for many poets and writers from Slovenia’s Modern period, which was key to establishing Slovenia as an independent nation. Due to its’ significance as a monument of 19th century industry, it has been listed as a protected building, and due to its rich history, it is firmly anchored in the Slovenian nations’ subconscious as a cultural symbol.
Nissen Richards Studio has once again worked with client Historic Royal Palaces – this time on a new, temporary exhibition at London’s Kensington Palace. Life Through a Royal Lens explores the Royal Family through photography and brings together in one place some of the most iconic images of the Royal Family ever taken. The new exhibition is now open and runs until 30 October in Kensington Palace’s Pigott Galleries.
The project site locates along Chiba-Kaido Avenue in the historical part of Nishifunabashi, Chiba, near the Sengen Shrine on the hill with lush pine forests. The client, an art collector operating a real estate business, planned to build a new building on his parents’ property to accommodate his family’s residence and his company’s galleries & offices. Besides his parents’ house on the northern end of the property, most areas of the linear site closer to the road were relatively unplanned, with an old warehouse building and car parks mixed in the lush vegetation. Thus, our first approach was to organize the entire site so that the two families’ lives and the workspaces coexist comfortably, arranging site circulation and developing a sloped garden moderating the level differences between the two buildings. The new building accommodates garages in the middle of GF and the residence on the quiet northern side facing the garden. The galleries & offices are vertically consolidated on the southern side towards the national road to be the main face of the building. Interpreting the client’s visions to this place, such as cultural commitment to the neighborhoods, attraction to external visitors, and utilization of suburban potentials, we aimed to incorporate publicness and versatility into the new building together with attractive design, like ‘museum with a house’ rather than ‘house with galleries.’
As you follow the scent of smoke, you will face a flower that holds the warmth.
Inspired by Hanok(traditional Korean house) the exhibition area is an idealistic space where reality and unreality, past and present are being coexisting.
Traces of little birds and tiger patterned ridge illustrates the creatures of nature and the warmth of nature itself. The garden is designed to offer a comfortable resting space and it is filled with craft products based on the usability, quality contents with cutting edge technology and cultural heritage.
The Shinjuku Sumitomo Building was built in 1974 in Tokyo’s Nishi Shinjuku district. The site’s expansive “Sankaku Hiroba” (triangular plaza) atrium roof, along with associated renovations, offer a sustainable model for addressing an emerging problem for Japan’s cities: how to carry out renovation projects on large-scale buildings using good maintenance practices. The project also represents a greater societal effort to enliven the urban business district and enhance its value as an accessible gathering place.
Efremidis is situated on the ground floor of the listed building designed for IBM by Rolf Gutbrod and Hermann Kiess in the early 1960s. The ground floor housed the data center of the blue giant which explains the higher than usual ceiling filled with air vents and -ducts. The exhibition space has been redesigned by CAMA A during the summer of 2018. Many original architectural features were retained in order to encourage reflections on the exhibition site. In the building, which was built by Rolf Gutbrod in the 1960s, the new gallery occupies the entire ground floor. In the past, the latest computer models were exhibited here – today it is a room in which contemporary art is shown.