Article source: Pierre Vurpas et Associés Architectes
The project enhances the historical building of the Trévoux hospital, located on the old ramparts. It has been built on the site of the former annexes and outbuildings.
Weeksville Heritage Center is a unique urban design project in which a modern architectural syntax of simple forms, strip windows, and glass passageways is impacted by repeated African riffs. The riffs are variations that provide a visual counterpoint. The riffs are embedded in construction, in structural elements, such as the joints in paving and stone, in the choice of colors and materials, and in the details like the fence posts and the frit in the sunshading glass. The modern syntax and African riffs, although independent from each other, harmonize when experienced as an entirety.
Clients: David Burney, FAIA, NYC Department of Design & Construction, Victor Metoyer, NYC Department of Cultural Affairs, Pamela Green, Weeksville Heritage Center
Sub-consultants: Alma Smith, Construction Manager, Hill International, Seamus McNabb, General Contractor, Brickens, Construction, Benjamin Alper, Structural Engineer, Severud Associates, Hazern Huss, MEP Engineer, Loring Consulting Engineers, Andrew Ciancia, Civil & Geotechnical Engineer, Langan Engineering, John Rhyner, Geothermal Engineer, P.W. Grosser Consulting, Jeffrey Berg, Lighting Design, Berg-Howland Associates, Elizabeth Kennedy, Landscape Architect, Elizabeth Kennedy Landscape Architects, Greg Dimech, Cost Estimating, Faithful + Gould, Fred Shen, Acoustics & Audio Visual, Shen Milsom + Wilke, Francesca Bettridge, Theatrical Lighting, Cline Bettridge Bernstein Lighting Design, Frank Fortino, Building Department, Metropolis, Barbara Heller, FAIA, Specifications, Heller + Metzger PC, Gordon Smith, Curtainwall, Gordon Smith Construction, Carmel Bowron, Sustainable Design & Commissioning, Viridian, Jeffrey Venter, Security, Ducibella Venter & Santore, David Dial, Museum Programming, Dial Associates
Our proposal starts with an existing traditional house enclosed between the side walls of two adjacent buildings in the area of San Lorenzo neighborhood, in the Historical Center of Seville. The origin of the house dates to the late S. XVIII, but it has suffered several modifications in different times till the present.
Gdańsk Historic Heritage Center is designed to be a multifunctional building and a part of targ sienny / targ rakowy complex – a new project in the very center of Gdańsk. The buildings’ main purpose is to host an exhibition of a large scale model of a pre-World War II center of the city and mark the starting point of tourist excursions around it’s streets. The design of GHHC was to be chosen in a contest for architecture students.
The Atlanta History Center project is a partial interior renovation of the existing building. The building’s exterior is addressed with the intent of maintaining a large portion of the current structure while achieving a transformation of image. The History Center fulfills a dual purpose, operating as a traditional museum and exhibit space on the mission of the Historical Society, and acting as a revenue generating event space. The current building, characterized by corridor-style circulation and partitioned rooms challenges the use of each function, creating a circulation driven by destination rather than exploration. Because of the shortcomings of the original design, the existing history center does not support the mission and revenue goals of the historical society. This project addresses this problem.
Fort McHenry National Monument and Historic Shrine is the birthplace of America’s national anthem and one of the nation’s most significant historic landmarks. The Fort, the National Anthem and the flag, together and individually, help us to understand how the United States was created, defended, and preserved. It was with this context and these rich national symbols in mind that the design team, led by GWWO Architects, conceived the expression for the new visitor center.
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The abbey of Saint Maurice was built almost 1500 years ago. It is situated against a cliff in a section of the road between Geneva and the Simplon Pass. This particular site was likely to be chosen for its defensive position given by the cliff. However the planned fortification proved a failure due to rock fragments falling from the cliff onto the building.
Coverage of archaeological ruins of the abbey of st. maurice
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The competition name is „Historic Park of Medieval Bosnia and Herzegovina (Zenica, Bosnia and Herzegovina). The intention of this competition was to create a thematic park, having a medieval Bosnian history as a subject. It was left to the competitors to decide how to organize the given site and to choose the approach. Only the set of most important historic artifacts, which had to be presented at place, was given as limiting factor. The chosen site was a green area in the city center, well provided with the pedestrian paths. Our design result was a museum pavilion, with a given name timespace.
Fort York, considered the birthplace of Toronto, is a National Historic Site. It represents the single most important cultural heritage link to British military and social history remaining in the City of Toronto. The Fort’s layered historical themes and associations with a rich archaeological past re-enforces the need for a sensitivity in design to both the existing above-ground cultural heritage resources and the below-ground archaeological resources. The larger challenge of this project is not only to present cultural heritage and preserve archaeological resources but also to contribute in making the social, military and intangible histories of this site more present and palpable.