The site as well as one already existing building is located in a top location, right in the city center of Klosterneuburg. The building facing the street will be redeveloped in the course of the project; two other building blocks will be designed from the beginning and built new.
Recent years have demonstrated a substantial and sustained increase in the number of student applicants throughout Denmark. As the number of students continues to grow, additional student housing will be needed to accommodate them. There are few strategies that allow cities to expand. Yet, Copenhagen’s harbor remains an underutilized and underdeveloped area at the heart of the city. By introducing a building typology optimized for harbor cities we can introduce a housing solution that will keep students at the heart of the city.
Photography: Laurent de carniere and Frederik lyng
Client: Udvikling Danmark A/S
Project Leader: Joos Jerne
Team: Aaron Hales, Adam Busko, Agne Tamasauskaite, Aleksandra Sliwinska, Andreas Klok Pedersen, Annette Birthe Jensen, Birgitte Villadsen, Brage Mæhle Hult, Brigitta Gulyás, Carlos Soria, Christian Bom, David Zahle, Dimitrie Grigorescu, Edda Steingrimsdottir, Edmond Lakatos, Elina Skujina, Finn Nørkjær, Ioana Fartadi Scurtu, Jacob Lykkefold Aaen, Jakob Lange, Kamila Rawicka, Lise Jessen, Lorenzo Boddi, Magdalene Maria Mroz, Nicolas Millot, Perle van de Wyngert, Raphael Ciriani, Stefan Plugaru, Stefan Wolf, Tobias Hjortdal, Toni Mateu, Tore Banke, Viktoria Millentrup
Collaborators: BIG Ideas, Danfoss A/S, Grundfos DK A/S, Hanwha Q CELLS Ltd., Miele, NIRAS A/S, Dirk Marine/House on Water
Tic Tric Trac, an ensemble of three buildings in Zurich’s Binz district, is designed for tenants with innovative ideas of their own. The top-quality shell has been conceived with a view to young creative agencies and dynamic start-ups as well as expanding companies with a floor space requirement of at least 1,000 square metres.
This set of 10 houses (first stage) is located northwest of the town of La Barca, Mexico.
The houses are built on an area of 924.04m2 in a horizontal subdivision called Jardines de San Ignacio which has approximately 450 lots which are mostly of 90.00m2 (6.00×15.00m).
The timber structure in Korean traditional architecture presents fundamental nature of sustainability, maintaining the concept of physical space (whole) even after continuous renovation, change and transformation of materials (parts). Using the mode of ‘Prefabrication’, we attempt to reconstruct the space of living, based on ‘Madang’, an empty space with multiple functions and diverse social implications. Two base modules are used to create the diverse configurations, the solid and the void. The module in the Korean traditional housing is called ‘Kan’, the bay between columns. It needs bigger timber necessary to build larger ‘Kan’, which makes it very expensive to construct. Also, more ‘Kan’ implies bigger scale of construction, implying socio political values in the modularity of architecture. Sometimes, the housing is moved to other locations after the disassembling and reassembling, since permanent joint connection is rarely used in the traditional timber technique. The material is continuously replaced and reconfigured to strengthen the sense of space, emphasizing the relationship between the solid and void, the nature and architecture. The ‘Madang’ in Korean housing is naturally a void, a left over space. It is open framework between public street and private housing so that it can serve for either the public event, or extended private function. In the modern multifamily housing equipped with market driven globalization, the void has been disappeared. Without the void, apartment housing is the repetition of same plans. The functional space standardized the way of living. The façade becomes thin membrane dividing the public and private. Therefore, Prefabricating the void suggests to reconstruct diverse function of voids by prefabrication in architecture, giving depth to the façade, providing open framework for the residents to use with various purposes.
Article source: Marjan Hessamfar & Joe Vérons architectes associés
Introduction
This project involves building 93 multi-family and mid-range housing units in the Berges du Lac-Ginko development area, which forms part of the urban renovation scheme for the north of Bordeaux.
A mixed-use program of office and retail, with private residences above, define the Blumenhaus. The building is an integral component of a larger effort by the city of Zürich to rebrand its Escher-Wyss district through a metamorphosis of new development, including green spaces, bikes lanes, and a plethora of new housing. The district is characterized by its industrial heritage, and palette of raw concrete, burgundy brick, and rusted steel; it is bounded to its north by the Limmat River, and to its south by the entanglement of railway tracks that lead to the city’s main train station. Blumenhaus is adjacent to a former ship-building hall–or Schiffbau, in German–of Escher Wyss & Cie., an industrial company that was absorbed by another in the twentieth century; its expertise was turbines and electrical engineering. When the company left this location, the area began to decline in its industrial prominence, opening a path toward its redevelopment. Yet, some industry continues to inhabit the district, enabling a confluence of gastronomic, commercial, service, and other residential-supporting businesses to further define this once neglected area, just north of Zürich’s old city center.
The apartment building is located in a narrow site dimensions (7.8m wide by 28m long) on Rodin 33 street, this conditions demands an accurate lecture of the architectural program. to optimize the interior space we decided to look forward for a structural sistem that allow us to enjoy the open space.
The living room and dinner room are clearly conected to the exterior terraces taking the widest side of the site 7.8 meters. One apartment is located by floor, allowing to the user take an interesting view of the Mexico city skyline.
VIA 57 West is a hybrid between the European perimeter block and a traditional Manhattan high-rise, combining the advantages of both: the compactness and efficiency of a courtyard building with the airiness and the expansive views of a skyscraper. By keeping three corners of the block low and lifting the north-east corner up towards its 450 ft peak, the courtyard opens views towards the Hudson River, bringing low western sun deep into the block and graciously preserving the adjacent Helena Tower’s views of the river. The form of the building shifts depending on the viewer’s vantage point. While appearing like a pyramid from the West-Side-Highway, it turns into a dramatic glass spire from West 58th Street. The courtyard which is inspired by the classic Copenhagen urban oasis can be seen from the street and serves to extend the adjacent greenery of the Hudson River Park into VIA. The slope of the building allows for a transition in scale between the low-rise structures to the south and the high-rise residential towers to the north and west of the site. The highly visible sloping roof consists of a simple ruled surface perforated by terraces – each one unique and south-facing. The fishbone pattern of the walls are also reflected in its elevations. Every apartment gets a bay window to amplify the benefits of the generous view and balconies which encourage interaction between residents and passers-by.
The 6 buildings in the Minimes neighbourhood were designed in 1954 by architects and urban planners from the Alpha group. The architectural composition of these social housing units is elegant and the buildings were erected with great care.
Still, time has left its mark. The thermal insulation needs improving, and it is also important to equip all units with decent sanitary facilities.
Special care has been taken to respect the great simplicity and harmony of the existing buildings.