Manchester-based architects and interior designers 74 have completed the refurbishment of Building 3 at Salford’s prestigious Exchange Quay – newly-rebranded as ICE. The project, for clients Ekistics Property Advisors LLP and Hunter REIM, is comprised of a dedicated social, meeting and bar space, a hireable meeting room, a co-working zone and five upper storeys of lettable office space. The project forms part of 74’s ongoing involvement with the 435,000 sq ft Exchange Quay development, a collection of seven different buildings, all of which offer remodelled Grade A office space from a premium location on the edges of Salford Quays, Soapworks and the expanded Media City.
The apartment interiors and the lobbies carry similar design aesthetics: bright hues are contrasted with darker tones. Light colored materials were given preference due to the modest sizes of the apartments, but darker shades of the natural marble textures of Onyx and Cala Catta accentuate and sharpen the spaces. The vertical wooden detailing and the see-through partitions are giving more depth to the interiors of these small apartments.
The main entrance of Batumi Boulevard Residence, on the other hand, is quite massive and it's shared with a hotel, allocated to the first three floors of the building. Space is lofty and darker shades were comfortably embraced here.
A wavy and bold logo was also designed specifically for this project.
Since ancient times, preeminent talents have been inseparably related to the lands that nurtured them. Located in Xili, Nanshan District, University Town of Shenzhen not only provides a free academic, artistic and humanistic environment, but also attracts Sheraton to settle in, which is the first international hotel entering this area. With such a humanistic setting, the hotel offers a spiritual habitat for the metropolitans.
Through comprehensive analysis of the surroundings, architecture, landscape and interiors, CCD utilized a holistic approach to define the urban “bleisure” hotel. Design elements extracted from the architectural blocks are utilized to the spatial layout, so as to add a sense of three-dimensional structure to the space. Moreover, lifestyle elements are also applied to the interior design, making the hotel more relevant to daily life.
Pakubuwono Signature is a luxury Multi-Family Residential project located in South Jakarta, Indonesia. For the residential lobby on ground floor and basements, INSADA brings a modern, fresh interpretation of the Art Deco ornaments and aesthetics. The aim of this design is the bring balance within the decorative elements that are utilized to bring out an interior statement of glamour while modernized geometric patterns serves to simplify geometry and bring elegance to existing structures. Interplay of materiality also appears in the lobby area between the welcoming nature of deep colored wooden veneer and the striking metal, custom decorative lighting, and artworks.
Zhongshan, known as Heung-san in ancient time, was an isolated sea island rumored to have been an earthly heaven boasting many a celestial flower. With the endeavor and commitment of generations of great figures in the history, Zhongshan has become an agreeable city to live and a leader in commercial and cultural development nationwide. Le Méridien Zhongshan is located in Gangkou Town of Zhongshan City, with monuments, temples, modern shopping malls and verdant wetland parks all close by. As the first five-star destination of business trip in North Gate of Zhongshan urban area, the 100 meter high-rise of 24 floors is regarded as the most impressive skyline of Gangkou Town.
BLVD always treat entrusted projects with good-will and resolution by exploring the past of the city and savor locally exclusivehuman and social cultures, the design approach perfectly aligned with “Destination Unlocked”, the brand idea of Le Méridien. The design unveils the cultural glamour of this historic town with new visions, throwing guests to the past when the city was called Heung-san. Inspired by “mountains”, it infuses fun and excitement into the hotel and arouses curiosity and a spirit of adventure with French elegance of Le Méridien.
The project is a co-working space located in Shenzhen, which was design by X+LIVING. The goal was to create a space which can accommodate multiple companies and give full play to the employees' individuality, and let “co-working” no longer be just a synonym for “low-cost”.
The chief designer, Li Xiang, integrated artistic aesthetics and interesting visual effects into the four-storey space, and differentiated the tone and style of each floor based on functions.
1F serves as the lobby and reception area, with two entrances. The main area of the lobby on the south side functions as the main entrance, from which people can reach the workspace, while the north area features an entrance leading to the dining space and a large striking installation resembling a hot-air balloon.
Since 2008, Portland Playhouse had been operating out of a historic, 1904-era church in the King neighborhood of Portland, making-do with sofa seating and make-shift solutions in a building long-in-need of updates. Opportunity arose in 2012 when the city officially granted use of the structure as a theater. With a secure home in hand, the Playhouse undertook a plan to transform the outdated building into a fully dedicated theater. SERA partnered with the Playhouse on a multi-phased project that identified programmatic requirements, functional needs, aesthetic preferences, and growth strategies for the organization. The results of that planning included a substantial renovation of the existing building, the addition of a 1,200-square-foot dedicated rehearsal and community space, and concept design for an outdoor component to be added at a later date.
The Linda Pace Foundation announced today the new naming of its contemporary art center, Ruby City, as well as the rollout of a new graphic identity and website. The new identity, keyed to Linda Pace’s vision and Sir David Adjaye’s design, emphasizes the San Antonio experience, while the website will function as a resource for Ruby City’s development and programming as well as Linda Pace Foundation’s collection. Previously associated solely with the Sir David Adjaye-designed building, Ruby City will now denote the overall institution, comprising of Chris Park and the auxiliary exhibition space, Studio, formerly known as CHRISpark and SPACE. The Linda Pace Foundation will continue to operate as the owner and steward of Pace’s collection.
M50 Art Hotel Project is located in Pingle, Sichuan. Pingle Ancient Town is planned to be a music theme town. Therefore, the starting point of this project is around “Music”. In this project, MUDA- Architects strives to explore and activate local culture genes, and to create a landmark building that can inherit the historical context and also is forward-looking. It is an architecture which is able to talk to the future.
MUDA-Architects hopes to further explore the relationship between architecture and music in the design: tapping into the local history and culture, we learnt that the love story between Zhuo Wenjun and Sima Xiangru happened in Qionglai. Taking the song “Feng Qiu Huang” as the starting point, guqin was found, and the strings was extracted. The project abstracts the action of “touching the strings” into architectural form. When the strings solidify at the climax, the final form of the building is obtained, which also responds to the theme “Architecture is frozen music”.
The AC Hotel by Marriott in downtown Portland puts culture at the center of the guest experience—merging the European-inspired brand with local art and craft. Located at the busy corner of SW 3rd and SW Taylor Avenue, and adjacent to the Yamhill historic neighborhood, the hotel is one of the first AC-branded hotels in the United States. With 204 guest rooms, the new thirteen-story, 120,000-square-foot hotel serves as a dynamic addition to the city.
The hotel engages the city through its vibrant street-level design: lobby, restaurant, and bar are wrapped with windows as a visual marriage of inside and outside spaces to make guests feel a part of the city and vice versa. The design pays homage to its historic context while playing with its sense of materiality, eschewing the ubiquitous red brick of the district, instead using an off-white brick. Silver-toned metal spandrel panels are set against the strong vertical, brick frame, resulting in a building that emphasizes its stature with a flash of elan. The building’s prominent corner, where the two busy street facades meet, is clipped and appears to have an inset vertical ribbon of windows that run the full height of the building, providing each floor with a perch from which to view the activity of the city.
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