Shenzhen has been growing rapidly since being named a ‘special economic zone’ in 1980. High-rise structures have transformed the city’s skyline as its population has grown to over 12 million. Located in the city’s eastern Longgang district, the Cultural Centre contributes a rich and varied cultural programme housed in an iconic urban connector.
The newest addition to Tacoma Art Museum, the Benaroya Wing is a 6,595-square-foot expansion to house the Benaroya Collection, a legacy gift donated to the museum by Rebecca and Jack Benaroya. The design of the Benaroya Wing balances opacity and transparency to provide optimal viewing conditions for more than 350 works of glass art, paintings and sculpture by Northwest and international artists. The addition also strengthens the visual connection between TAM and the city by activating the north end of the museum and offering a new platform for visitors to observe the urban context from the galleries.
Situated at the perimeter of the expanse of Hacettepe University’s Beytepe Campus in Ankara, Museum and Center for Biodiversity building houses scientific research facilities and exhibition spaces devoted to scientific materials on the topic of biodiversity. Beytepe Campus is on the main development axis in Ankara, the westward highway to Eskişehir, which creates severe pressure of urbanization and land fragmentation. The campus sits on a system of interconnected valleys and ridges that also extend to neighboring campus lands, with several particular valleys which still have a distinct ecosystem. Several long to mid-term projects are under consideration, aimed at preserving this natural resource within the shifting center of a rapidly developing city of five million people. Museum and Center for Biodiversity is one of the most concrete attempts within this scope; it will be a contribution for landscape preservation as well as a social stimulus for the scientific community.
Article source: P-06 Atelier + Site Specific Arquitectura
This project is the result of a creative process in which architecture and design worked together to make a global renovation of this museum dedicated to the life and worship of Saint Anthony (Santo António), by restoring the old building, developing the exhibition design and also the environmental graphics. The exterior intervention was designed with the primary goal of reinforcing the visibility of the museum in order to announce it more effectively, and also to create a clear visual separation between the two buildings that shape the square (the church and the building where the entrance of the museum is located).Inside the museum, the main concern was to make a global intervention that is felt as something that stands out from the existing architecture (the dark grey enhances that idea), yet with an effective integration on the space’s original geometry and volumes (due to the curve shapes of the newly built display structures). Throughout the museum, the display of pieces and paintings is exclusively made on these structures, that contain several lit niches combined with graphics directly printed on the surfaces (inspired on the idea of “shrine” that relates with this museum’s theme). The global reading of these “reinvented shrines” on the space, gives a continuous exhibition flow that guides the visitor through the narrative sequence.
Article source: Pleasanthouse Design and INTACT Studio
We always feel excited to spread out as people asked which games(s) memorized your childhood with little folks. Super Mario Bros, Contra, the King of Fighters 97…
“GameOn Blooming” China Tour 2018, as the world’s first immersive experience exhibition based-on video games, has collected over 150 classic games and countless unforgettable memories for people in thirties, forties, and fifties. The exhibition organized jointly by Blooming Invest and Barbican Center London has ended now.
Młode Miasto or Young City of Gdansk has always had a significant role in the development of the City. Since its first official mentioning in the historical chronicles of 1380, the site has been recognized as a new and attractive settlement area for future generations and with such a rich past, the identity of the new neighbourhood should be built around this heritage.
Like a palimpsest, traces of the different periods of the shipyard can be found overlaid throughout the site. Thess traces form a starting point for the definition and design of the public realm, with each main public space referring to a specific period of history and reimagined for future programs offering a mixed and people-centred new district. Streets and plazas will turn into an urban timeline with a “memory walk” resurfaced and revived for the new community and future generations of Gdansk. The main advantage of this part of the city has always been its location. Not only because of its direct connection to the Main City, but also, due to the nearby Vistula river which has been the main source of water and transport.
The Chinese Academy of Art (CAA) in Hangzhou has two campuses. One is in the city center, near West Lake, and a new larger campus is in the outskirts. The presence of the architect Wang Shu is ubiquitous on the new campus: most of it buildings were designed by him. When we started on this work, he had not yet received the 2012 Pritzker Prize. The help that we received from both of him and his architect wife Lu Wenyu during the early stages of our work – and even today -, were and continue to be fundamental.
“Geometry in motion” is a paradigm in which the architectural language and tectonic manifestations of an object gain resonance and operate within the duality of presence and context. This type of poly-performative structure can be contextualized within the directives of Kinematic Viscosity, the analytics and mechanics of motion within points, (bodies) objects, & systems. The project examines this Kinematic play of horizontal fluctuations and the bifurcation in massing components. By creating a dynamic system that operates as a continuous fluid body, the plan of operation and multifunctional programs flow and overlap creating a hybrid composite of boundaries and tectonics. This allows both a separation and opportunities of intermingling for display and exhibition layout. The dual function of the architecture is to display art and various fields of design objects for the greater education of design appreciation, in its methods, technique, and meaning. As a project of speculation on growing cities and dynamic architecture, this concept proposal situates itself within a park setting of Houston, Texas. As an urban city like Houston continuously grows and expands its museums and art culture, the proposal is to accommodate the growing and emergent design youth as a place to engage the discipline of production and aesthetics.
Danish office ADEPT wins international museum competition in Berlin
For more than 20 years, the protected ‘Marinehaus,‘ originally a union club for naval officers, was left neglected in the central Berlin neighborhood, Mitte. Now the building, as a central part of the vision of the Berlin City Museum to establish a cultural cluster, is to be resurrected as a new museum typology. With a strong house-in-house concept, ADEPT wins the international competition ahead of 20 invited competitors.
The transformation of a 7.800 m2 protected building is part of the future strategy for Stadtmuseum Berlin, that includes a new type of museum – a creative and cultural pivot that anchors the museum in the everyday life of the neighborhood through exhibitions, workshops and as a community center for the locals.
ADEPT’s winning proposal shows how a simple house-in-house concept can create synergy between the new community functions and the historical frame, already integrated in the urban context. The existing floors are removed and replaced by a new interior wooden structure, allowing visual connections between floors and a warm inclusive identity to the project.
The Kunsthaus Zürich, designed by the Swiss architect Karl Moser, was built between 1904 and 1910 and is situated on Heimplatz, a square in Zurich’s city centre. The existing museum is to be expanded with a new building on the opposite side of the square, designed by David Chipperfield Architects Berlin. The new extension will display a collection of classic modernism, the Bührle Collection, temporary exhibitions and a contemporary art collection starting from the 1960s. Together with the Schauspielhaus (theatre) on the eastern side of the square, the museum buildings will form a ‘gateway to the arts’, an urban entry to the education mile leading to the university buildings to the north.
Client: Einfache Gesellschaft Kunsthaus Erweiterung – EGKE
Partners: David Chipperfield, Christoph Felger (Design lead), Harald Müller
Project Architects: Hans Krause (Competition), Barbara Koller (2009 – 2017), Jan Parth (Site design supervision)
Project Team: Markus Bauer, Wolfgang Baumeister, Leander Bulst, Kristen Finke, Pavel Frank, Ludwig Jahn, Guido Kappius, Ahmad Moutad, Jan Philip Neuer, Mariska Rohde, Diana Schaffrannek, Eva-Maria Stadelmann, Marc Warrington, Robert Westphal
Competition Team: Ivan Dimitrov, Kristen Finke, Annette Flohrschütz, Pavel Frank, Gesche Gerber, Dalia Liksaite, Peter von Matuschka, Sebastian von Oppen, Mariska Rohde, Franziska Rusch, Lilli Scherner, Antonia Schlegel, Lani Tran Duc, Marc Warrington
Executive Architect: b + p baurealisation ag, Zurich
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